NOTE IMDb
7,0/10
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MA NOTE
Un homme et sa seconde femme sont hantés par le fantôme de sa première femme.Un homme et sa seconde femme sont hantés par le fantôme de sa première femme.Un homme et sa seconde femme sont hantés par le fantôme de sa première femme.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 1 victoire et 1 nomination au total
Jacqueline Clarke
- Edith
- (as Jaqueline Clarke)
Marie Ault
- Cook
- (non crédité)
Noël Coward
- Narrator
- (non crédité)
Johnnie Schofield
- R.A.C. Man Directing Traffic
- (non crédité)
Avis à la une
A pristine restoration of David Lean's fantasy comedy based on Noël Coward's successful play, BLITHE SPIRIT is Lean's third feature film and pairs Rex Harrison and Constance Cummings as a middle-class couple Charles and Ruth, both have been married before, out of his whim, Charles invites a kooky medium Madame Arcati (Rutherford) to their rural house to arrange a séance, which he naively thinks is good for inspiration since he is a novelist and Ruth, takes the whole arrangement ever so light-heartedly, only participates out of sheer curiosity, but after the supernormal session, it turns out Madame Arcati is not a fraud at all, Elvira (Hammond), Charles' deceased first wife, has been invoked from the other side and materialises, but only to Charles, who is pleasantly surprised and they start to banter with each other, which vastly irritates Ruth.
Seeking help from Madame Arcati of no avail, Ruth realises she must fight Elvira for Charles, and a subsequent outlandish accident, secretly plotted by Elvira, puts her in the same circumstance as Elvira, while Madame Arcati's final attempt to exorcise the dead from the living world fails, her crystal ball indicates a cue that there is another human being under the same roof is actually capable of accomplish that task.
The story does sound idiotic and Coward's original play has no ambition to be a wacky science fiction other than a farcical fairytale (the film begins convivially with the "once upon a time" introduction), a frivolous (but also cartoon-ishly lethal) tug-of-war between two women divided by two worlds, with poles apart temperaments (Elvira is mischievously petulant while Ruth is uncompromisingly virtuous), thus, the acting is fairly engrossing, the four main characters all cop an attitude with their respectively distinct personalities, the repartees among Harrison, Cummings and Hammond are as rapid as any theatrical live performance, whereas Dame Margaret Rutherford's eccentric actualisation of Madame Arcati is an uplifting phenomenon, such a force of nature and she defies any ridicule of her calling.
However, more essentially, it is Lean's cutting-edge job in fabricating a human-ghost co-existent magic presence becomes a major reason why this little piece of gem sustains its life-force, under the stunning Technicolor palette, this restored version is truly a boon for a first-time viewer, if you are into some carefree diversion of spectres, death and necromancy.
Seeking help from Madame Arcati of no avail, Ruth realises she must fight Elvira for Charles, and a subsequent outlandish accident, secretly plotted by Elvira, puts her in the same circumstance as Elvira, while Madame Arcati's final attempt to exorcise the dead from the living world fails, her crystal ball indicates a cue that there is another human being under the same roof is actually capable of accomplish that task.
The story does sound idiotic and Coward's original play has no ambition to be a wacky science fiction other than a farcical fairytale (the film begins convivially with the "once upon a time" introduction), a frivolous (but also cartoon-ishly lethal) tug-of-war between two women divided by two worlds, with poles apart temperaments (Elvira is mischievously petulant while Ruth is uncompromisingly virtuous), thus, the acting is fairly engrossing, the four main characters all cop an attitude with their respectively distinct personalities, the repartees among Harrison, Cummings and Hammond are as rapid as any theatrical live performance, whereas Dame Margaret Rutherford's eccentric actualisation of Madame Arcati is an uplifting phenomenon, such a force of nature and she defies any ridicule of her calling.
However, more essentially, it is Lean's cutting-edge job in fabricating a human-ghost co-existent magic presence becomes a major reason why this little piece of gem sustains its life-force, under the stunning Technicolor palette, this restored version is truly a boon for a first-time viewer, if you are into some carefree diversion of spectres, death and necromancy.
Has David Lean made a bad film? Not to my knowledge, no! This one is quite fun, I revisited the picture recently and even though I don't like it as much as the masterpiece Oliver Twist, Blithe Spirit is excellent fun for the whole family.
The acting is tremendous, it's mindblowing. Although the dialogue is rather upper class, I quite enjoy it. Margaret Rutherford as Madame Arcati is the star of the film, perfect, perfect and perfect.
The direction is sublime as usual by Lean.
There's plenty to enjoy here, a nice film for everyone.
The acting is tremendous, it's mindblowing. Although the dialogue is rather upper class, I quite enjoy it. Margaret Rutherford as Madame Arcati is the star of the film, perfect, perfect and perfect.
The direction is sublime as usual by Lean.
There's plenty to enjoy here, a nice film for everyone.
I taped this from UK Channel 4 on 20th Dec '90 - it has a better soundtrack than the admittedly budget DVD from Carlton. The Technicolor is still sumptuous, clever and thought-provoking however and overall it doesn't need remastering - just turn the volume up! Noel Coward's witty play transferred to the ghastly green screen perfectly, in 1945 it was as wildly old-fashioned as "Brief Encounter" was in 1936 on stage as "Still Life". But same as that film and almost everything Coward did from the '20's to the '40's, it remains eminently watchable and a riveting experience.
Basically Rex Harrison's dead 1st wife is summoned back in a séance to the "real world" much to his and his 2nd wife's consternation. A marvellous cast mainly depicting erudite and splendidly eccentric English so-called "middle-class" - because they had to work for a living hence they were all highly paid working class - an amusing concept Coward would have violently and amusingly disagreed with. Margaret Rutherford takes the prize for the most eccentric performance as ever flailing never failing Madame Arcati the lively spiritualist. The dialogue is urbane, brisk and witty throughout, so a thorough knowledge of English language and English customs up to 1945 is essential to getting the most from this.
That can also mean that although it helps you don't have to be English and live in England to enjoy it. A previous non-blithe commenter with apparently no sense of humour from the UK displayed a complete non-understanding, non-interest and non-acceptance of anything British and must desire complete separation from anything to do with Britain - probably apart from the passport. What would the ghosts of 1945 say if they could come back today and realise that a classic such as this can be dismissed so negatively?
Basically Rex Harrison's dead 1st wife is summoned back in a séance to the "real world" much to his and his 2nd wife's consternation. A marvellous cast mainly depicting erudite and splendidly eccentric English so-called "middle-class" - because they had to work for a living hence they were all highly paid working class - an amusing concept Coward would have violently and amusingly disagreed with. Margaret Rutherford takes the prize for the most eccentric performance as ever flailing never failing Madame Arcati the lively spiritualist. The dialogue is urbane, brisk and witty throughout, so a thorough knowledge of English language and English customs up to 1945 is essential to getting the most from this.
That can also mean that although it helps you don't have to be English and live in England to enjoy it. A previous non-blithe commenter with apparently no sense of humour from the UK displayed a complete non-understanding, non-interest and non-acceptance of anything British and must desire complete separation from anything to do with Britain - probably apart from the passport. What would the ghosts of 1945 say if they could come back today and realise that a classic such as this can be dismissed so negatively?
A couple is haunted by the spirit of the man's deceased first wife. Coward adapted his own play for the screen with the help of Lean and Neame. This was Neame's last credit as cinematographer before becoming a director. This was the third of Lean's first four films as director where he worked with Coward. It is an enjoyable farce with witty dialog, but never quite rises above the silliness of the subject matter (ghosts). Harrison and Cummings are fine as the couple, with him becoming bemused and her becoming exasperated after the appearance of the ghost of his first wife, a green-faced Hammond. Rutherford seems to be having the most fun as an incompetent medium.
Blithe Spirit is directed by David Lean and adapted from by Noel Coward's play by Lean, Coward, Ronald Neame and Anthony Havelock-Allan. The title Blithe Spirit was devised out of the poem by "To a Skylark" written by Percy Bysshe Shelley. The film stars Rex Harrison, Constance Cummings, Kay Hammond and Margaret Rutherford. Music is by Richard Addinsell and Neame is the photographer. Plot finds Charles (Harrison) and his second wife Ruth (Cummings) haunted by the ghost of Charles' first wife, Elvira (Hammond). Medium Madame Arcati (Rutherford) is enlisted to try and help. Things get colourful to say the least...
Written by a maestro and directed by someone so gifted, Blithe Spirit is a fantastical comedy that gladdens and lifts the spirits (no pun intended) to the point that this viewer always wears a grin 12 hours after watching it. Noel Coward's witty approach is given perfect treatment from David Lean and a cast clearly having fun with the material to hand. Rex Harrison is all fresh faced and youthful, whilst some of his mannerisms of incredulity and cheek are a joy to behold, while Constance Cummings & Kay Hammond bounce off each other with electrical mirth. However, it is Margaret Rutherford's show all the way, her portrayal of the batty, almost maniacal, medium Madame Arcati is a lesson in visual and well delivered oral comedy, it is something that on its own is worth watching the film for.
Ghostly goings on with a cracking turn of events at the hour mark, mark this out as a truly delightful movie, thankfully we get an ending that is perfect and in tune as regards the fun that has gone before it. Essential viewing for the classic comedy fan. 9/10
Written by a maestro and directed by someone so gifted, Blithe Spirit is a fantastical comedy that gladdens and lifts the spirits (no pun intended) to the point that this viewer always wears a grin 12 hours after watching it. Noel Coward's witty approach is given perfect treatment from David Lean and a cast clearly having fun with the material to hand. Rex Harrison is all fresh faced and youthful, whilst some of his mannerisms of incredulity and cheek are a joy to behold, while Constance Cummings & Kay Hammond bounce off each other with electrical mirth. However, it is Margaret Rutherford's show all the way, her portrayal of the batty, almost maniacal, medium Madame Arcati is a lesson in visual and well delivered oral comedy, it is something that on its own is worth watching the film for.
Ghostly goings on with a cracking turn of events at the hour mark, mark this out as a truly delightful movie, thankfully we get an ending that is perfect and in tune as regards the fun that has gone before it. Essential viewing for the classic comedy fan. 9/10
Le saviez-vous
- AnecdotesWriter and director Sir David Lean and cinematographer Ronald Neame decided not to use double exposure to create Elvira's ghostly appearances. Instead, Lean created an enormous set that allowed Kay Hammond to move freely in each shot. Hammond wore fluorescent green clothes, make-up, and a wig, with bright red lipstick and fingernail polish. Each time she moved, a special light would be directed on her, allowing her figure to glow even in dimly-lit scenes and giving her an otherworldly appearance.
- GaffesAfter the séance, when Elvira first appears, she flops onto the settee by the fire. As her dress billows, it can be seen that the green ghostly makeup ends half-way up her leg, showing normal skin above the makeup line.
- Citations
Charles Condomine: It's discouraging to think how many people are shocked by honesty and how few by deceit.
- Crédits fousThe voice at the end of the credits page that utters, "We are quite, quite WRONG!" is Noël Coward's.
- ConnexionsFeatured in La vraie Miss Marple - L'etrange cas de Margaret Rutherford (2012)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Un espectro travieso
- Lieux de tournage
- Denham Mount, Blacksmith's Lane, Denham, Uxbridge, Buckinghamshire, Angleterre, Royaume-Uni(Condomine House, exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 169 $US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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