Deux nigauds vendeurs

This is one of Abbott and Costello's most unusual films, as it's the first of two that made where the characters were NOT friends. In addition, Bud Abbott plays dual roles--one a nice enough guy and the other a total scum-bag! Plus, and here's the oddest part, the film is a traditional story in many ways-as both play honest-to-goodness people! As a result, it really isn't a comedy per se--as the film is not built around gags but people. Sure, there are a few laughs here and there, but that is all.

While I know that the film was a bit of a flop and many people disliked its style, I frankly liked it because it was such a departure. You see, by 1946, the team had already made 16 films in only 6 years--and all but one of them (WHO DONE IT!) followed roughly the same formula. With this formula, there was a love story, some Abbott and Costello comedy and lots of singing. As far as the love story goes, this time it actually involves Lou and a girl back home. However, there is no singing and little what anyone would consider comedy.

I think one thing that bothered people is the pathos in the film. Lou plays a nice guy who gets hurt pretty badly at times in the film. You want him to win but time and again, jerks take advantage of him. Near the very end, this hit practically epic proportions, though smartly, the film didn't stay mired too long in pathos--coming to a nice and quick resolution.

The film begins with Lou living on the farm with his Mom. He wants to make good, so he's been taking a correspondence course in salesmanship. Unfortunately, he isn't very good at it and when he goes to the big city to make his mark, he makes a mess of it. He loses his job and gets another job with the same vacuum cleaner company in another town. However, in an odd twist, his co-workers play a joke on him--convincing him he's psychic. The gag works too well, as Lou is convinced it's real. The jokes on them when he turns into an amazing salesman--setting a sales record the very next day.

As for Bud, in Los Angeles, he plays a crooked and thoroughly nasty jerk. He takes pleasure in firing Lou and it's interesting to see them working against each other instead of with each other. In his next job, Lou goes to work for Bud's cousin--played once again by Bud (with a slightly different hairdo). This time, he's more of a normal guy and confides in Lou that he can't stand his stupid cousin in L.A.! It was an interesting acting challenge for Bud--as rarely did any of his characters in other film have any depth. Here, he plays two parts and quite well. In fact, it worked out well enough that they had him do the same in the next film, THE TIME OF THEIR LIVES. Another, more practical reason they did this was because Bud and Lou were having a horrible spat at the time--and they would only play in films where they acted separately!! Fortunately for the team, the managed to patch things up for other films.

One of the only comedy routines in the film was also used in one of the team's earlier films, IN THE NAVY. This is the funny math routine where Lou explains (rather convincingly) that 7x13=21! While it is a retread, it's redone well.

Overall, while this is hated by most people, I liked the film a lot--nearly giving it a 9. Why? Originality and both Bud and Lou stretched themselves--trying new things even if the public wasn't 100% ready for THIS big a change. Maybe much of the reason I respect this film so much is that I have re-seen all the Abbott and Costello films leading up to LITTLE GIANT and it just felt like a breath of fresh air seeing such a completely original film.

A countrified Costello goes to the city to sell vacuum cleaners and ends up a mind reader.

It's a departure for A&C, more scripted with a structured storyline than previous entries. That's understandable since the war is over and audiences are looking for more than simple escapism. Actually, the entry is more a curiosity than a straightforward comedy. Abbott plays multiple parts, showing a talent for the occasionally sinister and low-down, while Costello plays something of a lovable Chaplin-like simpleton. There're a couple of funny routines and a few gag lines, but fewer than usual, plus a pacing that lacks needed snap.

I liked the 7x13=28 routine, which shows a lot of amusing ingenuity. There's also Costello's extended seduction routine where the statuesque deWit hovers above him in a drop-dead sexy gown. But, I'm sort of surprised the screenplay doesn't make more of the comedic potential of a door-to-door salesman since that could lead to a whole series of funny situations. Instead, we get only one sales set-up, a really funny one with Margaret Dumont and her poor besieged carpet.

Anyway, this move toward a more serious and structured storyline appears not to have been very successful since the boys soon turned to the highly successful A&C Meet… series of straightforward comedies. After seeing this rather tame effort, I can understand why.

While I certainly agree with the other viewer that Little Giant is atypical of the Abbott and Costello oeuvre, it is definitely not their last movie together!

It also had the one singularly saddest scene in my 50+ years of movie-going.

Seemingly failed vacuum-cleaner salesman "Benny Miller" is returning home to the sticks with a little bird in a small wooden cage, a gift for his mom (Mary Gordon, of course). He stops to aid a neighbor whose mule-drawn wagon is stuck in a big muddy patch. He puts his shoulder to the rear of the wagon, the whole ensemble takes off without so much as a "thank you" from the neighbor, "Benny" goes face first into the mud and when he manages to get himself erect, he discovers that the bird has escaped.

He's standing there, covered with mud from eyebrows to knees in his best Sunday suit, holding the empty cage, and says, his lower lip quivering, "M-m-my bird... it was for my Mom.."

This 12-year-old dissolved into tears right there in the fifth row of the Macomb Theater in Mount Clemens, Michigan. Years later I could still well up at the thought of that scene, and when, as an actor, I needed to play a certain value, it was that "sense memory" I called upon.

This is a little appreciated A&C film that actually is quite good. It has almost no music to interrupt it. Abbott has a dual role & is only with Costello in small parts of the film. When this was made, the boys were fighting so they tried not to do scenes together.

Director William Seiter has a lot to do with a lot of the difference here. Sidney Fields has a great sequence doing the straight man with Costello early in the film too.

This film has a funny/ fuzzy math routine (common core) that obviously is drawn straight from A&C's radio shows they did before the movies. There is a lot of good support for A&C in this movie. This is the only film where Costello does "pathos" type comedy and he is actually quite good at it.

Some critics rated this as the best A&C film that few people have seen. It is the first of 2 films which departed from their standard format. Maybe they should have fought more often as they are 2 of the stronger films the team did.

Overall, this is a good outing, and worth seeing. Universal has it on their DVD Franchise Collection, Volume 2 of 4 volumes.

"Little Giant" is a big departure from the usual pairing of Bud Abbott and Lou Costello. In most of their films, they operate as a pair. But in this film, they are individuals who meet some time into the film. That is, Lou meets "one" of the But Abbotts - Eddie Morrison, and then he later meets the other Abbott, T.S. Chandler. That's the second unusual pitch of this plot - with Abbott playing two roles.

This is a fine comedy, but it also has a serious side with Costello having center stage throughout. It's interesting that this film was made during the falling out between the two men. During this and the other 1946 film that completed their Universal contract ("The Time of the Their Lives'), they reportedly seldom spoke to one another. Their off-screen lives which had been friendly and close, was likewise strained. Within a couple of years, they would get back together as friends.

This is the film in which Abbott and Costello first do their math skit, "7 times 13= 28." In a discussion about the quota of vacuums that the sales force must sell, Chandler says that with seven salesmen, each man would have to sell four vacuums. But Costello's Benny Miller says that 28 divided by 4 is 13. That leads to Chandler challenging him to multiply and add as well. In each instance, Miller does the math to show the number according to his way of thinking. This is a humorous skit that the two men repeated on their TV program years later.

That is the only real skit between the two comedians. But Costello has several solo scenes or comical scenarios with others. One occurs on an overnight train from Los Angeles to Stockton, California - a distance of just 337 miles by driving on I-5 today, but nearly 500 miles by rail then. On that ride, Costello struggles trying to bed down in an upper berth.

As with many Abbott and Costello films, the supporting cast are mostly little known or lesser known actors of the time. But they all do a good job in this film. The most recognizable is George Chandler who plays the salesman, O'Brien. Chandler has a distinctive face that movie fans will recognize, and he had supporting roles in more than 460 films in a career that lasted more than 50-years (1928-1979). Another familiar face to fans of older films will be Donald MacBride who plays the conductor. He was in more than 160 films, mostly comedies. The most recognizable female performer from the film will most likely be Brenda Joyce who plays Miss Ruby Burke. She was known for playing the role of Jane in five Tarzan films of the 1940s. She made 27 films over 10 years, but walked away from Hollywood after "Tarzan's Magic Fountain" of 1949.

This is an Abbott and Costello film that comedy fans should enjoy. Only, be prepared for a different "look" than the usual Bud and Lou pairing.

Here are some favorite lines form the film.

Benny Miller, "I feel like a tin can with a dog's tail tied to it."

T.S. Chandler, "Did you ever go to school, stupid?" Benny Miller, "Yes, sir, and I came out the same way."

Miss Ruby Burke, "What's the trouble, Benny? You're lower than a caterpillar with fallen arches."

Benny Miller, "I penetrate people's brains and leave my mind blank."

Hazel Temple Morrison, "Oh, you shouldn't choke." Benny Miller, "How do I not choke?"