Deux mains, la nuit

In the beginning of the Twentieth Century, a serial-killer is terrorizing a small town, killing women with imperfections. In the Warren manor, the mute servant Helen (Dorothy McGuire) nurses Mrs. Warren (Ethel Barrymore) who is terminal in bed. The newcomer Dr. Parry (Kent Smith) falls in love for Helen and has the intention to take her to specialists in Boston for treatment for recovering her voice and marry her. When the reckless Steve Warren (Gordon Oliver) arrives from Europe, he stays in the mansion with his mother and his stepbrother Professor Albert Warren (George Brent) and has a brief affair with Albert's assistant Blanche (Rhonda Fleming). When a crippled woman is killed in the town, Mrs. Warren advises Helen to leave the house immediately since she is in danger. When a murder occurs in the mansion, Helen does not know who is trustful to help her to call Dr. Parry to rescue her.

"The Spiral Staircase" is a suspenseful stylish movie, with a magnificent black and white cinematography that follows the German Expressionism and wonderful set decoration in Victorian style. It is impressive the use of shadows and lights in many unforgettable scenes, like for example Blanche in the basement or Helen in the spiral staircase. The beginning is an awesome tribute to the earlier days of the cinema. The performances are excellent and it is impossible to individually highlight any actor or actress. The plot keeps the tension until the very end in this great movie. My vote is eight.

Title (Brazil): "Silêncio nas Trevas" ("Silence in the Darkness")

THE SPIRAL STAIRCASE is one of the best known in the "old dark house" genre. These films typically feature a disparate group of characters who inevitably find themselves alone and trapped within a huge, rambling and spooky old house on the night of a storm, with a killer amongst them. What's notable about this outing is just how stylish it is: the story is nothing special, but the style makes it.

The story features a black-gloved killer (complete with POV shots) who hides in wardrobes and stalks his young, female victims and strangles them. In one of the movie's most infamous shots, the viewer sees a victim from the killer's point of view, and she's missing her mouth; symptomatic of his disturbed mind, and highly eerie with it. The whodunit aspect of the storyline is played up strongly, with some red herrings thrown into the mix, although it's pretty easy for a modern viewer to guess the identity of the murderer.

THE SPIRAL STAIRCASE features some decent performances, particularly from Dorothy McGuire, playing (unusually) a leading role as a mute. That the viewer becomes accustomed to her muteness and, eventually, even forgets about it is testament to her performance. Elsewhere in the cast, there's a barnstorming turn from grand old dame Ethel Barrymore who rules the roost from her deathbed, and a nicely comic performance from the BRIDE OF FRANKENSTEIN herself, Elsa Lanchester, as a drunk cook.

In the end, the film works because of the visual flourishes. As in a film noir, there's a lot of creeping about in the shadows, and silhouettes of various things and people play a big part. The emphasis on a deranged killer is a neat precursor to the later gialli and slasher films of the '70s and '80s, and there's little padding on the bare bones of the narrative. It's a good 'un.

This is a terrific thriller, made just the way that thrillers should be done, with nicely crafted tension, atmospheric setting, and plenty of strange and mysterious characters. Adding in the excellent leading performance by Dorothy McGuire makes it a top-notch picture.

From the very beginning, the suspense begins to build, while at the same time McGuire's character Helen immediately attracts and holds the audience's concern and sympathy. The combination works very well, and while you're never sure what else is going on, or which of the other characters can be trusted, you know that Helen is in danger and that you care about her.

The rest of the cast are all nicely matched with their characters, and do a fine job of bringing them to life. Some of the plot developments probably would prove somewhat implausible if analyzed carefully, but the story and atmosphere are crafted so effectively that you never notice while watching.

Anyone who enjoys classic thrillers should make sure to see "The Spiral Staircase".

Being one of the last truly great thriller/mystery classics I still had lingering on my must-see list; I cherished big expectations for "The Spiral Staircase". Perhaps even a little TOO big… Don't get me wrong, it's a fantastic film and a bona fide genre masterpiece, but somehow I expected even more suspense and moodiness! Let me just get out of my system that certain sequences inside the old dark house were a bit tedious and overdone. But hey, who's complaining, since the full rest of the film is pure perfection in terms of beauty, elegance, atmosphere and scenery. It's rather intriguing how certain films, like "Freaks" or "Peeping Tom" to name just two, caused so much controversy and scandal while "The Spiral Staircase" is widely considered as an untouchable landmark even though it features similar prohibited themes like voyeurism and murder victims with a disability. The opening sequence is almost too brilliant for words. A medium sized crowed gathers in a small theater for a silent movie screening while, on the floor above them, a crippled girl prepares herself to go to sleep. The utmost evil glazing eye watches her from inside the wardrobe and strikes exactly when she lifts the gown over her head. You can't get any more expressionistic than that. After that, "The Spiral Staircase" establishes itself as the sheer archetype of old dark house thrillers. The beautiful but mute Helen is a social worker in the secluded mansion of the ailing Mrs. Warren. A heavy thunderstorm rages outside, Mrs. Warren son and stepson argue over their life styles (and the lovely secretary Blanche) and the rest of the household staff either turns to alcohol or complains about the stubborn matriarch. Both Mrs. Warren and her doctor urge Helen to leave town. Could it be the maniacal killer is inside the house? This film is a rarity. Even though it doesn't require an Einstein brain to figure out the killer's identity, you honestly don't care that much and remain glued to the screen to admire how the Gothic atmosphere unfolds further. Director Robert Siodmak – a German immigrant in America following WWII – truly masters the cinematography and Victorian set pieces. He also manages to include the thunderstorm as an extra – and essential – supportive character. Speaking of the cast, I dare you to name a so-called 'damsel in distress' more amiable than Dorothy McGuire's Helen. She's a vulnerable angel, targeted by a frustrated and obsessive madman on a mission to rid the world of imperfection. Especially the women impress in "The Spiral Staircase" as I simply must also mention Ethel Barrymore as Mrs. Warren (nominated for an Oscar, even) and Elsa "Bride of Frankenstein" Lanchester as the maid with a taste for brandy.

A killer who targets women with imperfections is on the loose. Everyone suspects the next victim will be Helen, who is mute and works as a caregiver for a wealthy old woman. Who is the killer and is Helen safe?

George Brent stars in this, along with a marvelous cast. I am not familiar with Brent's work, but he was amazing here. And working under Robert Siodmak? What more can you ask for? The Siodmak brothers were a strong force in their day, and sadly forgotten by many today.

If you like film noir, thrillers or subtle horror, this film is really a must-see. The title is a tad misleading. Near as I can tell, the spiral staircase plays no important role in the film. But, still, a must-see regardless of title.