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When Loretta Young beat out Rosalind Russell in the Academy Award sweepstakes of 1947 it was considered one of the great upsets in the history of Oscar. Russell had gotten a lot of acclaim for her dramatic breakthrough performance in Mourning Becomes Electra which was RKO's prestige picture of the year. The O'Neill drama flopped at the box office. Young was nominated almost as an afterthought to round out the field in 1947. Of course RKO didn't care because The Farmer's Daughter was also one of their films.

Young worked hard to get her proper Swedish accent for the film and the results would have made Greta Garbo proud. I can't see Garbo appearing in a film like The Farmer's Daughter though.

Young plays Katie Holstrum who leaves the family farm to study nursing and in an almost Forrest Gump like set of circumstances winds up working as a maid in Congressman Joseph Cotten's home. She's not working for just Cotten. Presiding over the home and the state of Minnesota itself is Cotten's mother Ethel Barrymore. Ethel's not only queen of her own roost, but she's a Senator's widow and still one formidable power in her state of Minnesota. And there's Charles Bickford the family butler who got an Oscar nomination himself in this film for Best Supporting Actor as Young's gruff, but kindly mentor.

Although at the time this film was made Young was 34 years old she does manage to convey youth here. It worked in this case because in 1947 a lot of people were starting their careers late. It's pointed out in the story that she stayed on the family farm while her beefcake brothers, James Arness, Keith Andes, and Lex Barker were all in the service during World War II.

A long running television series was adapted from this film with the tragic Inger Stevens in the lead and William Windom in Cotten's role. Cathleen Nesbitt was the grande political dame. The butler's role was dropped and Windom was made a widower with two boys. Even with a genuine Swede like Stevens playing Katie, Young still comes out the better.

Too bad Rosalind Russell never got an Oscar, but Loretta Young was one of the great survivors of Hollywood and her award was as much an award for a lifetime as for the still fresh and funny, The Farmer's Daughter.

Not having seen the movie before, it was a complete surprise to watch it on cable the other night. This film shows that little, if nothing, ever changes in the world of politics. In fact, it could well be compared to this year's presidential contest. The only thing that has changed from the time where this film was done is that in order to win an election in this country, the candidate must be independently wealthy, or have benefactors that are willing to put up the money in exchange of favors down the line, or not be able to run at all.

H. C. Potter's film shows us a slice of what on the surface was an ideal time in America during the 40s, but deep down, this film speaks a lot of what was wrong then, in a subtle way.

Young Katrin Holstrom arrives in Capital City wanting to be a nurse. She has to change plans because when she arrives in the city, she has no money because an unscrupulous man had swindled her out of it. She begins working as a maid at the Morley's mansion. They are the local big name in politics. Mrs. Morley makes candidates, or destroys them. Her own son, Glenn is a Congressman.

All this atmosphere contributes to the growth of Katrin, or Katie, as she is called. She takes an interest in politics and she shows that she can speak and ask the right questions the candidates don't want to answer. The movie shows the dirty side of campaigns, in general, as is the case of with what's happening in 2004 in America.

Loretta Young was perfect as Katrin Halstrom. In this film she out charms everyone that she comes in contact with. Joseph Cotten is as effective as she always was in whatever he appeared in. Ethel Barrymore is Agatha, the rich woman behind the political machine. Charles Bickford is also excellent as Joseph, the butler.

Most movies from that period are sadly dated, but this one keeps the ideals of democracy in check. Bravo to Dory Schary for bringing this movie to the screen.

Brilliantly written social comedy drama about a farmer's daughter who ends up in the employ of a congressman, and then ends up running for office herself. Loretta Young was at the height of her powers as the country girl and Joseph Cotten is the congressman. As I have never cottoned to Cotten, I will say nothing about his performance other than I wish someone else -- anyone else -- had been given the role. I never bought Cotton as an actor, especially as a leading man. Ethel Barrymore is Cotten's politically savvy mother, and the supporting cast is first-rate. The film could just as easily have been made in the 1930s, as it has that era's feel. While it takes a simplistic view of Ame4rican politics, it is still delightful to watch. The subsequent TV series with Inger Stevens was not nearly as interesting.

Loretta Young with blonde hairdo and Swedish accent is a congressman's housekeeper with lots of common sense ideas herself of how things ought to be. Soon she herself is running for office--but not before romantic developments occur between Young and Joseph Cotten (as Congressman Morley). This is the sort of fresh comedy with warm appeal that made the most of Young's abilities--as did her roles in other such warmhearted comedies as "The Bishop's Wife" and "Come to the Stable". She surprised everyone (including herself) by winning an Oscar against stiff competition--Rosalind Russell, Susan Hayward, Joan Crawford among the nominees. It was quite a year for Loretta. Her other film, "The Bishop's Wife", was nominated in the Best Picture category.

Ethel Barrymore and Charles Bickford lend solid support (Bickford won a Supporting Actor nomination) and a young actor by the name of Lex Barker had a small role as one of Loretta's hunky brothers. Still a fresh and charming comedy.

When a senator dies in office, Congressman Morley and his fellow party leaders have to come up with a candidate to run in the election to replace him. Everyone is agreement, accept for Morley's second maid. A Swedish-American farm girl who came to the city to become a nurse, she had to take temporary jobs when she was conned out of her tuition money. Not nearly as naive or helpless as she appeared, she was quickly given a permanent position at the Morley household. She isn't one to hold back on expressing her own political views, and by the end of the movie she's running against the Morley political machine even as she is finding romance with Congressman Morley.

The movie is a bit dated, but because of the excellent script and acting it still manages to be a fresh and amusing comedy. The political satire is much more restrained then what modern audiences are used to, but the topics haven't aged at all. You've got two parties with no obvious ideological differences engaged in partisan bickering and mudslinging while a small group of wealthy and powerful men decide who is going to run for office. Integrity takes a back seat to party politics and favors. Even an unnamed white supremacy group rears its ugly head. When asked what type of politician she would be, the farmer's daughter tells us exactly what she would not be - a typical politician who only represents the wealthy people who financed their campaign and the powerful elite who backed them. Has anything actually changed in the last 50 years?

This one's a winner all the way, not a silly comedy but a wry comment on American politics then, before, and since with some humor sprinkled in every now and then. Too bad there aren't more like Katrin Holstrom and Glenn Morley on Capitol Hill. Strange this movie based on a play and directed by a man noted more for stage direction than for film direction should play like a movie should play and not be just another stage play on celluloid. Also the romantic attraction between Katrin and Glenn seems natural with no saccharine added.

Talk about a cynical approach to mass political rallies to introduce new candidates for popular vote: Joseph Clancy (Charles Bickford) seeing that Katrin Holstrom (Loretta Young) is confused about what is happening before her eyes remarks that the crowd will approve thunderously of anything said aloud. He proceeds to stand up and yell "Fish for Sale" and the entire auditorium roars with unequivocal approval.

And what acting down to the minutest part. Loretta Young deservedly won best actress. Charles Bickford was nominated and should have won best supporting actor. He stands tall above them all and competition is heavy in this flick. You have to be on your toes to out act the likes of Ethel Barrymore and Joseph Cotten, two of the finest acting talents ever, but Loretta Young and Charles Bickford succeed in doing just that.

This is one of those pictures that Hollywood used to make that is fun from start to finish with surprising twists and turns from time to time. Though all comes out well in the finish, getting there is worth the journey. Plus this happy ending fits and is not just tacked on for custom and tradition. This little film actually speaks more appropriately for what is good in America than movies with more ballyhoo such as "Mr. Smith Goes to Washington."

Loretta Young's Oscar-winning performance in "The Farmer's Daughter" was a major upset in 1947. All the so called experts had predicted that Rosalind Russell would win for "Mourning Becomes Electra." Ms. Young had some hefty competition besides Russell. We had Susan Hayward for "Smash-up: The Story of A Woman," and Dorothy McGuire, for the Oscar winning film, "Gentleman's Agreement"

Nonetheless, Loretta is to be congratulated for her authentic Swedish accent as a maid who works for a Congressman and by the end is elected to that high office herself.

We see corruption in politics;unfortunately, not something unusual even for these times. What makes it somewhat scary is the bigotry that is introduced along with the corruption.

With fine support by Ethel Barrymore, Joseph Cotten and Charles Bickford, "The Farmer's Daughter" is a wonderful movie.

The Farmer's Daughter is a disarmingly charming comedy from the late forties featuring an Oscar-winning performance by Loretta Young in the title role, as a farm-girl turned housemaid in a congressman's family who steals her boss's heart. The rest of the cast give nicely tuned performance, with no real hamming from anyone, which in the case of Ethel Barrymore as the family matriarch, is somewhat surprising, as she tended to overdo it with her eyes and that patrician voice,--but not here. Joseph Cotten's natural good natured goofiness works well in the film, and like Miss Barrymore, he reins himself in more than usual here. Charles Bickford as the butler is fine also. The best performance in the movie for my money, though, is that of Rhys Williams, as an amorous and amoral house-painter who is also the villain of the piece. Director Hank Potter paces the film well, and the sets are excellently designed and beautiful to behold, especially that of the main house. There's a lot of surface intelligence in the movie, if not much real braininess despite, near the end, its attempt to wring some Capraesque meaning from its slight story. A very good but not great film, this one's worth seeing for what passed for upper echelon if not quite top of the line entertainment a half century or more ago.

Loretta Young was the surprise winner of the 1947 Best Actress Oscar for her performance in "The Farmer's Daughter". It's not much of a performance in dramatic terms but it's a very likeable one in a very likeable, if somewhat silly, film. It's a political fairytale with the good guys naturally coming out on top, (neither of the two parties is actually named), as well as a romantic comedy with the maid (Young) falling for the master of the house, (Jospeh Cotten), who happens to be a congressman. Twenty minutes in and you can see exactly where the film is going; the only real surprise is just how well it did. If the central theme is much too cloying there is at least a decent supporting cast headed by Ethel Barrymore, (Cotten's overly sweet mother), and Charles Bickford, (the gruff butler with a heart of gold). H C Potter was the director so you knew not to expect too much.

Loretta Young and Joseph Cotten star in The Farmer's Daughter, a 1947 film also starring Ethel Barrymore and Charles Bickford.

Young, in a role originally intended for Ingrid Bergman, won an Oscar for her portrayal of Katie Holstrom, a young woman who lives on a farm with her family. She saves her money and goes off to the big city to become a nurse. Unfortunately, thanks to taking a ride from someone who once worked for her family, she ends up loaning him her money and he won't pay her back. So she takes a temporary job as a second maid in the house of a Congressman (Cotten) until she can save enough for school.

It turns out that Katie is pretty outspoken when it comes to politics and, not only that, knows her stuff. When a congressman dies, Katie goes to a rally for the replacement that the party has put forward and embarrasses him with her questions. Political leaders from the other side are impressed and want her to run against him.

It's always fascinating to me, and a little sad, that films with political themes, no matter how old they are, always seem timely. I guess that's where the term "politics as usual" comes from, though no one adds "for the last hundred years." In this film, 100$ American is described by Finley, the party's candidate, as "white, not foreign born, of the right religion." Now tell me that couldn't be a scene today. The search for dirt is in this film, as is all the back office manuevering.

Loretta Young as a blond is every bit as beautiful as she was as a brunette, and she is a delight as the efficient, intelligent Katie. One can easily see how Joseph Cotten could fall for her. Ethel Barrymore, as Cotten's mother and the widow of a political great, does a wonderful job, strong-willed, clever, and no-nonsense. Charles Bickford, as the family's butler and friend is excellent as tough taskmaster who is nevertheless very impressed with his new charge.

This is a very warm film with a terrific cast that will give you some chuckles and make you realize that the more things change, the more they remain the same - in politics. In movies - well, that's another matter.

I have never forgotten one magnificent scene from "The Farmer's Daughter" which I saw many years ago when it was first released. Since then, I have never watched a political convention on TV without thinking about it. A very naive and innocent Loretta Young goes to a gigantic political convention with Charles Bickford, an old-timer in the political arena. She is overwhelmed by the crowd's enthusiasm and the confusion. But Bickford is disparaging and tells her to jump up in the midst of everything and simply shout, "Fresh fish!!" She doesn't understand why but does it anyway. Immediately the crowd yells and cheers wildly. It's a magnificent comment on how well convention goers listen to what's going on. I'm waiting for someone who has seen "The Farmer's Daughter" to do the same thing today. But no luck yet!!

I was truly impressed with this movie. It entertainingly told us how important our votes are. It was not heavy handed, but showed us how important each and every voice is. How anyone can run for public office and represent certain values. It showed us how ugly politics can get, the smear campaigns, the lying and payoffs. It is something many of today's voters are painfully unaware of. In this day of apathy, it is time for films such as these to be released and remind us of how wonderful this country is, and how important a single vote is. It is a personal right, a way of running our own government, something that is woefully ignored in today's filmmaking. Capra said it many times over in films such as "Meet John Doe" and "Mr. Smith Goes To Washington" -- they were big hits. Hollywood -- it is time to do something right for our country!

From an hard-working family of Swedish immigrants to the USA, the young "Katrin" - aka "Katie" (Loretta Young) finds herself employed as a maid in the home of the wealthy, politically connected, "Morley" family. The widow of a former Senator, it's sagely matriarch "Agatha" (Ethel Barrymore) is embroiled in the selection of a new nominee for Congress and quickly "Katie" finds herself immersed in this process and a witness to the way the family - including son 'Glenn" (Joseph Cotton) go about sorting out the nomination. She's bold enough to speak out at a meeting about the failings of their choice, and next thing the opposition have decided she could stand herself. With the polls suggesting a 70%-30% vote against her, she looks doomed but then a series of twists and turns occur that might just help her out - especially as she and Congressman "Glenn" are clearly fond of each other and the mother is much more of a decent woman than a mere political manipulator. A constant in all these machinations is her butler-cum-confidante "Clancy" (Charles Bickford) who has worked for the family all of his life, earned a position of considerable trust and influence, and like his boss becomes concerned that the fight isn't being fought fairly and in the best interests of the community. It's a little reminiscent of "Mr. Smith Goes to Washington" (1939) in that it shows a plucky, if naive, young person determined to try and make a change in a political world stacked in favour of the vested interests, but that aspect of the plot isn't really brought home so much as the increasingly romantic elements of her relationship with "Glenn". It's more Barrymore and Bickford who inject a sense of power into the thing whilst the enamoured couple try to get their act together. It still offers us quite a cleverly constructed and occasionally humorous swipe at the establishment and American "democracy" and Young - despite her rather unnecessary accent - turns in one of her stronger and more characterful efforts.

Perhaps this is Loretta Young's best film ever, and best performance ever. This attractive B/W classic satire stars Joseph Cotten as her handsome politico boss, Ethel Barrymore as his understanding mother, and an outstanding cast who support their political and romantic involvements. But Katie Holstrom does not begin this film as a candidate nor anyone's fiancée; she begins it on a farm with her large family with a plan to go to school as a nurse in the big city.What happens next is she leaves, and within one day has been bilked of her savings. The need for a job drives her to seek employment as housemaid to a Congressman, Glenn Morley, played by Cotten, and his mother. Ethel Barrymore. Under the house major-domo Charles Bickford, she proves herself to be possessed of charm, common sense, lively intelligence and honesty--qualities which please well when they are not exasperating her employers, unused to such qualities in a world of politicians. Katrin and Glenn find themselves attracted, despite his having a fiancée (Rose Hobart). But when the party's candidate for Congress has to be dumped, it is Katie who somehow gets chosen to run, and wins. The film's climax is Katie's victory, the ending is the romantic pair's arrival in Washington. The values of this award- winning films are not hidden ones. Milton S. Krasner, cinematography, sets by Darrell Silvers and Harley Miller , Edith Head's costumes and many more contribute to the overall effect. The lighting throughout is like a sunny outdoors; and the actors are outstanding. Along with the leads, the director, H.C. Potter, featured Harry Shannon and Anna Q. Nilsson as Katie's parents, Lex Barker, James Arness and Keith Andes as her brawny brothers, Art Baker, Rhys Williams, William Harrigan, Tom Powers, Thurston Hall and many others. The script by Allen Rivin and Laura Kerr adapts Juhani Tervapää's delightful play seamlessly to the screen. The film's pace is interestingly steady and unhurried, its dialogue good or better at all points. The theme of the plot it to be true to oneself; and the story develops this in terms of a time when an individual could be offered as a candidate on the basis of his/her attributes, not of inherited millions. As refreshing as a summer breeze, and often as delightful. This is a classic of anti- Establishment thinking that is only occasionally political at all. Dservedly popular achievement.

Loretta Young plays a Swedish "Cinderella" who rises from poor Minnesota farm girl to potential Washington official. This is very much a "Star Vehicle" for Ms. Young, and she is remarkable - lifting the routine rags-to-riches story far above the expected. Some of the supporting players seem a little silly - maybe playing caricatures - but, Ethel Barrymore and Charles Bickford are recommended viewing; and, Young is admirably assisted by Joseph Cotton as "leading man".

There were some surprises in the predictably - at one time, the film looks like it's going to end poorly, but turns around nicely. The production values are relatively high, so ignore the fake snow scene. Surprisingly, the behind-the-scenes political dealings pulled few punches, with Ms. Barrymore's presence strongly felt. A much better film than expected.

******** The Farmer's Daughter (3/25/47) H.C. Potter ~ Loretta Young, Joseph Cotten, Ethel Barrymore

Even as far back as 1947 the progressive left agenda is inserted: social justice and Woodrow Wilson...too bad it didn't make an impact when I first watched this movie in 1947...good movie but insinuations not subtle...Enjoyed Miss Barrymore, grande dame of both stage and screen...Ms. Young was terrific, as was the supporting staff,ie, the butler...even then the corruption of this city was and is known...makes an impact of the danger of one party in power too long...the attention to detail in the props, the costuming is outstanding...the patronizing tone, the attempt to shut down debate are all too reminiscent of present times...if we neglect the errors of the past it is too easy to repeat our mistakes...surprised this movie is not required for film studies to pour over for relevance.

Farmer's Daughter, The (1947)

*** (out of 4)

Loretta Young won an Oscar for her performance of a Swedish maid who goes to work for a Senator (Joseph Cotten) but then ends up running against his party for a seat in Congress. This film really is two separate movies with the first half being a romantic comedy and the second half being a political drama. The first half is decent but nothing special, although Cotten really steals this half with his comic timing. The second half belongs to Young who really goes powerhouse with her political speeches and hopes for the country. I think the film should have paid more attention to the political side of things because it made for some nice drama while the love story is very predictable. Cotten and Young have wonderful chemistry together but the supporting cast is just as good. Ethyl Barrymore and Charles Bickford nearly steal the film Rhys Williams, Harry Davenport and Tom Powers adding nice support. The film has Frank Capra written all over it and I'm sure he would have made more out of the overall film but for what's here there's plenty to enjoy.