Bowery Buckaroos

Louie is accused of murder by horse riding sheriff Luke Barlow. The gang has to go west to clear Louie's name with a map on his back. They end up in the old west and get attacked by Indians led by Iron Eyes Cody.

It's a little much for the sheriff to ride a horse in New York City. The Bowery Boys do an old western. I get the idea but there are other ways to make them fish out of water. The funniest bit is the Indians being not as backwards as the Boys thought. They could do that for the whole western idea. Instead, the town is right out of the old west. I don't mind it but it's not as funny. Most franchises have a go-western episode. This one is not the best but it does have Iron Eyes Cody.

This Mongram release has the Bowery Boys going out west to Hangman Hollow to clear Louie of an old murder charge. It seems that in his younger days Louie had found a gold mine while prospecting, but was accused of shooting his partner in the back. And, Louie had the map to find the mine tattooed on his back, or, as Slip says, "tabooed" on his back. The gang springs in to action, arriving out west decked out ten gallon hats and six guns.

Sach and Slip once again dominate most of the movie with their slapstick monkey shines. Gabriel Dell is on hand as a card sharp who Slip sends undercover as gunfighter/gambler The Klondike Kid.

Guest stars include Minerva Urecal, Russell Simpson, Chief Yowlachie, and Iron Eyes Cody.

The funniest scenes occur when the Boys head out west with their beat up jalopy tricked out like a covered wagon being pulled by a longhorn steer. And Slip's parlay with the first Indians they meet is a real hoot.

Bowery Buckaroos is a typical entry the series while it was being put out by Monogram Studios.

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IT IS PERHAPS one of the greatest of contradictions in Film History that a very serious and socially conscious a Stage Play and resulting adaptation to the movie version of DEAD END should have sired, not a greater understanding of juvenile delinquency, but rather years and tears of comedy. It doesn't matter what the name of the group (although the earlier movies were a little more serious than farcical), there was always a great resemblance to the rest of the other series films.

SO IT WAS that The Dead End Kids begot The Little Tough Guys, the East Side Kids Followed and the terminus of the family tree was the now grown-up, not kids or teens, but young men known as the Bowery Boys. These have proved to be particularly durable and popular over the years. There were four Bowery Boys movies released during this Baby Boomer's childhood in the 1950's and we saw many of them at either the Ogden or the Hi-Way theatres here o Chicago's Southside ("the Baddest Part of town")

IN THE EARLY 1960's, the series came to television and we recall their being shown every Wednesday afternoon over ABC Channel 7, WBKB (now WLS).

AS FOR THIS entry that we are reviewing today, BOWERY BUCKAROOS, we do remember it well from TV and have always considered it to be one of the best of the series; as ell as a favourite. There are several reasons for such honors.

FIRST OF ALL, it is generally a rule of thumb that earlier entries in a series, be that TV or "B" movies, are usually the better and more meticulously crafted and more expensive looking installments. This assertion is certainly evident in this 1947 production. There are larger casts., more and varied sets & locations.

FURTHERMORE, WHEN ONE views an earlier edition of the series, you have more of the original "Kids" from DEAD END in the cast. BOWERY BUCKAROOS has the talents of both Bobby Jordan and Gabriel Dell in addition to the two featured players, Leo Gorcey (Slip) and Huntz Hall (Sach). David Gorcey and Billy Benedict round out the cast.

IN ADDITION TO the above mentioned reasons, this movie adds the elements of a dream sequence as well as a lively spoof of the Western "Cowboy" picture. Although we really enjoyed most of the entries into this now venerable series and they did run the table in subjects to spoof (Jungle pictures, War pictures, Detective & Cops, Boxing & Wrestling, etc.), they never did it so well and enjoyably.

IT WOULD BE a grave injustice to close out our dissertation without mentioning the movie's one very unique bit of musical contribution to the Bowery Boys series. No Schultz, we're not talking about any of the incidental music (probably stock),nor the series latter day appropriation of "Hail, Hail The Gang's All Here" as its theme.

INSTEAD WE WANTED to draw one's attention to the opening solo performance of "Louie the Lout" as performed by the Sweet Shop proprietor. Louie Dombrowski It's both entertaining and functional; as it adds to the story, provides us with some exposition and brings one to the threshold of being ready to be entertained. That's precisely why we watch a Bowery Boys movie to begin with.

AND FOR THOSE not already aware, Bernard Gorcey (Louie), veteran actor of the legitimate theater, was the real life father of real life brothers, Leo & David Gorcey; being Slip and Chuck respectively.

The Bowery Boys go west in this film to clear the good name of their patron Louis Dombrowski owner of Louie's Sweet Shop where the kids hangout mainly because most of the time they have no gainful employment.

Bernard Gorcey who played Louie in the series tells the kids he's got a past life out west when he was prospecting and his partner killed and Louie framed for the murder. The past comes home when rustic western sheriff Russell Simpson comes east after searching twenty years for this varmint.

Of course it's up to Leo Gorcey, Huntz Hall and the rest of the gang to clear the elder Gorcey of this blot upon his name and restore the gold mine that Louie and his partner found to his daughter, Julie Gibson.

The Bowery Boys are in their usual fish out of water element where Gorcey fractures the language trying to sound smart and Hall just plays it as dumb as he is. Still fortune does smile upon them as they scrape through for yet another film in the series. This one's pretty funny in spots. Check out their third degree torture of head villain Norman Willis with an angry Brahma Bull.

Wow is the plot to "Bowery Buckaroos" contrived! It's so bizarre and from out of no where that it looks like the folks who wrote the film were jumping the shark, so to speak. After all, the plot is absolutely insane...even compared to many of the really weird installments later in the series!

When the film begins in New York City, Louie is strumming a guitar and singing a western-style song. Then, a sheriff arrives on horseback to the malt shop...and Louie hides. It seems that he's there to arrest Louie for murder....and he's been looking for it for 20 years. Now never before nor never after did the movies ever mention that Louie was a prospector out west...never. Nor did they mention any treasure map that he's been hiding all these years!! And so, it's not an unfair jump to say that this plot is completely contrived and bizarre.

Slip announces that the gang is headed west--to clear Louie's name AND find that gold mine. As for the mine, the map for it is tattooed on Louie's back...but he absolutely refuses to come with them. So, they draw an identical copy on Sach's back...something this numb-skull shows off as soon as they arrive! Slip isn't much smarter, as he shoots off his mouth and tells a woman he just met that his friend Gabe has infiltrated the local gang and is going by the name of 'Klondike'! What's next?

I could see folks liking "Bowery Buckaroos" because it's fun to see the familiar characters in such an unfamiliar locale. Or, they could just realize that it's very contrived and illogical ....and strongly dislike it. Either opinion could easily be understood. I feel a bit of each! Overall, an enjoyable brainless film!