Un coeur à prendre

This film, although not among Ginger Rogers best work, is certainly worth checking out. As usual she is most engaging--she plays a teen (she was actually 35) somewhat convincingly. She has run away from a girls reformatory and is recruited by Professor Aristide (Basil Rathbone), who runs a pickpocket academy in Paris. She is assigned a pickpocketing "job" by a corrupt ambassador (Adolph Menjou). Of course along the way she meets a man (Jean-Pierre Aumont), falls in love and well, you get the drift. The supporting cast is also entertaining most notably Adolph Menjou, although one doesn't see Basil Rathbone nearly enough here. At times the story is slow moving and quite predictable, but when Ginger is on the screen her beauty,charm and magnetism more than compensate for this. If you are a fan of Ginger Rogers, Adolph Menjou or Basil Rathbone this largely forgotten film is worth a look.

GINGER ROGERS again is photographed in soft focus so that she can fool the camera lens into having us believe her as an 18 year-old girl who is taught to be a pick-pocket at a crime school run by no less than BASIL RATHBONE. Encouraged to become a petty thief, she is sent off to ply her trade and soon finds herself caught up in a romantic liaison with a wealthy Frenchman JEAN-PIEREE AMOUNT.

In outline, the story sounds like it would have a lot of potential as a charming romantic comedy. And sometimes it almost works. Rathbone does a smoothly professional job as her crime school mentor and ADOLPHE MENJOU adds sophistication to the supporting cast. But Ginger remains unconvincing throughout, sadly miscast in a role that could only have been carried off by an actress who was young enough to assume such a role.

Whatever tricks of photography were needed to photograph Rogers in a soft glow are simply wasted. She's never for a moment convincing as an ingénue and the film should have been scrapped once it was revealed that the casting mistake would ruin the story. Alas, another misfire for Rogers during a period which alternated between good and bad roles in some films that ranged from mediocre to excellent.

Summing up: Hardly worth your time.

Despite having some talent and material to work with, this feature produces just a few good moments, and it never really comes together the way it might have. The cast, headed by Ginger Rogers and including some fine supporting actors, certainly supplied plenty of talent. The story idea was only mildly imaginative, but it had the potential for some decent comedy and entertaining romantic mix-ups. But it seems to go in too many different directions at different times, and perhaps as a result, it has a few stretches of good material packed amidst some longer, less interesting parts.

Rogers was easily one of the more attractive and talented actresses of her era, but the role of Arlette just doesn't seem to work for her. The character is not really as interesting as the situation, and Rogers often seems to be trying too hard. In any case, the character never quite rings true.

The story starts with Arlette, a reluctant enrollee in a school for petty criminals, getting roped into a scheme by an unscrupulous aristocrat that plunges her into a series of romantic and personal complications, as she develops a tangled relationship with a diplomat played by Jean-Pierre Aumont. The story is pure fluff, deliberately implausible but with some good possibilities, and it would likely have worked better with a lighter, more farcical touch all around.

Basil Rathbone is well cast as the 'professor' at the crime school, and there are some amusing details in his classes and teaching methods, but all of the sequences in the 'school' are essentially just elaborations on the basic gag idea. Adolphe Menjou was an ideal choice for the unprincipled nobleman, but he has to contend with some clunky dialogue in his part. For all of these and other reasons, "Heartbeat" - though probably worth seeing - never hits its stride, and it delivers less than it could have.

Lets get this out of the way right off the top, Ginger Rogers is too old for her part in this film! True she looks very lovely and far younger than the 35 years she was when this was made, perhaps 25 or 26, but she is supposed to be an 18 year old escapee from a reform school and there is no amount of soft focus that could make that believable.

As far as the rest of the film its a mediocre effort wasting the other two assets it has on hand, Adolph Menjou and Basil Rathbone, in small parts. The story itself is rather ridiculous held up by the talent involved but it's wasted effort. A forgettable enterprise, all the stars have made better films that should be sought out instead.

This is a very watchable movie, but it is also amazingly dumb in places and should have been a lot better. A lot of the problem should rest on the shoulders of Ginger Rogers, who for at least the second time in her career is ridiculously portraying a woman half her age! This 35 year-old actress plays an 18 year-old and is about as convincing at that as she would have been playing Hattie McDaniel's role in GONE WITH THE WIND! This same ridiculous idea was the plot for another Rogers film, THE MAJOR AND THE MINOR, where at 32, she played a school girl!!! While a very small number of actresses MIGHT have been able to carry this off, Ms. Rogers appeared at least her chronological age and in both films it just comes off as ridiculous. While not quite as bad as Mae West in MYRA BRECKINRIDGE (who was 77 and STILL making passes at young men), it was still along the same lines as far as actresses who won't admit that they are no longer the young starlets they had once been decades earlier.

The second problem is that the film in many ways has two totally different tones. I loved the first portion of the film where we see Basil Rathbone operating a school for would-be thieves! This segment is very funny and incredibly original--I really wanted to see much more of this. The second portion was a very familiar love story with complications. Sure, it was fun to watch but not nearly as much as the other part--and it was very, very hard to believe that the budding romance could be real. Frankly, the film tries a bit too hard and comes off as forced.

The bottom line is that this is merely a time-passer and nothing more. If you do watch it, though, try not to laugh when Ginger tells the camera how old she is supposed to be--it isn't supposed to be a comedy!