Ajouter une intrigue dans votre langueWhen spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.When spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.When spy chief Bob Sharkey finds out one of his agents-in-training is actually a Nazi double agent, his strategic decision not to arrest him results in tragedy.
- Réalisation
- Scénario
- Casting principal
- Psychiatrist
- (scènes coupées)
- Burglary Instructor
- (scènes coupées)
- Resistance Fighter
- (non crédité)
- Instructor
- (non crédité)
- Joseph
- (non crédité)
- German Officer
- (non crédité)
- German Officer
- (non crédité)
- Second Jump Master
- (non crédité)
- Instructor
- (non crédité)
- RAF Officer
- (non crédité)
- German Officer
- (non crédité)
Avis à la une
Despite being dated, excessively patriotic and naive in 2009 and the narrative like a documentary in the beginning, "13 Rue Madeleine" is a great movie of espionage, war and action. James Cagney and Richard Conte have wonderful roles and performances. There are flaws, like for example the easy way that Jeff Lassiter and Bill O'Connell breach the security system of the shipyard and lure the agent, but in the end this feature is a great entertainment. My vote is eight.
Title (Brazil): "Rua 13 Madeleine" ("Madeleine 13 Street")
13 Rue Madeleine is a very efficient and enjoyable War/Spy/Thriller, it's directed by multi genre helmsman Henry Hathaway and stars acting legend James Cagney as Sharkey. Tho playing a tough guy, this is quite far removed from the sort of roles that defined Cagney's career, he's ably supported by Richard Conte and Walter Abel, but in all honesty it's Cagney's film all the way. As many other reviewers have mentioned, the majority of the picture feels like a documentary, or more a sort of public service explanation on the History Channel, not a bad thing exactly, but the dulcet narration is something I personally could have done without. However once the picture nicely turns its attention to the crucial mission, things start heating up and the film becomes a film in the truer sense of the word. We are fully engaged with the central characters having been with them thru Sharkey's training school, and as the (fabulous) ending draws closer, it's hoped that the majority of viewers are as involved with the plot as I personally was. Because then when the end does come, it impacts the way the makers hoped it would.
A very commendable picture and certainly recommended to fans of Cagney, Conte and this type of movie. 7/10
Biggest pluses--excellent writing, pacing and acting (in that order).
This movie starts slowly and gets gradually better as it goes, until a gripping final half hour and a shocking, dramatic ending. So it's worth the ride, and worth seeing James Cagney who is at the top of his game here (he is about to make his masterpiece, White Heat, after 15 years of gangster portrayals.) Of course here his tough guy persona is put to use for the good of us all, a patriot training a group of high level war time spies. The Nazis are brutal, and World War II is unrelenting, so even this highly skilled people die. It's a reminder how tragic the war was. It is made to be exciting and even fascinating, but most of all dangerous.
Though purely fiction, for legal reasons (the pre-CIA OSS spy organization didn't want too much revealed in the movie), the filming is meant to seem realistic in a documentary way, and it begins with an authoritative voice-over and what looks like some vintage footage. This "information" is given for too long a time, and if you are not a war expert, or even know what WWII was all about, this will be too gripping. But eventually the leads all start to take on real roles, and they move from their training in the U.S. (it was filmed in Quebec City, actually), to behind enemy lines. This is then really great stuff.
Director Henry Hathaway followed this same format (even with the title) in the 1945 The House on 92nd Street and it has some of the same flaws, and the same kind of superb second half. And a year later he did a third in the same mode, Call Northside 777. It was a successful formula for a public learning about its own federal level spy and police forces, Hathaway was a really good director, and we all wish he had taken these films in the direction of Kiss of Death, which is a gem, but he didn't, probably because of producers with ideas of their own, and so we have this trio of offbeat films with only parts that are amazing. Which isn't so bad.
I won't comment anymore on the plot as to not spoil the movie.
Probably the best World War Two spy/counterspy movies I have seen. I rate it high marks, very high marks indeed.
Le saviez-vous
- AnecdotesJames Cagney at one time was the highest ranking Caucasian black belt in judo, and displayed a little of his expertise in the early part of this movie. He demonstrated to the agents-in-training how to properly roll heels over head on a mat. He said to slap the ground to lessen the impact. This is probably the first lesson learned in judo training. Cagney had already shown his skill in another movie, "Blood on the Sun" (1945), in which he battled the villain in hand-to-hand combat in a wharf side warehouse. In the scene he does not use a stunt double.
- GaffesWhen the resistance listen to their personal message on the news, the radio news reader from London is clearly American. Such messages were broadcast by the BBC.
- Citations
Charles Gibson: I don't want to send you.
Robert Emmett 'Bob' Sharkey: I've been working hard. I need the change.
Charles Gibson: You won't come back.
Robert Emmett 'Bob' Sharkey: [Gibson drops his eyes] I've just discovered something about you.
Charles Gibson: What?
Robert Emmett 'Bob' Sharkey: You're a worrier.
- Crédits fousPrologue, shown printed in a book: No single story could ever pay full tribute to the accomplishments of the U.S. Army Intelligence in World War II. Working secretly behind enemy lines, in close cooperation with our Allies, its brilliant work was an acknowledged factor in the final victory. The page turns to reveal: In order to obtain the maximum of realism and authenticity, all the exterior and interior settings in this Motion Picture were photographed in the field - - and, whenever possible, at the actual locations.
- ConnexionsEdited into La guerre, la musique, Hollywood et nous... (1976)
Meilleurs choix
- How long is 13 Rue Madeleine?Alimenté par Alexa
Détails
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.37 : 1