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Un volontaire pour les oeufs de Pâques

Titre original : Easter Yeggs
  • 1947
  • Approved
  • 7min
NOTE IMDb
7,2/10
929
MA NOTE
Un volontaire pour les oeufs de Pâques (1947)
AventureComédieFamilleAnimationCourt-métrage

Ajouter une intrigue dans votre langueBugs Bunny delivers eggs for the lazy Easter Bunny; he encounters a sadistic brat and a rabbit stew-hungry Elmer Fudd.Bugs Bunny delivers eggs for the lazy Easter Bunny; he encounters a sadistic brat and a rabbit stew-hungry Elmer Fudd.Bugs Bunny delivers eggs for the lazy Easter Bunny; he encounters a sadistic brat and a rabbit stew-hungry Elmer Fudd.

  • Réalisation
    • Robert McKimson
  • Scénario
    • Warren Foster
  • Casting principal
    • Mel Blanc
    • Arthur Q. Bryan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    929
    MA NOTE
    • Réalisation
      • Robert McKimson
    • Scénario
      • Warren Foster
    • Casting principal
      • Mel Blanc
      • Arthur Q. Bryan
    • 20avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos7

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    Rôles principaux2

    Modifier
    Mel Blanc
    Mel Blanc
    • Bugs Bunny
    • (voix)
    • …
    Arthur Q. Bryan
    • Elmer Fudd
    • (voix)
    • (non crédité)
    • Réalisation
      • Robert McKimson
    • Scénario
      • Warren Foster
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs20

    7,2929
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    Avis à la une

    J. Spurlin

    Elmer Fudd contradicts his character and offends comic logic in wanting to kill the Easter Bunny for food; many funny gags make up for it

    The lazy Easter Bunny tricks our redoubtable Bugs into delivering his eggs for him. Bugs Bunny is happy to do it until he encounters a nasty little toddler who sucks a pistol for a pacifier. After nearly getting killed by the boy's hillbilly family, Bugs tries to give the eggs back to the Easter Bunny, who whines some more and gets Bugs to continue with the job. Elmer Fudd is eagerly awaiting the Easter Bunny: he wants "Easter Wabbit stew." Bugs will thwart Elmer by cuddling him in the Tunnel of Love, performing a magic act on his watch, and sending the sadistic brat to beat him on the head. Then Bugs will realize it's time to take revenge on the Easter Bunny.

    Elmer Fudd wants to kill the Easter Bunny just to get some food? This contradicts his character and offends comic logic. One, Elmer is too childlike to plot such an act without being manipulated into it. Think of the Elmer Fudd from "Rabbit Seasoning." Two, we already have the main premise: the Easter Bunny tricks another rabbit into doing his work. We don't need a second idea competing with the first—especially when the second idea is so weird.

    Still, the gags in this short are so funny it's hard to complain too much. Mel Blanc borrows his characterization of Mr. Beasley the mailman (from the Burns and Allen radio program) to use for the Easter Bunny. He even uses the mailman's catchphrase, "And remember: keep smiling!" Unlike the mailman, the Easter Bunny is a jerk, which makes the ending highly satisfying.

    This cartoon is available on the "Looney Tunes Golden Collection, Volume Three," Disc 1.
    8eusebius123

    Inconsistent characterization my ass

    The people complaining about Elmer Fudd hunting for food clearly haven't watched many Bugs Bunny cartoons. "Wabbit stew" was always what Elmer was after when he went hunting — it was one of his catchphrases well before this cartoon was made (example: "Hare Tonic" from 1945, directed by Chuck Jones). It's part of what makes that line so funny in this cartoon! Jones didn't ret-con Elmer into being a vegetarian until "Rabbit Fire" in 1951, so it's hard to understand how McKimson should have been able to foresee that four years earlier. And the mention of Elmer as a vegetarian was just for the sake of a gag anyway, not to establish a running character trait — after all, in 1953, Jones was back to having Elmer hunt for "wabbit stew" in "Duck! Rabbit! Duck!".

    As for Bugs being mean-spirited, the same comment applies — Bugs was always somewhat of an amoral character in the 1940s cartoons, even going so far as to be an outright jerk sometimes (particularly in his earliest appearances, such as "Elmer's Pet Rabbit" and the Cecil the Turtle shorts). Jones didn't make him into a goody-two-shoes type character until later in the 1950s.

    And of course it's not like the WB cartoons ever cared much about canon or continuity anyway. Next thing you know, someone will be complaining about inconsistency in "Duck Dodgers in the 24 1/2th Century" because Daffy Duck usually isn't a space marine.
    7jcoons

    Rarely seen gem

    I grew up on Warner Bros. cartoons, and thought I had seen them all. Somehow I missed this one until I found it on a laserdisc collection. It is now one of my favorites because it contains two of the funniest lines in all of the WB cartoons (see quotes).
    6phantom_tollbooth

    Overstuffed but bright and inventive nonetheless

    Robert McKimson's 'Easter Yeggs' is an up and down cartoon that works in fits and starts. Crammed with ideas (perhaps too many), 'Easter Yeggs' pits Bugs against a lazy Easter Bunny, an annoying young child and his gangster family and a gun-toting Elmer Fudd. These threads are all drawn together with pleasing smoothness at the end but the jumping between them makes the cartoon seem a little lumpy and overstuffed. Another problem is the character of the Easter Bunny, who is whiney and entirely unappealing. Nevertheless, he gets the best moment in the cartoon when he makes an unexpected cameo in the middle of one of Bugs's heckles. Despite all it's flaws, I do like 'Easter Yeggs'. It's never going to be considered a classic by anyone but it is at least bright, colourful and inventive and there are enough decent jokes to counterbalance the dull spots.
    8TheLittleSongbird

    If you ignore the inconsistency to Elmer's character, it is quite fun

    Easter Yeggs isn't among the best, but it is very funny and a pleasant enough themed cartoon. I can understand why people mayn't like it, although I was personally satisfied by the ending it is very shocking all the same, and Elmer's character here has an inconsistency that he hunts for food here.If you ignore the inconsistency or at least try to, Easter Yeggs is quite fun. The story is simple but engaging enough, and there are many funny and quotable lines in the dialogue. The animation is crisp and smooth with beautiful colours and the music is lively. I feel this is an instance when the dialogue is better than the sight gags, but most of the sight gags do work, and the voice work is terrific as per usual.Overall, a nice cartoon. 8/10 Bethany Cox

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Mel Blanc based the voice and character of the Easter Rabbit on the equally morose Happy Postman he played on The George Burns and Gracie Allen Show (1950).
    • Gaffes
      Bugs Bunny's mouth doesn't move when he says to the kid, "Take it easy! Somebody could get hurt, probably me."
    • Citations

      Easter Rabbit: But you can't quit now. You'll give the Easter Rabbit a bad name.

      Bugs Bunny: I already have a bad name for the Easter Rabbit.

    • Connexions
      Featured in Så er der tegnefilm: Épisode #1.9 (1980)
    • Bandes originales
      Some Sunday Morning
      (uncredited)

      Music by M.K. Jerome and Ray Heindorf

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    FAQ7

    • Which series is this from: Looney Tunes or Merrie Melodies?
    • What book is Bugs reading in the opening shot?
    • What does Bugs call the Easter eggs?

    Détails

    Modifier
    • Date de sortie
      • 28 juin 1947 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Easter Yeggs
    • Société de production
      • Warner Bros. Cartoon Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 7min
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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