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Femme ou maîtresse

Titre original : Daisy Kenyon
  • 1947
  • Tous publics
  • 1h 39min
NOTE IMDb
6,8/10
3,2 k
MA NOTE
Henry Fonda, Dana Andrews, and Joan Crawford in Femme ou maîtresse (1947)
A commercial artist having an affair with a married attorney becomes involved with a returning soldier and must choose between the two.
Lire trailer2:44
1 Video
32 photos
Legal DramaDramaRomance

Ajouter une intrigue dans votre langueA commercial artist having an affair with a married attorney becomes involved with a returning soldier and must choose between the two.A commercial artist having an affair with a married attorney becomes involved with a returning soldier and must choose between the two.A commercial artist having an affair with a married attorney becomes involved with a returning soldier and must choose between the two.

  • Réalisation
    • Otto Preminger
  • Scénario
    • David Hertz
    • Elizabeth Janeway
  • Casting principal
    • Joan Crawford
    • Dana Andrews
    • Henry Fonda
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    3,2 k
    MA NOTE
    • Réalisation
      • Otto Preminger
    • Scénario
      • David Hertz
      • Elizabeth Janeway
    • Casting principal
      • Joan Crawford
      • Dana Andrews
      • Henry Fonda
    • 52avis d'utilisateurs
    • 44avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:44
    Trailer

    Photos32

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    + 25
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    Rôles principaux37

    Modifier
    Joan Crawford
    Joan Crawford
    • Daisy Kenyon Lapham
    Dana Andrews
    Dana Andrews
    • Dan O'Mara
    Henry Fonda
    Henry Fonda
    • Peter Lapham
    Ruth Warrick
    Ruth Warrick
    • Lucille Coverly O'Mara
    Martha Stewart
    Martha Stewart
    • Mary Angelus
    Peggy Ann Garner
    Peggy Ann Garner
    • Rosamund O'Mara
    Connie Marshall
    Connie Marshall
    • Marie O'Mara
    Nicholas Joy
    Nicholas Joy
    • Coverly
    Art Baker
    Art Baker
    • Lucille's Attorney
    Jimmy Ames
    Jimmy Ames
    • Cab Driver
    • (non crédité)
    Monya Andre
    • Mrs. Ames
    • (non crédité)
    Don Avalier
    • Hotel Captain
    • (non crédité)
    Griff Barnett
    Griff Barnett
    • Will Thompson
    • (non crédité)
    John Butler
    John Butler
    • First Cab Driver
    • (non crédité)
    Les Clark
    • Taxi Driver
    • (non crédité)
    Roger Cole
    • Stork Club Headwaiter
    • (non crédité)
    John Davidson
    John Davidson
    • Mervyn - O'Mara's Butler
    • (non crédité)
    Jay Eaton
    Jay Eaton
    • Stork Club Patron
    • (non crédité)
    • Réalisation
      • Otto Preminger
    • Scénario
      • David Hertz
      • Elizabeth Janeway
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs52

    6,83.1K
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    Avis à la une

    gregcouture

    A love triangle that keeps you hoping the best man will win.

    This one may seem quite turgid to a modern audience's sensibilities but, for its time, it was fairly strong stuff, with solid performances by its three leads, Crawford, Fonda and Andrews, under Otto Preminger's brisk direction. Dana, who never really achieved the recognition he deserved for the subtlety of his work, in an extremely difficult role, gives it all the shadings one could wish for. Nice production values and one of the talented David Raksin's best scores enhance a very watchable story with an outcome that isn't as predictable as it seems, come the final clinch.
    8Yxklyx

    Surprisingly Excellent

    I've seen about a dozen Preminger films and this is my favorite. I wasn't expecting too much once the movie began because it seemed I had seen this all done before but Preminger's characters (as is usually the case) are much more realistic than typical Hollywood movies of this era. The characterization actually compares favorably to foreign films of the time, like for example Quai des Orfèvres from the same year; this movie could easily have been a French production. I'm not much a fan of Crawford or Fonda but this is probably the best I've seen Fonda; and Crawford was just fine. Dana Andrews is superb - probably his best movie! What made this movie for me was that I could relate to all three main characters - in many ways they are more ideas (or philosophies) than actual people but the odd thing is that the line was so blurred that even though I knew this was the case I still enjoyed them as people. What puts this above the other Premingers I've seen is the very tight script, the fast pacing, and three fully realized characters that came across not only as real but as themes in themselves. Add in a memorable supporting cast and everything just blends together to make a perfect concoction.
    8Handlinghandel

    But What Happened to Tubby?

    In the early scenes, Crawford has a dog that looks like a border collie. His name is Tubby and she appears to dote on him. Suddenly, he disappears.

    That said, this is one of Crawford's very best movie's. Twentieth Century Fox, and Otto Preminger, did beautifully by her.

    So many things to say ...! It takes place in the neighborhood where I was born and still live. The Greenwich Theater, where Joan attends a movie, was a staple of Greenwich Village. When it was twinned it started showing less interesting things but it was still a landmark. Then it was torn down and in its place stands a health club.

    The diner where Henry Fonda waits for Crawford while she's at the movie is still there. The curtain in its window looks the same -- almost 60 years later.

    Crawford and Dana Andrews make a somewhat unlikely torrid romantic duo. But they work well together. The same can be said for Crawford and Fonda. Their romance is a bit more implausible but, again, they are directed beautifully and advance the plot admirably.

    In a sense, this is Fonda's closest brush with film noir. He is a vet who has also lost his wife. The scene in which he thrashes around a nightmare is brilliantly staged. The background music there, as elsewhere, is excellent.

    Most of the characters speak in a sort of Henry Higgins manner. "Hurricane" is pronounced just as Eliza Doolittle was taught to say it: "hurricen." Crawford always had that quality -- "syew" for "sue," "cahn't" for "can't." But the movie withstands these petty issues. It's exciting and it is beautifully cast. Ruth Warrick is superb in the small role of Andrews's wife. Peggy Ann Garner is too, as one of his daughters. So is the girl playing his other daughter. And Crawford's roommate, whose name I don't recognize, is convincing as well.

    This is one of the lesser known vehicles of all three of its stars and not one of Preminger's better known, either. But it's fascinating and deserves kudos for all concerned.
    mauricebarringer

    A Wonderful, complex and engrossing character study with tremendous performances, writing, music and directing

    I wanted to respond to a few comments about this wonderful film (which was a strong and highly effective character study). Dana Andrews received billing over Henry Fonda because Andrews was at the peak of his career with A WALK IN THE SUN, LAURA, THE FALLEN ANGEL AND THE BEST FILM OF 1946, THE BEST YEARS OF OUR LIFE. He was a superstar at that time and held on to stardom until the early 1960s but in films of lesser quality as the years went by. He was an excellent and underrated actor.

    Henry Fonda, whose first starring role was in 1935, was in the middle of his long career, not in the early stages as one writer said. Fonda, after serving 3 full years in WWII, had a difficult time maintaining his stardom, was never a strong box office star but was an outstanding actor. Fonda did not make any films after 1948 until MR. ROBERTS in 1955, his comeback. He constantly did fine and critically acclaimed stage work. Peter, his son, said he was gray-listed because of his liberal political views also. Fonda worked in major films with lead roles in films and on television until his death in 1982.

    Fonda was under contract and was forced to perform in this film by his studio. Andrews liked working with Otto Preminger and did so 4 times. Andrews was easy to work with and the autocratic Preminger liked Andrews because of his professionalism, easy going personality and outstanding acting ability.

    I was surprised that something more was not said or done about Dana Andrews' child torturing wife. Andrew shed a tear but did not report this beast to the authorities. (She yanked on her child's ear until the ear bled and the child had a significant ear ache.) That, even in the dark ages, should have been enough to have the child removed from her care, wouldn't it?
    8ZenVortex

    Joan Crawford Is Sensational

    This is a well-crafted "love triangle" movie in the visual style of film noir, but without the plot development typical of film noir. No murders, gangsters, or cops. The cinematography is excellent and Preminger shows his mastery as a director, eliciting stellar performances from Joan Crawford, Dana Andrews, and Henry Fonda.

    Crawford in particular shows her star quality with superbly nuanced articulation and facial expressions. Her opening lines are amazing to listen to, her voice quavering nervously to show that she is under tremendous emotional pressure.

    Dana Andrews gives probably the best performance of his career as the cheating husband who really wants to make things work, but is torn between his neurotic wife, his adorable kids, and his mistress.

    Henry Fonda gives a brilliantly understated characterization of an eccentric war-torn hero hiding behind a veneer of gentleness and innocence, who cleverly but compassionately manipulates the situation in order to bring about a satisfactory resolution.

    There a few plot twists and a happy ending. Highly recommended.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Joan Crawford later said about this film, "If Otto Preminger hadn't directed it, the picture would have been a mess. It came off. Sort of."
    • Gaffes
      Near the end of the movie, there are snow chains already on the wheels when Daisy leaves the cottage at the cape. No one had been to the cape since it had snowed.
    • Citations

      Mary Angelus: Want to tell me where you're going, so I'll have something to lie about?

    • Connexions
      Featured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)

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    FAQ15

    • How long is Daisy Kenyon?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 septembre 1948 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Daisy Kenyon
    • Lieux de tournage
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 852 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 39 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.33 : 1

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    Henry Fonda, Dana Andrews, and Joan Crawford in Femme ou maîtresse (1947)
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    By what name was Femme ou maîtresse (1947) officially released in India in English?
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