Quand vient l'hiver

This film is based upon a novel by a long-forgotten novelist, Arthur Stuart-Menteth Hutchinson (1879-1971), who was born in colonial India, and who earlier wrote a novel called THE HAPPY WARRIOR which was made into a silent feature film as long ago as 1917, in which Leslie Howard made his first feature film appearance. This film, IF WINTER COMES, was also initially made into a silent film in 1923 with a cast of actors all of whom are now entirely forgotten in the mists of time. The very powerful and disturbing story was thus a postwar tale, but one told of the aftermath of the First World War, but which is here recycled and set in the aftermath of the Second World War. Walter Pidgeon plays the lead, a gentle and kindly man living in the fictional Surrey town of Tidborough and married to an embittered harridan of a wife, played by Angela Lansbury, who certainly knew how to play embittered women and have a pinched face and the tongue of a serpent. The film is chiefly notable for the second screen appearance of Janet Leigh, aged twenty but successfully playing an innocent 16 year-old girl named Effie Bright, who is all sweetness and light. And who ever had a sweeter smile than Janet Leigh at this age? Despite being American, she manages a British accent successfully enough. The romantic female lead is played by an impassioned Deborah Kerr, at her most intense. She has returned to the town and has her heart set on joining up again with Walter Pidgeon whom she had jilted three years earlier when she ran off and married the wrong man. Pidgeon is a bit wooden, so that one wonders why all this passion is swirling around him. He is excellent at being kindly and noble, and in fact during my brief acquaintance with him in my teens, he was exactly like that offscreen. 'You couldn't find a nicer man.' But that is not the same as inspiring an controllable passion in Deborah Kerr when she is on heat. Oh well, that's the movies for you. Victor Saville did an excellent job of directing, and the film works very well. Dame May Witty has a cameo role, and it is always a pleasure to see her. The story however is very powerful and upsetting. It is about a man with a good heart who through his kindness becomes a central figure in a vast misunderstanding, where he stands accused of all sorts of terrible things which he did not do. Most of the people of the town are exposed as bitter and small-minded, and they turn against him en masse. It is really very harrowing indeed. This makes for good drama, and there is plenty of desperate tragedy.

This movie, wonderfully performed, touches some deep aspect of human life under stress. The combination of war and love affairs is not new. Neither it is the attraction between a mature man and a young girl. However, the spectators must be mislead if they follow that path. Why the movie is about trusting, at different levels: husband and wife, lovers, mature and young, at home, at work, at the pub. There is also a political involvement: the voice of the people, which has two sides. Love can be lost, honor will not. This motto is crucial.The war is an ominous backstage, never shown. Walter Pidgeon makes an extraordinary performance, the rest of the cast does not lag behind. The final scene is simply convincing: as it has to be. Appreciating it requires some insight, undoubtedly.

Despite some of the negative reviews on this site, I really enjoyed this 1947 film, which is set in England right before war is declared in Europe.

Walter Pidgeon is Mark Sabre, a successful writer of children's books, who works at a prominent publishing house. He is well respected and liked in the small town of Penneygreen, where he lives. Though he is a shareholder in the company, he will never be made partner because his boss thinks that Mark's political views are too radical. In fact, he'd love it if Mark weren't even in the company. But the only way he can get rid of him is if Mark violates the morals clause in his contract.

Mark married the formal, somewhat cold Mabel (Angela Lansbury) on the rebound. Now his former love, Nona (Deborah Kerr) returns to town with her husband after a long absence. Nona and Mark realize that they are still in love, but decide for the moment that they can't act on their feelings.

Mark's situation is complicated by a young pregnant woman, Effie (Janet Leigh) who turns to Mark for help after her father turns her out. Mark takes the girl in, and Mabel, believing him to be the father, leaves him. A scandal erupts, and Mark's career and reputation hang in the balance.

"If Winter Comes" is an absorbing drama with good performances. Walter Pidgeon was a solid leading man and is sympathetic and strong here as the principled Mark; as the nasty Mabel, Angela Lansbury, then only 21, is very effective. With darker hair and the way her makeup is done, Deborah Kerr continues to remind me of Maureen O'Hara in her early films. She gives a lovely performance, a good juxtaposition to Lansbury's judgmental, snobbish Mabel. As Effie, Janet Leigh justifies her discovery by Norma Shearer; she sports a good English accent and gives a heartfelt portrayal. Binnie Barnes, Dame May Witty, Reginald Owen, Hugh French, and Dennis Hoey round out the excellent supporting cast.

Recommended, and not only to people who liked Mrs. Miniver.

As mentioned in another review this film admittedly appears flat in the beginning, but develops rapidly into a well-blended story about true love, charity, and the foibles of human misunderstanding and communication akin to those so eloquently portrayed in the American film 'Peyton Place.' Both films are set in small, idyllic towns as well, with this one in England, and both films show the ongoing impact of WWII loses of native sons on their respective communities.

The addition of three extremely accomplished actresses in the initial flash of their stardom -- Angela Lansbury, Deborah Kerr, and Janet Leigh -- makes this film evermore an enjoyable watch.

This MGM film from 1947 was based on a fine book from the 1920s set in the World War One era. That book, and the silent film originally made from it (which I think is lost) were extremely popular in their day, though largely forgotten now.

The story, with spiritual-religious overtones, is about Mark Sabre, a man who is truly doing his best to live according to his principles.

It's set in a small English village, where, despite being misunderstood and even persecuted for his humanitarian actions, Sabre carries on according to his values. In the course of events, he loses his job, marriage, even his health, but refuses to surrender or lose his soul, as it were.

The updating of the story from one war to another (World War Two) seems rather arbitrary. It should work, but the whole thing had more validity in the earlier period. I'm not sure why.

There's also something slightly off about the tone of the production. There's not enough subtlety, especially in the rather heavy-handed direction (Victor Saville). Some of the supporting characters aren't very well rounded - especially when they're the less likable ones. Angela Lansbury as Sabre's wife and Reginald Owen as his boss fall into this category. They're almost hissable villains, at times.

Deborah Kerr and Janet Leigh, on the other hand, come across better as more likeable and principled people in Sabre's life.

Walter Pidgeon is meant to carry the film, more or less (Kerr, the leading lady - though excellent - has less screen time). As an actor, Pidgeon is, as always, good, but still not in the category of a Ronald Colman or a Robert Donat. He's also too old for the part, and (though it's not that important), not actually English.

Nonetheless, it's a compelling story, and, while the film is no masterpiece, the basic plot and premise of the original novel carry it along and hold the interest.