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Shadow of a Woman

  • 1946
  • Approved
  • 1h 18min
NOTE IMDb
6,0/10
497
MA NOTE
Shadow of a Woman (1946)
CriminalitéDrameMystèreThrillerFilm noir

Ajouter une intrigue dans votre langueA young bride's marital bliss is replaced by shades of suspicion when she suspects that her husband is trying to starve his young son to death in order to claim an inheritance the boy is ent... Tout lireA young bride's marital bliss is replaced by shades of suspicion when she suspects that her husband is trying to starve his young son to death in order to claim an inheritance the boy is entitled to.A young bride's marital bliss is replaced by shades of suspicion when she suspects that her husband is trying to starve his young son to death in order to claim an inheritance the boy is entitled to.

  • Réalisation
    • Joseph Santley
  • Scénario
    • Whitman Chambers
    • C. Graham Baker
    • Virginia Perdue
  • Casting principal
    • Helmut Dantine
    • Andrea King
    • William Prince
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    497
    MA NOTE
    • Réalisation
      • Joseph Santley
    • Scénario
      • Whitman Chambers
      • C. Graham Baker
      • Virginia Perdue
    • Casting principal
      • Helmut Dantine
      • Andrea King
      • William Prince
    • 19avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos14

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    + 7
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    Rôles principaux17

    Modifier
    Helmut Dantine
    Helmut Dantine
    • Dr. Eric Ryder
    Andrea King
    Andrea King
    • Brooke Gifford Ryder
    William Prince
    William Prince
    • David G. MacKellar
    John Alvin
    John Alvin
    • Carl
    Becky Brown
    Becky Brown
    • Genevieve Calvin
    Richard Erdman
    Richard Erdman
    • Joe
    • (as Dick Erdman)
    Peggy Knudsen
    Peggy Knudsen
    • Louise Ryder
    Don McGuire
    Don McGuire
    • Johnnie
    Lisa Golm
    Lisa Golm
    • Emma
    Larry Geiger
    • Philip Ryder
    Monte Blue
    Monte Blue
    • Mike
    J. Scott Smart
    J. Scott Smart
    • Timothy Freeman
    • (as Jack Smart)
    Leah Baird
    Leah Baird
    • Mrs. Calvin
    Lottie Williams
    • Sarah
    Elvira Curci
    • Police Matron
    • (non crédité)
    Paul Harvey
    Paul Harvey
    • Howard K. Brooks - Chief of Detectives
    • (non crédité)
    Paul Stanton
    Paul Stanton
    • Dr. Nelson Norris
    • (non crédité)
    • Réalisation
      • Joseph Santley
    • Scénario
      • Whitman Chambers
      • C. Graham Baker
      • Virginia Perdue
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    6,0497
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    10

    Avis à la une

    5Jim Tritten

    Remake this better next time

    Interesting but flawed mystery set in post-war California. A newly married woman who grows afraid of her newly met husband is a good premise for a movie and one that Alfred Hitchcock would have probably done better with. There is a doubt in this film whether the husband is indeed guilty of something…although there is no doubt that he is suspicious. Suspicion itself if not enough to salvage this film.

    The writing could have been better. Some of the plot is too hard to swallow. We are cheated out of seeing what brought the newlyweds together. What kind of doctor is the husband? He claims he is not an MD and others say he worked in the entertainment field.

    The acting could have been better. The wife accepts too much aberrant behavior from her odd husband and the folks he attracts. By opening the film with a flashback, we already know that the wife survives to tell the tale – thus robbing the story of some needed tension.

    Not a terrible movie, but one that could have been better and might be if it were remade.
    dougdoepke

    Better in Concept than Execution

    Okay slice of psychodrama and woman-in-danger flick. Still the script remains a rather uneasy mix of several elements. There're shadowy elements of noir, just emerging in '46, but mostly it's whether wife Brooke (King) can undo husband Eric's (Dantine) evil schemes and still survive. Can't say the plot's too original since Brooke marries Eric on short notice, not realizing his dark past. He poses as a doctor with unconventional methods, but just how "unconventional" is he. King looks good in 40's outfits, still I wish she (or director Santley) could have worked up more emotion. That would have heightened tension as the story winds down. But then the showdown is not what is ordinarily expected in this type movie. There's a good twist concerning the characters that I didn't see coming. So there are some surprises. Too bad that culminating fist-fight is none too plausible given Carl's (Alvin) gimpy leg. But dig that all- night diner that Joe (Erdman) presides over. It can compete with any of noir's many iconic diners.

    All in all, the flick's an okay time-passer, but doesn't really pack the tension that's waiting there in the concept.
    paulet

    acceptable low-budget film noir

    This is one of those postwar "shrink-anxiety" movies in which an >unscrupulous psychotherapist manipulates, blackmails, or robs >his patients. It's not bad of its type, though nothing out of >the ordinary. *But* it's the answer to a truly obscure trivia >question, because in an early scene, the villain and the heroine >have dinner in a restaurant where the band is playing "How >Little We Know", the Hoagy Carmichael song that Lauren Bacall >sang in "To Have and Have Not"!
    8t-77778

    I Liked It A Lot!

    I caught this movie on Saturday Night Noir. I wasn't planning on watching it, but it came on after NIAGARA and I left the television on while I was cleaning and getting ready for bed. It sucked me in! I really liked the atmosphere of the movie and the spooky old house. I liked the characters. I especially liked Andrea King and the little boy.

    During the commercials I looked up the movie and saw that it wasn't much of a success when it came out. I was surprised because I didn't think it was that bad. I watch a lot of old movies (seldom ever watch anything new to be honest.) and I am sort of a hyper person who constantly keeps busy. I often half watch movies while doing another task like working (I work from home online) cleaning, cooking etc. A movie has to be pretty good to get me to actually sit down. I sat down for this movie. Was it the best acting I have ever seen? No, but the main character was likable enough and the story good enough, that I didn't care. It wasn't Oscar worthy, but most of the movies I like aren't. I liked this movie very much. It kept my attention and kept me entertained to the end.
    8Handlinghandel

    That Poor Little Boy!

    Andrea King makes a mistake when she marries sinister alternative-medicine doctor Helmut Dantine. She realizes it pretty quickly, as we see in a story told from her point of view in flashback.

    He seems like a truly loathsome person. It's hard, though, not to wonder if this movie was unwritten by the AMA. After all, not ALL people practicing alternative therapies, even back then are/were evil and/or quacks.

    The most poignant part is the man's son, who is being held captive and being given a horrifyingly Spartan diet, ostensibly for his health.

    That part will send chills up your spine. (If it knocks your spine out of quack, call a chiropractor.)

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      An appropriate tune in the film, played in the Gypsy Room scene, is "How Little We Know" by Hoagy Carmichael and Johnny Mercer. The tune became popular two years earlier when it was sung by Lauren Bacall in Le Port de l'angoisse (1944).
    • Gaffes
      About one hour into the film, Brooke addresses a letter to Dr. Norris. In close-up the envelope is small (letter size) and the address is written almost to the right edge. However in the next wider shot, the envelope is larger (business size) and the address is more centered.
    • Connexions
      References L'extravagant Mr Ruggles (1935)
    • Bandes originales
      Otchi Tchornya
      (uncredited)

      Traditional Russian tune

      [First dance number played at the Gypsy Room]

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    Détails

    Modifier
    • Date de sortie
      • 14 septembre 1946 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Obsesión fatal
    • Lieux de tournage
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis(Studio)
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 427 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 18min(78 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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