Les vertes années

I've only seen this movie on the TV and even then, it was years ago and its never been on TV again. I saw it before the days of VCR's. Its such a good movie, and unfortunate that it never came out on video or better still, on DVD. The movie was taken from the A.J. Cronin book of the same name. Dean Stockwell's performance was well done in the part of Robert Shannon a young Scottish boy. His father Hume Cronyn is the penny pinching father. Another favourite of mine is Jessica Tandy (Hume Cronyn's wife in real life, is also in the movie. As always and one of my favorite actors is Charles Coburn. Tom Drake plays the part of the older Robert Shannon. He wasn't in a lot of movies, but I always liked him. So far, it has never been on video or TV but if you ever see it listed in the TV Guide, watch it. Its very good.

HOW GREEN WAS MY VALLEY was one of the best films of the 1940s and really did a lot to bring to life the Welsh experience at the end of the 19th century. The film featured brilliant writing, acting and John Ford's deft direction. Now five years later, MGM returns with a film that reminded me, in many ways, of this earlier film--though it is set in Scotland just a decade or so after HOW GREEN WAS MY VALLEY.

One major difference was that the main character (initially played by Dean Stockwell) was actually Scotch-Irish and when orphaned he was sent from Ireland to live with family in Scotland. Unfortunately, not everyone in the family was happy to see the kid--as the stingy (both financially and emotionally) grandfather (played exceptionally well by Hume Cronyn) saw the kid as a burden and obligation instead of kin. Also, the fact that the boy was Catholic didn't help matters. However, the great-grandfather (Charles Coburn) was quite different. Despite at first seeming a bit gruff, he became the boy's greatest friend and ally. Through the course of the film, we see the boy grow from childhood to young manhood (where he is played by Tom Drake).

The film has a nice touch to it--with really nice acting and direction. About the only negative is that perhaps they tried too hard to stick with the original book, as there were so many story elements that seemed unnecessary and distracting, while several characters were never fully developed. A good example was the friend being hit by a train--it came from no where and did NOTHING to further the story. Also several family members' motivations and behaviors seemed oddly difficult to predict. A good re-write and streamlining of the novel would have improved things. Now I am NOT suggesting they should have shortened the film--just devoted more time to character development. Still, this is a lovely and entertaining film.

I have some strong disagreement with the category of nomination for Charles Coburn here. Most definitely he was not in a supporting role, in fact in a cast of fine players he dominates the film as the rascally old grandfather first to Dean Stockwell and then to Tom Drake in The Green Years.

It seems like A.J. Cronin can't write a novel that won't be turned into a fine film like The Citadel and The Keys Of The Kingdom. As a writer Cronin successfully blended medicine and religion into his work in Great Britain the same as Lloyd C. Douglas on this side of the pond in Magnificent Obsession.

In this story Cronin talks about the love of medicine and science acquired at an early age. Except possibly for The Boy With Green Hair I don't think Dean Stockwell was ever more appealing on the big screen. Seems like his mother ran off with of all things an Irishman and both are dead now. So young Stockwell is taken in by his Scot relative more as an obligation than anything else. They are a thrifty lot and that's putting it mildly.

The one who Stockwell bonds with is his grandfather Coburn. He's quite the rogue and known to take a dram or three with his buddies at the tavern. But he's got more character than the rest of the family put together. Eventually when Stockwell grows up to be Tom Drake and looks to be failing in his ambitions, it's Coburn who proves to be his salvation.

The Green Years hasn't lost one inch of charm and values and it's a year older than I am. Still wonderful family viewing. Scotland pre World War II is captured beautifully here with cinematography that gained the film it's only other Oscar nomination.

Poor Coburn and his fellow nominees were screwed by the Academy that year as they awarded a special Oscar to Harold Russell for his performance as the armless sailor in The Best Years Of Our Lives and then had him compete in the Best Supporting Actor category. Coburn and his fellow competitors William Demarest, Clifton Webb, and Claude Rains were at a very unfair disadvantage to Harold Russell.

Not a film to be missed for family viewing time.

A measure of this film's quality is that days after screening it I'm still thinking about it. It's a great multifaceted story with many and varied parallel plots and the performances will stay with you for a long time. Several scenes have become permanently engraved in my mind, too many to enumerate. Others have commented on Charles Coburn's performance and yes, it is outstanding, but not the only notable one. Hume Cronyn's miserly Papa Leckie is exasperating and even oddly sympathetic. Norman Lloyd who plays Papa's son is truly a chip off the old block if with more joviality. Gladys Cooper and Selena Royale are both excellent as always and Dean Stockwell gives a very nuanced performance, more so than in any other film I've seen him in. I should also mention Beverly Tyler whom I have never seen before if only for her singing voice which is truly angelic. And let's not forget another outstanding performance by Jessica Tandy in a complete role reversal from her previous outing in "The Valley of Decision". She is by far my favorite here even though she is not a headliner, with Coburn and Hume close seconds. If I have a gripe it's about the chronology. The story takes place in 19th century Scotland, a notoriously unhealthy place, yet it covers four generations. Coburn's grandpa is already an old man when Bobby comes to live with the Leckies yet he lives long enough to see Bobby to young adulthood a decade later. To top it all off he's an overweight alcoholic and his lifestyle is anything but healthy. That alone stretches all credulity although it is possible, if barely so. I think I'll have to read Cronin's novel on which the film is based to discover how the author handled this detail. Put that aside though and enjoy a great find.

At first when I read the blurb of this film on the viewers guide I expected another "How Green Was My Valley," which had ruined coming-of-age films for me until I saw "Breaking Away" in '79. I started watching it anyway and soon found I was hooked for the next 127 minutes.

"The Green Years" demonstrate what a better film "Kings Row" could have been if someone other than Robert Cummings had played the lead. It's basically the same story set in Scotland: both take place in isolated rural towns, both deal with mental cruelty, and both deal with overcoming your circumstances to better your life. And ironically, both feature the splendid and versatile actor Charles Coburn in pivotal roles.

The people of this village seem real here, with Hume Cronin playing the tight-lipped tightwad of an extended family who "live like they're poor out of choice." Tom Drake is fine as the older Robbie Shannon, earnest and sincere, but with an increasing sense of cynicism appropriate for the role. Richard Hayden as the headmaster that befriends Robbie adds just the right amount of sanity, humor and hope you need in a story that runs over 2 hours.

But young Dean Stockwell and Coburn are magic, especially in the scene when he and 2 drunken friends try to teach young Robbie how to box. I can't recall a relationship between 2 actors on film, one very old and the other very young, that rings as fresh and honest as their's does. I think W.C. Fields and Freddie Bartholomew in "Great Expectations" come closest.

Yes, it's episodic, and perhaps a tad too long, and Norman Lloyd is wasted as one of Cronyn's sons. But if you have an affection for this sort of film made soon after the end of WWII, you won't be disappointed.