Trap Happy Porky

Here is a Porky Pig cartoon I had never seen before until I watched it online, and I love it. Porky is sleeping in his cabin until he hears a crash downstairs, which begins the cartoon. When he investigated, he found that thieving mice who resembled Hubie and Bertie had taken over the kitchen. A cat creates a device to get rid of the food-stealing rodents. Porky thanks the cat as he goes to bed, now that he has finally gotten rid of the mice. However, the sneaky feline then invites his pals over for a drunken party. Oh dear!

I found the cartoon featuring Porky to be funny, and it is one of my favorites.

Leonard Maltin's description of Porky Pig on the back of a video release in the 1980s identified the cartoon world's most famous ham actor as "(not) as much an actor as a reactor." Of course, anyone who sees what sorts of individuals Porky has to confront can attest that the porker has little other choice. Chuck Jones's "Trap Happy Porky" works as an example. When some pesky mice keep Porky awake one night, he gets a cat to scare the obnoxious rodents out of the house. But sure enough, the felines become the new pests! And nothing's gonna stop them!

Most people will probably agree that Porky was funniest when facing off against Daffy Duck. But I see this cartoon as sort of a turning point for the stuttering swine. For much of Porky's first decade as a cartoon star, the Termite Terrace crowd cast him in very pedestrian roles trying to represent every part of life: farmer, bullfighter, even a pilgrim in one cartoon. But here we see him in his irascible form (with someone other than Daffy), the type of guy who seeks to deal with perceived irritations. Two years later, Jones cast Porky in "Little Orphan Airedale", his first teaming with intrusive canine Charlie Dog; I interpreted the cartoon as having the same gist as the Alan Bates movie "Le roi de coeurs" ("The King of Hearts"). A few years later, Jones started having Porky bring some order to Daffy's crazy miscast roles ("Drip-Along Daffy", "Duck Dodgers in the 24 1/2 Century"); this brought Porky to his full potential.

Anyway, this is a worthwhile cartoon.

Chuck Jones directed this enjoyable Porky Pig short. I'm not the biggest Porky fan but I do like him when he's in his element as the put-upon protagonist having to deal with one annoyance or another. This time Porky is trying to sleep but some noisy mice are keeping him awake. So he tries a mouse trap but it doesn't work. Then he tries a cat, which works but presents a whole other problem that Porky must deal with. It's a good-looking cartoon with lovely colors and well-drawn animation. The voice work from the incomparable Mel Blanc is as good as you would expect. Carl Stalling's music is very nice as well. The gags are fun and there are some good lines. My favorite part was the bits with the drunk cats. It's not a knee-slapper but it is entertaining.

Chuck Jones was a genius animator and Porky, while perhaps not one of the consistently funniest or interesting Looney Tunes character, is still always worth watching and still an amusing and likable character.

'Trap Happy Porky' is a brilliantly made and hilarious cartoon. It is also interesting for the short appearances of an unnamed and somewhat different Hubie and Bertie as the mice characters, who went on to star in equally brilliantly made and extremely funny cartoons that also tackled dark and bold subjects without trivialising. It is a delight to spot them but you do wish that they had a little more to do, though it is interesting to see them not be victorious for once.

As pretty much always with Jones, 'Trap Happy Porky' contains excellent animation. Attention to detail is meticulous, the colours are rich and vibrant and the characters are designed in a way that's distinctively Chuck Jones. The expressions and gestures of the characters are also ingeniously animated and help make the gags work. Music from Carl Stalling always elevates cartoons he composes for to a higher level, have always said that he's my favourite of the regular Looney Tunes composers and he rarely puts a foot wrong and I don't think any differently still.

Here in 'Trap Happy Porky', the orchestration is clever, rich and luscious, the energy, character and appropriately dark atmosphere are evident throughout and it not only fits with what's going on but adds to it. Again with Stalling, he also succeeds in putting unique spins on pre-existing material, with the standouts here being the renditions of "On Moonlight Bay" and "When the Irish Eyes are Smiling".

Writing is typically fresh and witty, and the gags are sublime in how inventive and hilarious they are. The most memorable part was definitely the "When the Irish Eyes are Smiling", a visual, musical, humour and vocal masterpiece, some of the best drunk singing there's ever been and there most likely has not been a funnier drunk scene in a Looney Tunes cartoon. The story is efficiently paced and always fun and smoothly told, if a tad predictable at the end.

Porky is likable, relatable and very funny here, and he is met every step of the way by the cats, the dog and Hubie and Bertie. This is not really a case, like with some Porky cartoons, of supporting characters outshining the lead, in 'Trap Happy Porky' everyone and everything shines. Mel Blanc provides characteristically superb vocals, the renditions of "On Moonlight Bay" and "When Irish Eyes are Smiling" being brilliantly sung and like Blanc was having a riot doing them.

All in all, brilliantly made and hilarious. 10/10 Bethany Cox

I thoroughly enjoyed this cartoon from start to finish, it has elements of Disney cartoons, Tom and Jerry, and the Classic Looney-tunes signature gags. One of Jones best works with porky, and The Setting and Atmosphere are just my favorite in the whole World. Animation was a big part of my childhood, and the Fast-paced Beautifully drawn animation of this cartoon gets two thumbs up, and the Early version of Claude (A black and white cat) is always welcome as well.

Great, Couldn't have asked for more.