Ajouter une intrigue dans votre langueRuby, a beautiful divorcee with a shady past, marries a rich Egyptologist, and while he continues excavating a Pharoah's tomb, she becomes bored until she falls for a debt-ridden, blackmaili... Tout lireRuby, a beautiful divorcee with a shady past, marries a rich Egyptologist, and while he continues excavating a Pharoah's tomb, she becomes bored until she falls for a debt-ridden, blackmailing Egyptian prince.Ruby, a beautiful divorcee with a shady past, marries a rich Egyptologist, and while he continues excavating a Pharoah's tomb, she becomes bored until she falls for a debt-ridden, blackmailing Egyptian prince.
- Réalisation
- Scénario
- Casting principal
- Jean McCormick
- (as Gloria Lloyd)
- Egyptian Policeman
- (non crédité)
- Banquet Guest
- (non crédité)
- Oriental Dancer
- (non crédité)
- Banquet Guest
- (non crédité)
- Ibrahim
- (non crédité)
- Mr. McCormick
- (non crédité)
Avis à la une
Since the film begins with Ruby (Merle Oberon) being confronted by authorities about her having committed murder, this part of the movie shouldn't come as any surprise. She then recounts the events that led to her deplorable state.
It seems she actively pursued a nice, rich Egyptology professor (George Brent). He loved her, though her doctor was shocked, as she had confided in him that she was setting out to find a rich man...any man. So he certainly wasn't thrilled at the union. After they married, she quickly became bored and dealt with it by an affair with a real piece of work! Where does it all go next and what about the murder? See the film and see for yourself.
The story, though similar to "The Letter" is different enough that it's still a fine film. Well acted, well written and well worth your time.
It's set in Cairo in the 1900's, and since anything set in past times (with past outfits) captures my attention, it was off to a good start. It's quite a story, as Ruby (Merle Oberon), a woman with a less than stellar past, determines to marry Egyptologist Nigel (George Brent) and gain some security and respectability. It's a one-sided love match, as her feelings for him don't go much above slight fondness.
Bored with her life in Cairo, being left alone too much, and the society couples they're compelled to entertain, Ruby amuses herself by coming to the aid of a young women who has written indiscreet letters to the charismatic Baroudi (Charles Korvin), she ends up falling for his charms, and soon they're lovers. Among his many flaws, Baroudi is a compulsive gambler, and when Ruby thwarts his attempt to woo a young heiress, she finds herself agreeing to a plot to murder Nigel, leaving the two of them free to start over, with her widow's wealth.
Soon, however, Ruby's conscience gets the better of her, and then everything begins to spiral.
I don't think you'll regret watching this.
This A picture from International Picture -- soon to merge with Universal -- shows the peculiarities of the Production Code. It's ok to poison your husband (so long as eventually you suffer some sort of penalty, usually divinely imposed) but not to show how you became a Bad Woman; I suppose that would be seen as some sort of justification. Also, you can let the audience infer an extra-marital affair, so long as you don't do anything to show it. Either that, or producer Edward Small decided to horsetrade that away for some indiscretion elsewhere. It has been reported that the Majors would emasculate one movie in return for something spicy in another. International, with a total production of ten movies before its merger probably didn't have much to offer in its string.
Miss Oberon is quite lovely and dresses very well, although director Irving Pichel thinks that the way to show an actress is being evil is to make her glare and shoot from below. With Paul Lukas, Arnold Moss, and Ludwig Stossel.
The cast are good in this film and Oberon is a strong lead character. The dialogue is entertaining and the story keeps the audience engaged. George Brent doesn't have much to do and is pretty much a wet fish throughout the proceedings. The ending is somewhat predictable, forced and rushed but it does allow you to ignore the narrative as presented and come up with your own conspiracy theory. Is that what really happened?
Would you marry a boring man? A work colleague of mine did just that and whilst they are now divorced and she hates him, she found that the grass hasn't been greener and she has been hurt by her cheating next encounter. Sometimes boring can be jolly nice indeed. Actually, boring is one of the worst things - ignore that last thing. My work colleague is a bit weird.
Le saviez-vous
- AnecdotesThis was the last picture produced by International Pictures before they officially merged with Universal Pictures to become Universal-International.
- GaffesAt their first meeting Ruby calls Baroudi (who does not correct her) "Effendi", using the last name of the police captain.
- Citations
Dr. Mueller: We are now going into the tomb. The ladies should be careful not to touch the walls. They haven't been cleaned for 3000 years.
- ConnexionsRemade as Lux Video Theatre: Temptation (1956)
- Bandes originalesÉtude in E major, Op. 10, No. 3
Music by Frédéric Chopin
Meilleurs choix
- How long is Temptation?Alimenté par Alexa
Détails
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 1.37 : 1