L'Évadé de l'enfer

Angel on My Shoulder (1946)

It's great to see Paul Muni in another role--he's a great actor who did too few films--and it's never bad to see Claude Rains. In this case Muni plays a con who has gone to hell, and Rains is the devil himself. They have an arrangement to go up to the surface of the earth and some trickiness ensues. It's fun, deceptive, sometimes humorous, sometimes romantically serious.

Because the plot is a clear contrivance, the movie does have a slightly illustrative sense, the way "Harvey" does with James Stewart. But sometimes you forget about the devil and the deals he's made, and you just watch, and the best parts of the movie rise above the cleverness. This is director Archie Mayo's last film, and though he no Hollywood legend, he was a serious, consistent director, and this proves it.

Let out of jail, gangster Paul Mini (as Eddie Kagle) is shot dead by the "double crossing rat" who picks him up at the prison. Uncomfortable in Hell, Mr. Muni hooks up with wicked Claude Rains (as "Nick"), who seems to know his way around the underworld. Not guessing Mr. Rains is the devil in disguise, Muni walks with Rains through fire, and returns to observe the Living World. There, Rains arranges a body-switch with look-alike Judge Frederick Parker (also played by Muni). Muni is promised revenge on the crook who crossed him; and, Rains is unhappy with the Judge, who hasn't been sending many souls to Hell.

So, criminal Muni embodies good Muni...

Archie Mayo's "Angel on My Shoulder" isn't as well-remembered, or as original, as other films visiting the same territory; but, watching Muni and Rains makes up most of the difference. This version is played as a sometimes comic drama, and the stars are devilishly fun to watch. Also notable is Anne Baxter (as Barbara Foster), who plays the pretty fiancée Muni amusingly gropes with approval, then falls in love with. She may be his salvation. Perfectly cast Hardie Albright (as Smiley Williams) is no slouch; in once of the film's best scenes, he holds his own with Muni and Rains in the room. Others haven't as much to do, but they do it well.

******* Angel on My Shoulder (9/20/46) Archie Mayo ~ Paul Muni, Claude Rains, Anne Baxter, Hardie Albright

Paul Muni was an actor who was way ahead of his time. Who else could have played Louis Pasteur, Emile Zola, and a gangster, all with perfect accents, inflections, and facial expressions? His kind of acting was so way ahead of his time - most actors in the 1930s and 1940s were typecast into roles that didn't allow them to play a variety of characters. But not Paul Muni. Most actors in the 1930s and 1940s did NOT do accents, even though by today's standards, we consider this a requirement - but not Paul Muni.

Having just watched "The Life of Emile Zola", Here his portrayal of Eddie Kagel blew me away. The movie itself is slight, and has some humorous moments. But Paul Muni's performance raises it above the rest.

It's the film everyone remembers from those Saturday afternoon TV film matinees. The producer, Charles R. Rogers, had a pretty bleak record when it came to producing films on his own (he was once a V.P. at Universal before going solo). But with "Angel" he knocked it out of the park. He inserted age-old movie favorties and combined them into one story. Gangsters, fights, comedy, drama, fantasy... what's not to love?

"Angel on My Shoulder" (1946) offers up classic performances by such legendary stars as Paul Muni, Anne Baxter, and Claude Rains. All cast to type, they give performances that are timeless. When you think of any of these stars, think of them in this film and it will give you a pretty good idea as to what each was known for.

Although this film was put together during the tail end of World War II and was designed as escapist fun, it holds up today. In fact, it begs for a good re-make. One was done for TV back in 1980, but fell flat. So bad was that version, that they should pay you to watch it. Yet if someone was to do it correctly today, they would have a real gem on their hands.

If you haven't seen the original 1946 version, catch it on TV. It belongs in everybody's movie-watching repertoire.

I admit I'm a sucker for both postwar noir and movies about heaven, hell, the Devil et al, from "Dante's Inferno" through "Petey Wheatstraw," so maybe I like this one more than you would. But I do like it a lot. Paul Muni is hilarious, mugging outrageously when he's not leaping through the air to rumble with devils or thugs.

Never been the biggest Claude Rains fan--his prissiness wears on me midway through any film he's in--but he makes a good, nasty Satan. The scenes in Hell, which looks like the boiler room on the Titanic, are priceless. Lots of good character actors playing brawny devils, lunkheaded mooks, tough dames, flustered Man Fridays and such. The plots a little more clever than you'd expect from this kind of film, with a very nice twist at the end. Definitely worth seeing if you're a fan of the oldies.