Ajouter une intrigue dans votre langueWhen spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.When spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.When spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.
- Réalisation
- Scénario
- Casting principal
- Psychiatrist
- (scènes coupées)
- Burglary Instructor
- (scènes coupées)
- Resistance Fighter
- (non crédité)
- Instructor
- (non crédité)
- Joseph
- (non crédité)
- German Officer
- (non crédité)
- German Officer
- (non crédité)
- Second Jump Master
- (non crédité)
- Instructor
- (non crédité)
- RAF Officer
- (non crédité)
- German Officer
- (non crédité)
Avis à la une
This film packs intrigue , noisy action , suspense , warlike feats and being quite entertaining, including a first-rate main and support cast . It starts with a documentary-style prologue follows training of O.S.S. agents captained by Robert Emmett "Bob" Sharkey for WWII work behind enemy lines. The story was based on Peter Ortiz who was an OSS agent in World War II in France and was also originally based on the World War II director of the Office of Strategic Services (OSS), Bill Donovan (Maj. Gen. William Joseph Donovan, USA, GCSS, KBE). Donovan objected to this, particularly the story element that had the OSS being been infiltrated by a Nazi spy. James Cagney gives a very good acting as spy chief Bob Sharkey who finds out one of his agents-in-training is actually a Nazi double agent and takes the risk of going in after him. Ample and stunning supporting cast with a magnificent Richard Conte , Frank Latimore , Walter Abel , the beautiful Annabella as Suzanne , among others . Here appears uncredited prestigious secondaries Melville Cooper , Sam Jaffe ,Horace McMahon Dick Gordon as Psychiatrist , Trevor Bardette and the assistant in the airplane is Karl Malden.
This well-paced in cracking style flick was stunningly directed by Henry Hathaway and usually works very well , being capable handled in spectacular photography , adding enjoyable scenarios . Henry Hathaway does the human touch and full of insight that accompanied him during most of his films and the story develops pleasantly in large frames with an interesting plot and fully adjusted to the requirements of the action . His fetish actor was John Wayne , both of whom collaborated in various sincere Westerns , they included ¨North to Alaska¨ , ¨The sons of Katie Elder¨ and Wayne's Academy Award-winning ¨True grit¨, among others . Hathaway himself was only even nominated for an Oscar , but his movies themselves are testimony to his skills to heighten narrative tension and shoot action so exhilarating it made adrenalin run . Henry was a craftsman who had a long career from the 30s with successful films , and especially Westerns , as ¨Brigham Young¨ and ¨Raw Hide¨ . In his 60s Hathaway still got the vigour to make some fiery movies as ¨How the West was won¨, ¨Nevada Smith¨, and ¨Shoot out¨ . He was an expert on Western genre as he proved in ¨True grit¨ , ¨Five card stud¨ , ¨Nevada Smith¨ , ¨How the West was won¨ , ¨Rawhide¨ , ¨Brigham Young¨ , ¨Buffalo Stampede¨, ¨Garden of evil¨ , ¨The sons of Katie Elder¨ and, ¨From Hell to Texas¨. Henry directed the classic 20th Century-Fox movie about Field Marshal Erwin Rommel and also set in World War II North Africa, ¨Rommel¨, (1951). Hathaway's other movies about the Second World War were all for studio Twentieth Century-Fox and included ¨The House on 92nd Street¨ (1945); ¨Wing and a Prayer¨ (1944); ¨You're in the Navy Now¨ (1951) and ¨13 Rue Madeleine¨ (1947) and his last film : Raid on Rommel that was a massive flop and was quickly withdrawn from theaters . .Although Hathaway was a highly successful and reliable director film-making within the Hollywood studio system , his work has received little consideration from reviewers .
13 Rue Madeleine is a very efficient and enjoyable War/Spy/Thriller, it's directed by multi genre helmsman Henry Hathaway and stars acting legend James Cagney as Sharkey. Tho playing a tough guy, this is quite far removed from the sort of roles that defined Cagney's career, he's ably supported by Richard Conte and Walter Abel, but in all honesty it's Cagney's film all the way. As many other reviewers have mentioned, the majority of the picture feels like a documentary, or more a sort of public service explanation on the History Channel, not a bad thing exactly, but the dulcet narration is something I personally could have done without. However once the picture nicely turns its attention to the crucial mission, things start heating up and the film becomes a film in the truer sense of the word. We are fully engaged with the central characters having been with them thru Sharkey's training school, and as the (fabulous) ending draws closer, it's hoped that the majority of viewers are as involved with the plot as I personally was. Because then when the end does come, it impacts the way the makers hoped it would.
A very commendable picture and certainly recommended to fans of Cagney, Conte and this type of movie. 7/10
Despite being dated, excessively patriotic and naive in 2009 and the narrative like a documentary in the beginning, "13 Rue Madeleine" is a great movie of espionage, war and action. James Cagney and Richard Conte have wonderful roles and performances. There are flaws, like for example the easy way that Jeff Lassiter and Bill O'Connell breach the security system of the shipyard and lure the agent, but in the end this feature is a great entertainment. My vote is eight.
Title (Brazil): "Rua 13 Madeleine" ("Madeleine 13 Street")
Despite some nice performances, notably from Cagney and Conte, the film under Henry Hathaway's direction was quite slow; he was lumbered with a script where it was difficult to develop any feelings for most of the characters, as they were underdeveloped. There were some good scenes, particularly the ones with Jaffe's character and the French resistance. Darryl F. Zanuck brought the pretty, petite Annabella over from France to star her in films, unaware that she would fall in love with his top male star, Tyrone Power. When he tried to discourage the relationship by sending her back to France to do some films, she refused to leave her man, thus finishing her as far as Zanuck was concerned. It's a shame because although you can't tell in this movie, Annabella was an excellent actress, as she would prove on the stage. It's fun to see Karl Malden and E.G. Marshall in small parts.
The end of the film is powerful, but I prefer "OSS," also a small, semidocumentary film - catch that one if you have a chance.
Le saviez-vous
- AnecdotesJames Cagney at one time was the highest ranking Caucasian black belt in judo, and displayed a little of his expertise in the early part of this movie. He demonstrated to the agents-in-training how to properly roll heels over head on a mat. He said to slap the ground to lessen the impact. This is probably the first lesson learned in judo training. Cagney had already shown his skill in another movie, "Blood on the Sun" (1945), in which he battled the villain in hand-to-hand combat in a wharf side warehouse. In the scene he does not use a stunt double.
- GaffesWhen the resistance listen to their personal message on the news, the radio news reader from London is clearly American. Such messages were broadcast by the BBC.
- Citations
Charles Gibson: I don't want to send you.
Robert Emmett 'Bob' Sharkey: I've been working hard. I need the change.
Charles Gibson: You won't come back.
Robert Emmett 'Bob' Sharkey: [Gibson drops his eyes] I've just discovered something about you.
Charles Gibson: What?
Robert Emmett 'Bob' Sharkey: You're a worrier.
- Crédits fousPrologue, shown printed in a book: No single story could ever pay full tribute to the accomplishments of the U.S. Army Intelligence in World War II. Working secretly behind enemy lines, in close cooperation with our Allies, its brilliant work was an acknowledged factor in the final victory. The page turns to reveal: In order to obtain the maximum of realism and authenticity, all the exterior and interior settings in this Motion Picture were photographed in the field - - and, whenever possible, at the actual locations.
- ConnexionsEdited into La guerre, la musique, Hollywood et nous... (1976)
Meilleurs choix
- How long is 13 Rue Madeleine?Alimenté par Alexa
Détails
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.37 : 1