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Frieda

  • 1947
  • Tous publics
  • 1h 38min
NOTE IMDb
7,1/10
579
MA NOTE
Mai Zetterling in Frieda (1947)
DramaThrillerWar

Ajouter une intrigue dans votre langueA Royal Air Force pilot who was shot down during World War II returns home to his English village with his new bride. The trouble is that she is the German lady who helped him escape. Then h... Tout lireA Royal Air Force pilot who was shot down during World War II returns home to his English village with his new bride. The trouble is that she is the German lady who helped him escape. Then her brother arrives.A Royal Air Force pilot who was shot down during World War II returns home to his English village with his new bride. The trouble is that she is the German lady who helped him escape. Then her brother arrives.

  • Réalisation
    • Basil Dearden
  • Scénario
    • Ronald Millar
    • Angus MacPhail
  • Casting principal
    • David Farrar
    • Glynis Johns
    • Mai Zetterling
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    579
    MA NOTE
    • Réalisation
      • Basil Dearden
    • Scénario
      • Ronald Millar
      • Angus MacPhail
    • Casting principal
      • David Farrar
      • Glynis Johns
      • Mai Zetterling
    • 14avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 1 nomination au total

    Photos5

    Voir l'affiche
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    Rôles principaux28

    Modifier
    David Farrar
    David Farrar
    • Robert
    Glynis Johns
    Glynis Johns
    • Judy
    Mai Zetterling
    Mai Zetterling
    • Frieda
    Flora Robson
    Flora Robson
    • Nell
    Albert Lieven
    Albert Lieven
    • Richard
    Barbara Everest
    Barbara Everest
    • Mrs Dawson
    Gladys Henson
    Gladys Henson
    • Edith
    Ray Jackson
    • Tony
    Patrick Holt
    Patrick Holt
    • Alan
    Milton Rosmer
    Milton Rosmer
    • Merrick
    Barry Letts
    Barry Letts
    • Jim Merrick
    Gilbert Davis
    • Lawrence
    Renee Gadd
    Renee Gadd
    • Mrs. Freeman
    Douglas Jefferies
    • Hobson
    Barry Jones
    Barry Jones
    • Holliday
    Eliot Makeham
    Eliot Makeham
    • Bailey
    Norman Pierce
    Norman Pierce
    • Crawley
    John Ruddock
    • Granger
    • Réalisation
      • Basil Dearden
    • Scénario
      • Ronald Millar
      • Angus MacPhail
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    7,1579
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    Avis à la une

    8sb-47-608737

    Moving tale of Racial Prejudice

    Though one of the reviewer has mentioned it to be dated, but is it really ? The racial prejudice - though used destructively by Nazis, existed during and even earlier, not only there, but elsewhere too- the Camping of Japanese (and the use of Vermin for them were a proof of it), even those who were citizens for generations, in USA, the treatment of Gypsies, the fate of the indigenous tribes every where - Maories, Amerindians, Dark-skinned persons,... and it continues even today. The people are still considered equal - or inferior - based on the skin and race. So one really can't call it dated. The mind-set of Nell is very common even today, and the others - are accessory, by compliance/ silence.

    In the story, the heroine (Frieda's) parents were killed in allied bombing - and that well could have been by her love's brother, Alan, who was shot down while bombing the city. But that part of sympathy was missing - that of course isn't by error - may be even deliberate - the psychology of people to overlook the loss of "Others" even when that had been caused directly by "Us". The movie is about the girl, who has sacrificed everything to protect the man she loved (who didn't, at least initially), and her travails - in enemy domain, where she is racially prejudiced by all, and even the circumstances force her man to turn against her - forcing her to opt for divorce Italian (or catholic) style.

    There was only one weakness in the narrative - Frieda's brother - his attitude was not normal. He was totally brainwashed Nazi, on that aspect I don't have complain, but he definitely can't make his innocent sister (that too, the only one left in the family) a sacrifice at the alter, and that too through false implications. In fact any brother, however ideologically blinded he might be, he would try to shield his kid sibling. The attitude of all others were explainable. Robert batted for Frieda - till he got irrefutable proof of her complicity - from her own brother. Nell was blindly prejudiced. The widowed sister in law, Judy wanted him for herself, and that was actively supported by all the family. Who, though not so much racially prejudiced as Nell, still were to quite some extent, probably due to the human losses suffered in the family - Robert and his step-brother were the only surviving - I wonder what happened to his step-father though.

    Despite the semi-melodramatic presentation, it is worth a watch, to look at our own contemporary society, and reflect, aren't we all still in those ages and mind-set ? Aren't we still saying, as the woman remonstrated at registration office against "Giving out rations to a German girl" and "Soon we would be feeding the whole nation" .
    8jools_69

    Frieda, stands up today as it did in 1947

    Phew, that was a tough watch.. Not the production, Frieda is well made, but makes us all face up to our own prejudice and fear. I have no idea how this must have felt to the audience in 1947, I am sure many struggled to sympathise with Frieda, the enemy.

    Today hatred is still rife, we live in a world that is still drawing dividing lines, for what.. where has it got us. Frieda tries to make us examine irrational fears and blind hatred. The film pushes us to see people as individuals.

    I often look back at old cinema as a little simple, corny even, it is not often I sit in silence at the end and contemplate what I have seen, Frieda made me do this.

    Should you watch this, yes if you like cinema that takes you somewhere and you like to empathise with tough subject matter. It is not an arty film and is extremely watchable.. But if you need whizzbangs and CGI this might not be the film for you.

    All I can say to finish, I am glad I finally sat down to watch Frieda.
    10cathyandrews-56977

    Powerful.

    One of the bravest, controversial Post war films around. A very uncomfortable and sensitive subject, treated delicately and with style. This must have been very hard viewing in 1947when it was released, shining a bright light on our humanity and making us consider our own prejudices and potentially shameful capabilities.
    10clanciai

    The problem of being a beautiful German girl in England after the war

    This is an amazing psychological drama about a German girl being brought out of the war by an Englishman who eventually marries her, creating great controversy in his small native town, as his elder sister (Flora Robson) is a leading local politician. She is ardently against all things German, consistently denouncing all Germans just because they are Germans, and her case is perhaps the most interesting one in the film , how it develops, and how she finally gets the last word: "You can never treat any human beings as less than human without becoming less than human yourself." It could have been said by Plato. David Farrar is outstanding as usual as the soldier who refuses to give up Frieda, and Man Zetterling, who herself lived in Germany during a period of her life, is absolutely convincing and outstanding in acting this very sensitive part. I was deeply impressed by the depth of the script and the actors' perfect rendering of it in bringing it more than alive, and although the scenery is rather the same all through with no great practical drama, the inner drama is the more vivid, intensive and spiritually dramatic. This was yet another ace among the productions of Basil Dearden.
    7JoeytheBrit

    Frieda review

    Intelligent British post-war drama focusing on the problems of assimilation of Germans in the UK during, and in the wake of, WWII. Mai Zetterling is the German girl whom RAF pilot David Farrar marries out of gratitude and duty after she helps him escape the Nazis. Upon their return to his home town however she is met by mistrust and prejudice from the unlikeliest sources. The strong storyline is weakened somewhat by the eventual appearance of Zetterling's brother, whose eyes bulge fanatically whenever the word 'Nazi' is mentioned. The central theme is as relevant today as it was back in the 1940s

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Some of the exterior scenes were filmed in Woodstock, Oxfordshire.
    • Gaffes
      The film's opening shows a Polish city [later revealed to be Krakow] in the midst of heavy fighting. Krakow was abandoned by the Germans and taken by the Red Army with no destruction or street fighting.
    • Citations

      Nell Dawson: With every month that passes things will become easier for you. Six months from now you'll be accepted here.

      Frieda: By you?

      Nell Dawson: By nine people out of ten.

      Frieda: By you?

      Nell Dawson: I'm the tenth.

    • Crédits fous
      Opening credits prologue: POLAND-MARCH 1945 No man's land between the German and the Russian armies.
    • Connexions
      Featured in War Stories (2006)
    • Bandes originales
      The Hokey Cokey
      (uncredited)

      Written by Jimmy Kennedy

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    FAQ16

    • How long is Frieda?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 février 1949 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • Frieda, a Mulher que Venceu o Ódio
    • Lieux de tournage
      • Ealing Studios, Ealing, Londres, Angleterre, Royaume-Uni(studio: made at)
    • Société de production
      • Ealing Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 38 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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