Cinderella Jones

Any flick directed by B. Berkeley, and has Edward E. Horton (small part) can't be ALL bad. Sure, that silly plot is pretty flimsy, but you also have some respectable song and dance numbers, Robert Alda and Joan Leslie, and of course "Cuddles" Sakall as the stubborn Professor. Judy ( Leslie ) and Tommy ( Alda ) work on a radio show that gives away money and prizes, and helps locate long lost relatives. But there are conditions to be met when they DO find the rightful heir, and the conditions are almost more trouble than they are worth... but in this case, its ten million dollars at stake. Also keep an eye out for Elisha Cook as the "roommate" at college... he was the weakling villain in "Maltese Falcon". The running gag in "Cinderella Jones is the list of malaprops said almost non-stop for the second half of the film. Half the cast ends up in jail, and then we're in court trying to straighten it all out, like any good, respectable, farce. Funny to note that in the credits, Sakall's role is listed as Gabriel Popik, but about halfway through the film, everyone starts calling him "Cuddles", his real nickname. Sit back and enjoy the 90 minute story, as long as you're willing to buy into the silliness.

Ultimately pretty silly, but Joan Leslie is in it, and so I loved it. She is one of the most under-rated talents Hollywood ever had. She could do anything and everything, besides being incredibly lovely.

She started near the top at a very early age, and starred with some of the biggest names in movies, always holding her own.

Hollywood has never been known for justice, for treating its talent as they deserved, and perhaps Joan Leslie is the prize example.

She should have been that proverbial household name, with her looks, her talent, and the good movies she did perform in.

Obviously, with "Cinderella Jones" as the illustration, she wasn't always in the best pictures, but any she was in became much better for her presence.

Judy's a little short in the IQ department, but she stands to inherit big money if only she can decide which boyfriend to marry.

The pro's don't seem to like the movie much. Maltin calls it silly, which it is. But since when does silliness mean a movie isn't amusing. Okay, maybe my standards aren't high enough, still I found the madcap a lot of fun, with one of the best supporting casts on record. Nonetheless, it's really a Joan Leslie showcase, showing what a lovely and talented light comedienne she is.

Then again, show me any other film where phony tough guy Elisha Cook Jr. dons glasses and plays it for laughs, (Bogart must be turning over in his grave). Then there's 'Cuddles' Sakall who in my book is mainly a matter of taste, but is not too, too cuddly here; at the same time Edward Everett Horton gets a surprisingly non-addled role for a change. And competing for the delectable Ms Leslie are Alan Alda's dad Robert and William Prince as the sleek professor. So who will win. Shrewdly, we don't find out til the end.

To ease things along, there're also a few easy-to-take songs tossed in. But the star is really the fetching Ms Leslie who, for some reason, never quite got the career her talent deserved. Here she plays the lovable Judy with both humor and lots of verve. But whatever you do, don't let her Judy Jones fix you a sandwich, unless you like bubbles on your mayonnaise.

A law firm is looking for Judy Jones to inherit $10 million. They decide to advertise and every Judy Jones thinks that she has a chance. Judy Jones (Joan Leslie) is a singer with bandleader Tommy Coles (Robert Alda). They have disagreements about marriage and she keeps pushing him off. It turns out that she is the true heiress. The lawyers are convinced by her shrunken head. Only she has to marry someone with high I. Q. to get the money. She also has to go to college, but she applies to an all-men school. Gabriel Popik (S. Z. Sakall) hopes to get a new building out of the admission despite her lack of smarts. Oliver S. Patch (Elisha Cook Jr.) is a nerd at school. Bart Williams (William Prince) is a professor. Camille (Julie Bishop) is a cabbie.

The premise is non-sense but it's fun. I get the marrying part, but I don't understand that she has to go to this school. I know it's the 40's, but there has to be technical schools that accept ladies. Wait! Did she go to that school to find a smart guy to marry? Or maybe the will stipulates that she has to go to a specific school. The writing needs to be better to explain this story. It's a split decision. This is fun, but it makes no sense. Judy is dumb, but even dumb people needs to make sense.

Maybe it's just me, but is no one else troubled by the apparent ability of just about everyone in this movie to change who they love and whom they want to marry almost at will. No concept of everlasting love troubles the writer and certainly will not trouble any ensuing marriage that would come from this movie. I just found it disappointing. Joan Leslie is good enough, but haven't we come too far (even by 1946) than to think it's funny that women are stupid. And just too idiotically stupid to continue living. Unlike other commentators I did not think the bubbles from the mouth bit funny at all, I just thought it dumb. Which pretty well sums up the movie for me.