Un coeur à prendre

I stumbled upon this film in an early-morning, commercial-filled broadcast, but such was its charm that I not only stuck with it but sought out a copy of my own. Part of its appeal is an unusual--and unusually wistful--role for Rogers: as a reluctant pickpocket-in-training, she combines a poignant innocence with her trademark spunk. Basil Rathbone is, as always, elegantly nasty as her mentor/Svengali, and the good old-fashioned happy ending will satisfy the romantic in you. This may not be for those who prefer Ginger in dancing mode, but if you enjoyed the cheerful sentimentality of Kitty Foyle, you should check out Heartbeat.

As much as I like Ginger Rogers (and so many other members of the cast) it was impossible for me to relate to her at age 35 and wearing a dreadful part "fright wig" passing for an 18 year old reform school delinquent; it was just too big a stretch for this viewer's imagination and I thought in general the film lacked verve. In relation to Ginger playing a much younger character than her years how can one forget her in "The Major and The Minor" at age 32 passing herself off as a 12 year old? With the softest focuses available at the time this was still an incredible piece of casting! I believe this film was a remake of a French film entitled "Battement De Coeur" made in 1939 which I intend to track down for comparison purposes.

This film, although not among Ginger Rogers best work, is certainly worth checking out. As usual she is most engaging--she plays a teen (she was actually 35) somewhat convincingly. She has run away from a girls reformatory and is recruited by Professor Aristide (Basil Rathbone), who runs a pickpocket academy in Paris. She is assigned a pickpocketing "job" by a corrupt ambassador (Adolph Menjou). Of course along the way she meets a man (Jean-Pierre Aumont), falls in love and well, you get the drift. The supporting cast is also entertaining most notably Adolph Menjou, although one doesn't see Basil Rathbone nearly enough here. At times the story is slow moving and quite predictable, but when Ginger is on the screen her beauty,charm and magnetism more than compensate for this. If you are a fan of Ginger Rogers, Adolph Menjou or Basil Rathbone this largely forgotten film is worth a look.

A young girl( a lively Ginger Rogers) escaped from a reformatory, becomes the best student in a Parisian school for pickpockets(ruled by Basil Rathbone). At the beginning she attempts out her skills on an old man(Adolphe Menjou). Later when she tries to rob an attractive diplomat(Jean Pierre Aumont) they fall in love instead.

This fresh and funny farce is one the last works where director Sam Wood shows an increasing blandness in a lighthearted love story with comedy touches. Main and support cast is frankly outstanding. Top-notch, virtuoso acting by Ginger Rogers, she was the number one as dancer actress and a fascinating comedian: ¨Monkey business¨ and won an Oscar for her portrayal in ¨Kitty Foyle: natural story of a woman¨. Remaining cast formed by the French young Jean Pierre Aumont as dashing diplomat, the classic Sherlock Holmes, Basil Rathbone, the memorable Adolphe Menjou, Henry Stephenson as veteran Ambassador and the Italian Eduardo Ciannelli. Sam Wood was a good filmmaker, an expert director of actresses, almost all the magnificent acting in his movies were given by ladies, with the exceptions of the Marx Brothers in ¨Night at the Opera¨, and ¨A day at the races¨ and Robert Donat in ¨Goodbye Mr Chips¨; as are extraordinaries, Ann Sheridan and Betty Field in ¨King Row¨, it is Ingrid Bergman, marvelous when we remember her in ¨For whom the bells tolls¨, and of course Ginger Rogers in ¨Heartbeat¨ and ¨Kitty Foyle¨; these outstanding Rogers'performances are matched by Joan Fontaine's ¨Ivy¨, Gladys George's ¨Madame X¨ and Jean Arthur's ¨The devil and Miss Jones¨. Plus the picture packs a very high standard cinematography by Joseph Valentine.From the late 1920s Sam Wood was with MGM, where he remained until his death at 1966 with some exception as ¨Heartbeat¨ with RKO. Sam Wood angered the acting community by his work for Joseph McCarthy and his House UnAmerican Activities Committee.

This is a very watchable movie, but it is also amazingly dumb in places and should have been a lot better. A lot of the problem should rest on the shoulders of Ginger Rogers, who for at least the second time in her career is ridiculously portraying a woman half her age! This 35 year-old actress plays an 18 year-old and is about as convincing at that as she would have been playing Hattie McDaniel's role in GONE WITH THE WIND! This same ridiculous idea was the plot for another Rogers film, THE MAJOR AND THE MINOR, where at 32, she played a school girl!!! While a very small number of actresses MIGHT have been able to carry this off, Ms. Rogers appeared at least her chronological age and in both films it just comes off as ridiculous. While not quite as bad as Mae West in MYRA BRECKINRIDGE (who was 77 and STILL making passes at young men), it was still along the same lines as far as actresses who won't admit that they are no longer the young starlets they had once been decades earlier.

The second problem is that the film in many ways has two totally different tones. I loved the first portion of the film where we see Basil Rathbone operating a school for would-be thieves! This segment is very funny and incredibly original--I really wanted to see much more of this. The second portion was a very familiar love story with complications. Sure, it was fun to watch but not nearly as much as the other part--and it was very, very hard to believe that the budding romance could be real. Frankly, the film tries a bit too hard and comes off as forced.

The bottom line is that this is merely a time-passer and nothing more. If you do watch it, though, try not to laugh when Ginger tells the camera how old she is supposed to be--it isn't supposed to be a comedy!