Ajouter une intrigue dans votre langueAn aging music-hall performer returns to London believing he's the star of a new show. When he discovers that he's only slated to be the understudy, his daughter sabotages the revue's star i... Tout lireAn aging music-hall performer returns to London believing he's the star of a new show. When he discovers that he's only slated to be the understudy, his daughter sabotages the revue's star in order to get him back into the spotlight.An aging music-hall performer returns to London believing he's the star of a new show. When he discovers that he's only slated to be the understudy, his daughter sabotages the revue's star in order to get him back into the spotlight.
- Réalisation
- Scénario
- Casting principal
Lucas Hoving
- Dancer
- (as Lucas Hovinga)
Scotty McHarg
- Bill
- (as 'Scotty' McHarg)
Avis à la une
Interesting today mainly as a historical record of the Music Hall (Vaudeville to our American cousins), this is fairly slow and unfunny when not actually showing the performances.
Featuring Sid Field, a big star of the thirties and forties. He had a pleasant light singing voice but his act included a Golf Lesson routine not in the class of his namesake, W.C. Two-ton Tessie O'Shea, literally a big star, showed that she had lots of personality and there's an enjoyable Pearlie Kings act with `Any Old Iron?' etc.
Surprisingly in (pretty gaudy) colour.
Featuring Sid Field, a big star of the thirties and forties. He had a pleasant light singing voice but his act included a Golf Lesson routine not in the class of his namesake, W.C. Two-ton Tessie O'Shea, literally a big star, showed that she had lots of personality and there's an enjoyable Pearlie Kings act with `Any Old Iron?' etc.
Surprisingly in (pretty gaudy) colour.
A good musical must have some tuneful melodies,reasonable book and not outsmart its welcome.This film fails on all three counts.Furthermore it has Sid Field in the lead.Now whilst this may be a good thing for music hall historians he simply is not up to the lead role in a film.Furthermore if you don't enjoy the humour of his sketches then you really are stuck.He has a good supporting cast in Claude Hulbert Sonnie Hale and Jerry Desmonde.It is difficult to understand why Rank let Wesley Ruggles direct it,then allow it to be released in a version over two hours long.By 1950 Rank was overdrawn by millions of pounds and brought in John Davis to wield the axe.
London Town is a must see for any other Greta Gynt fans out there. Her saucy madam with the chestnut hair is about as far removed from the icy blonde femme fetales she played in the 30s as can be! It took about half of the film before I really recognised her. Kay Kendall is also splendid in her role, as is a very small Petula Clark. Petula is Peggy, whose father is an out of work comedian. She plays a trick on the other comedian, so that he'll have to miss a night and give her father his big break. Watch out for Belgrave as well - he steals every scene he's in!
The movie is fairly light on plot, most of the time being made up with the stage numbers, some of which get a bit long (the golf one...good at first but soon I was dying!), but over all it's a lot of fun. I'm sure I could have though of a better ending, though!
The movie is fairly light on plot, most of the time being made up with the stage numbers, some of which get a bit long (the golf one...good at first but soon I was dying!), but over all it's a lot of fun. I'm sure I could have though of a better ending, though!
Rank's ruinously expensive attempt to make a film star out of West End sensation Sid Field immediately acquired legendary status when it crashed and burned with both critics and at the boxoffice taking with it the career of director Wesley Ruggles and setting back that of Kay Kendal for several more years.
Predating British film comedies of the fifties and sixties which showcased British television comedians in Technicolor, like most really bad films the biggest sin 'London Town' commits is the one of simply being very dull, to the extent that for the next fifteen years it was produced as Exhibit 'A' whenever the case was argued that the British simply couldn't make musicals.
Predating British film comedies of the fifties and sixties which showcased British television comedians in Technicolor, like most really bad films the biggest sin 'London Town' commits is the one of simply being very dull, to the extent that for the next fifteen years it was produced as Exhibit 'A' whenever the case was argued that the British simply couldn't make musicals.
Great Britain has made some really good movies over the years - comedies especially. Also war movies. BUT! their first venture into musicals, LONDON TOWN, was nothing short of a disaster. The acting was bad, the direction worse and as for the songs!! Diabolical. I class it just below THE ATTACK OF THE KILLER TOMATOES in my list of the worst movies of all time.
Le saviez-vous
- AnecdotesThis film was Britain's first major Technicolor musical and also became the most notorious critical and box-office flop of the postwar British cinema and the largest bomb ever for its production company, the famed J. Arthur Rank Organisation.
- Crédits fousClosing credits: The characters depicted in this photoplay are fictional any similarity to actual persons living or dead is purely coincidental.
- Versions alternativesUK premiere version (126 mins) UK theatrical release print (95 mins)(shortened, re-edited) US theatrical release print (75 mins)
- ConnexionsFeatured in Saturday Live: Pilot (1985)
- Bandes originalesYou Can't Keep a Good Dreamer Down
(uncredited)
Music by Jimmy Van Heusen
Lyrics by Johnny Burke
Performed by Sid Field
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- My Heart Goes Crazy
- Lieux de tournage
- Sound City, Shepperton, Surrey, Angleterre, Royaume-Uni(studio: made at Sound City Studios Shepperton England)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 £GB (estimé)
- Durée2 heures 6 minutes
- Rapport de forme
- 1.37 : 1
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By what name was London folies (1946) officially released in India in English?
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