Jusqu' à ce que mort s'ensuive

This dark, engrossing drama centers on a beautiful English girl(Valerie Hobson) who goes to live at her uncle's Gothic estate where she engages in an illicit affair with the head-strong steward(Stewart Granger). This is one of the Rank Studio's most impressive Gothic melodramas. It's rich in creepy, menacing atmosphere, and features solid direction by Marc Allegret and terrific performances by the multi-talented British cast. Most of these classic '40's British dramas were rightfully filmed in black and white. BLANCHE FURY was filmed in color, but color actually suits this film well and makes the wonderful Gothic architecture all the more enjoyable.

Like his contemporary James Mason who came up roughly the same time as he did, Stewart Granger seemed to be born to play in these romance novel roles. In Blanche Fury he's got a nasty grudge against the Fury family who have kept him working as a groom on their estate. He's one of them, but born on the wrong side of the blanket as they said in those days.

There's a dual focus in this film and it's on Valerie Hobson playing the title role as well. She's also knocked about a bit kind of like George Eastman in An American Tragedy, she's one of them, but only distantly. Still she's on the right side of the blanket and she determines to marry Michael Gough the heir to the estate for a life of ease and comfort.

Granger like the real life James Scott the Duke of Monmouth searched for a connection to his father King Charles II to prove he was heir to the throne. Didn't happen for him and didn't happen for Granger But what does happen is that he gets Hobson's mojo going far more than the insipid and privileged Gough does.

These are the ingredients of Blanche Fury and if you like these movies and read these novels you can pretty much guess what happens. Hobson and Granger are a stirring romantic pair, but Granger in his desire to improve his station goes quite a bit off kilter. Hobson has a choice to make and she makes it.

As for who gets the Fury estate. For that you have to see Blanche Fury.

The 18th century costumes, manor-house setting, and forbidden romance make this look like a bodice-ripper to the idle channel-flipper, but it's not. It's a twisted and effective suspense movie in a period setting, more like "Dangerous Liaisons" than Harlequin books. It's about a beautiful and willful young woman (Valerie Hobson) who doesn't like her rich clod of a husband, instead she has the hots for poor-but-gorgeous estate manager Stewart Granger. At first it's all forbidden kisses and steamy dialogue... until they kill her husband. Then, things start to get real, and get creepy. It's easy to get excited over forbidden fruit that looks like Stewart Granger, but a whole lot harder to deal with a murderer who wants to marry you for reasons that have nothing to do with romance. Especially when it's impossible to refuse him because you're an accessory to murder, even after he...(sorry, no spoilers). It's rather like Hitchcock's "Shadow of a Doubt" or "Dangerous Liaisons", in which a well-to-do, polite exterior conceals a man and woman whose love has turned deadly. When I first saw this movie I was astonished at how good it was, and wondered why I'd never heard of it. It isn't a classic like "Kind Hearts and Coronets", but it sure grabbed me when I flipped across it. Between the solid performances by Hobson and Granger, the lush Technicolor photography, the steamy romance, and the creepy ending, this is one to look for. (I don't believe it's out on video, but is occasionally shown on AMC

A classic example of a very well-made historical drama of the late 1940's. In every respect it is faultless, given the constraints of time and the story compression inherent in all movie making. There are simply no movie actors or actresses today who could play the star roles with the same enormous presence, dignity, grace, self-assurance, and acting skill manifested by the superb and striking Hobson and Granger---not to mention their precise and exemplary articulation of the English language. These were manifestly adults, not today's mumbling urchins posing as adults. Photography, production values, and historical accuracy are beyond praise. This was Valerie Hobson's personal favorite of her film performances.

The film is one I only saw partially once, two or three years ago. I wish it was on Video or DVD. Other early Stewart Granger historic films are out - SARABAND FOR DEAD LOVERS and CAPTAIN BOYCOTT. This one was based on a novel by Joseph Shearing, the female novelist who used a male pseudonym. All her books were based on actual crimes - see my comments on the contermporary film SO EVIL MY LOVE, with Ray Milland and Ann Todd. Here, Shearing turns to the murder, at Stanfield Hall, near Norwich, England of Isaac Jermy and his son (incredibly named Isaac Jermy Jermy)in November 1848. The perpetrator was a farmer, James Blomfield Rush, who was a tenant of the Jermys but was on bad terms with them for a series of debts he owed them, and attempts to claim title to the farm and other properties. Complicating the matter was that the Jermys title to their estate was subject to a law suit. Rush dressed in a disguise, and walked over two miles in the dark to the estate, where he shot the Jermys down in their home, and then shot the wife of the son and their maid. Apparently he wanted no witnesses. Unfortunately there were too many. Also, his alibi was supposed to be his children's governess, Emily Sandford, and she turned out to be more truthful at his trial than he hoped. The trial was notable because Rush insisted in defending himself. It turned out that he had a fool for a client. Rush was found guilty and hanged. The full story is not quite used in the movie, but bits and parts of it certainly are.