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7,0/10
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MA NOTE
La police britannique poursuit un tueur en série qui attire ses victimes féminines par le biais d'annonces personnelles dans les journaux et envoie des indices énigmatiques à la police.La police britannique poursuit un tueur en série qui attire ses victimes féminines par le biais d'annonces personnelles dans les journaux et envoie des indices énigmatiques à la police.La police britannique poursuit un tueur en série qui attire ses victimes féminines par le biais d'annonces personnelles dans les journaux et envoie des indices énigmatiques à la police.
- Réalisation
- Scénario
- Casting principal
Cedric Hardwicke
- Julian Wilde
- (as Sir Cedric Hardwicke)
John Alban
- Concertgoer
- (non crédité)
Jimmy Aubrey
- Nelson
- (non crédité)
Brooks Benedict
- Concertgoer
- (non crédité)
Wilson Benge
- Police Criminologist
- (non crédité)
Paul Bradley
- Concertgoer
- (non crédité)
Colin Campbell
- Wilberforce
- (non crédité)
Jack Chefe
- Pierre the Headwaiter
- (non crédité)
Avis à la une
As an user has pointed out,"lured" is the remake of Robert Siodmak's movie "Pièges" (1939) starring Marie Dea (Lucille Ball's part),Maurice Chevalier (Sanders' part) ,Erich Von Stroheim (Karloff's) and Pierre Renoir (Cedric Hardwicke's) Both versions are good.If ,like me,you've seen Siodmak's version first ,you'll probably find Sirk's work less interesting and vice versa . The differences between the treatments are minimal.
-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.
-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.
-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.
-George Sanders is a better choice than Maurice Chevalier ,cause we do believe he might be a serial killer,which is difficult with the French chanteur.
-On the other hand the scene featuring Boris Karloff is weaker than its French equivalent where Stroheim was more disturbing.
-In both movies,the weakest link is the part of the story where the heroine is a servant in a shady house.
Another noir film starring of all people Lucille Ball. A serial killer is on the loose in England who uses the personals column to lure his victims. Ball, who is an ex-pat in Blighty working as a dancehall companion, has a friend who goes missing so while giving her account to the local constabulary, the chief investigator strikes upon an idea to have Ball go undercover to see if the killer can be caught. Directed by the future king of the 50's melodramas Douglas Sirk, he manages to make a light noir feel fun & engaging w/o the prerequisite baggage which usually comes w/this sort of material. Aiding Ball admirably are the supporting cast of actors which includes George Sanders, Charles Coburn, Cedric Hardwicke & a scene stealer from Frankenstein himself, Boris Karloff.
Director Douglas Sirk, later best-known for sappy Hollywood melodramas, makes this early Lucille Ball vehicle about a killer that writes poetry to the police about the victim he is going to kill. Ball plays a dance hall girl that loses a friend and decides to help by joining the Scotland Yard force. She begins to answer personal ads by men looking for attractive young women. Along the way she comes in contact with a slaving-like operation and a bizarre eccentric fashion designer played with incredible gusto by Boris Karloff. Karloff has roughly 5 minutes of screen time, but boy does he know how to use it. This is a very enjoyable film. If you are looking for a lot of action - look somewhere else. What you get here is a lot of talk and character studies. The cast is one of the most complete I have seen in some time. George Sanders, Cedric Hardwicke, Charles Coburn, Robert Coote, Alan Napier, George Zucco and Alan Mowbray round out this incredibly talented cast. Zucco really stands out as a plain-clothes policeman. Ball is beautiful, and she does a very credible job in the lead. Sometimes I forget that she was a gorgeous woman with a lot of talent other than making you laugh. But that was certainly her greatest gift. Lured is a good, old-fashioned mystery yarn. The killer is painfully obvious about halfway through, but the actors go through the motions with obvious relish. Unfortunately the DVD release I had by KINO had nothing on it all all in terms of extras...didn't even separate chapters from main feature!
I was 'lured' into this one by its cast - Lucille Ball in a dramatic role, opposite George Sanders, and with Charles Coburn and Boris Karloff in supporting roles. I wasn't disappointed. It's a nice mystery/drama where a serial killer in London finds his victims through personal ads, and then boasts about it to the police with poetry reminiscent of Charles Baudelaire. Ball plays an American working in a dancehall who begins working undercover for the police when one of her friends becomes a victim. That bit is a little contrived, but I liked her pluckiness and how she stands up to a variety of creepy male behavior (in the dancehall, various ogling, and with some of the men she meets via the personal ads). There are some standard tropes - Ball's extraordinary powers of observation, Coburn being the distinguished sleuth who engages in a cat and mouse game with the criminal, etc - but the script is intelligent and has some interesting turns. Just don't go into it with the expectation that it's film noir, and enjoy the performances.
An interesting curio for Lucille Ball fans as well as those who enjoy old horror and mystery films. This one is worth seeing for its cast alone, featuring (in addition to Ms. Ball): Boris Karloff, Sir Cecric Hardwicke, Alan Napier, George Zucco and George Sanders! This solid mystery/thriller stars Lucille Ball in a dramatic part before she became Lucy Ricardo. She plays a feisty American gal in England who is hired by Scotland Yard to go undercover to trap a serial killer who claimed one of her friends. Boris Karloff's role is a small one but it's absolutely wonderful, and it's an essential watch for the actors' legion of fans. George Zucco is a cop who keeps an eye out for Ball to make sure she doesn't get into too much trouble. *** out of ****
Le saviez-vous
- AnecdotesThe title was changed to "Personal Column" midway through the original U.S. theatrical release because staff at the Production Code Administration thought the word "lured" sounded too much like "lurid". Director Douglas Sirk felt the title change confused potential audiences and led to the film's box-office failure.
- GaffesSandra's British Scotland Yard ID describes her eye and hair colors. They are referenced as "color", which is the American spelling, instead of the British spelling, "colour".
- Citations
Sandra Carpenter: What is it tonight? A sweepstakes for zombies? I hope you two will be very happy.
- Crédits fousOpening credits: a flashlight pans along the side of a building, and the credits are written on the side of the wall.
- ConnexionsFeatured in Vampira: Lured 1947 (1956)
Meilleurs choix
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- How long is Lured?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Poesia en el crimen
- Lieux de tournage
- Piccadilly Circus, Piccadilly, Londres, Angleterre, Royaume-Uni(opening establishing shots - archive footage)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 700 000 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Des filles disparaissent (1947) officially released in India in English?
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