Don Gale, agent privé

Here's another fine entry in Columbia's noirish Whistler series, the fifth chronologically, and fourth directed by soon-to-be schlockmeister William Castle. Like the first in the series, Castle imbues the film with an especially sleazy atmosphere. The shadowy b&w photography, threatening background detail and desperate lowlife characters evince a cynical view of the urban world, and the writers obliquely hint at sordid relationships and motivations which simmer below the surface of the story. Series lead actor Richard Dix, normally emotively challenged, gives a rather eccentric interpretation of a venal, socially inept gumshoe seeking a big score, who is ironically given the opportunity for redemption. Buffs will certainly savor the parade of iconic supporting actors like Mike Mazurki and Charles Lane. Much better than one would expect from a mystery series, this picture reflects the seamy side of life usually glossed over by the Hollywood veneer.

William Castle the director of many low B budget films made this into another great Whistler series starring Richard Dix as Don Gale, a rather shady private detective who had a nice brunette secretary named Joan Hill, (Nina Vale) who assisted him with all his clients and especially a little old man. This little old man wanted to locate a young girl named Lund in order to tell her that she was worth lots of money and he wanted Don Gale to try and local this young girl from his past. Don Gale has other ideas and decides to find a girl to impersonate this young girl in order to find out just how much of a fortune she is worth and what it just might be. Several people get murdered and this dark tale takes you down many blind alley's with all kinds of ugly and evil men and woman. Enjoy, it is a good mystery, and Richard Dix had a certain charm that made his acting so suspenseful.

Fifth in the Noirish Whistler film series (and the third Directed by William Castle) is a so-so effort despite a decent enough premise. A kindly old shopkeeper (Paul E. Burns) is looking for a young girl (Pamela Blake) who disappeared suddenly after a family tragedy seven years before. He's been holding some valuables for her. The shopkeeper hires a shady Private Investigator (Richard Dix) to find the young girl. Soon enough, a Model (Helen Mowry), a street thug (Mike Mazurki), a hotel manager (Regis Toomey) and the cops are on the case. At barely an hour, Eric Taylor's script never fleshes out the characters. It's purely a plot driven vehicle. Unfortunately, the P.I. is such a dreary lunkhead of a character that even the twists in the tale don't land. I like Dix in a number of movies, but he isn't able to lift the part. Castle's Direction has a few minor touches and Cinematographer Philip Tannura does a decent job under the circumstances. MYSTERIOUS INTRUDER, with it's P.I. focused story may more claim to being Noir than some of the other Whistler films (I do love that mysterious shadowy figure), but, it's still more of a crime melodrama - and, a second rate one at that.

The improbable plot for this entry in "The Whistler" series has something to do with valuable cylindrical disc recordings of Swedish nightingale Jenny Lind, a double-crossed antique dealer, a femme fatale blonde who knows the recordings are worth $200,000, and some crooked thieves. RICHARD DIX is the gumshoe detective in the mold of Philip Marlowe, but his dialog isn't quite as sharp.

Dix, of course, has to play fast and loose with the police on his trail and there are enough plot twists to keep any mystery fan mystified. Another factor in the plot is the femme fatale posing as someone else while scheming to get the money. As you can see, for a film that only runs one hour there's enough to keep you busy watching for the next development.

The supporting cast includes BARTON MacLANE, PAMELA BLAKE, CHARLES LANE, REGIS TOOMEY and MIKE MAZURKI.

Crisply written and directed, it's a good series entry.

The Whistler was both a radio show and a B-movie series from Columbia Pictures. Unlike the usual B-films (which were mostly detective films), this series was more like episodes of the "Alfred Hitchcock Presents" television series--each a unique story involving human nature and each one being unique and unrelated to the others. Additionally, all but the final film starred Richard Dix--who played very different characters in all the films.

In this film, Dix plays a private detective who isn't especially honest. When a kindly old man comes to him for help, Dix appears willing to use a bit of larceny to cash in on the man's trust. Throughout the film, you see that above all else, Dix is a man out for himself. Additionally, other selfish characters abound--and soon practically everyone wants to cash in on the old man's secret.

This film is probably the best in the series because the script is much tighter and without the plot holes that sometimes impeded the series. While there are many twists and turns, the script never becomes too complicated and it ends with a wonderful and ironic twist. Additionally, the supporting staff is much better than usual--having many great character actors on hand, such as Mike Muzurki, Barton MacLane and Charles Lane.

The score of 8 is relative to other B-movies. For the genre, it's among the best and not to be missed by old film buffs.