Cette nuit et toujours

This film is based on a real theater and theater troop during WWII. The theater never closed its doors despite the Blitz with bombs falling all around and over it. (It was an underground theater.) It's a part of England's history.

This isn't the best film ever made, but certainly not the worst as some have made it out to be. It's simply a light musical mixed with drama.

To see another take on this story be sure to see "Mrs. Henderson Presents" with Dame Judy Dench and Bob Hoskins. It's a fantastic film that really presents the way it was "back then." I know, because I was around then and this film brought back some good and some bad memories.

DLMc

This was the first movie where Rita Hayworth was given credit above the title. It's also the film she did before "Gilda", which would be her triumph. "Tonight and Every Night" is a product of the Hollywood of the late forties, when war themes were not that common. Directed by Victor Saville, the film has some good moments and as Neil Doyle has pointed out in these pages, if you're a fan of Ms. Hayworth, this is a must see! Not that it's one of the best things she ever did on the screen, but it's a good way to spend an evening in good company.

The story is based on a theater in London that never stopped operating, even in the worst days of the blitz. It's to the credit of the woman who ran the venue, May Tolliver, that she wanted to keep some sense of sanity when Londoners were going through such a rough time.

Rita Hayworth looks lovely dressed by Jean Louis. Lee Bowman plays her love interest, Paul Lindy. We also see Janet Blair, Marc Platt and Florence Bates in supporting roles. Jules Stein's music is not the kind that one keeps repeating after viewing the film.

The only thing that hasn't kept well is the Technicolor. The copy we saw recently has not aged well as it shows different skin tones in Ms. Hayworth.

Watch it, if only to get a glimpse at the lovely Rita Hayworth!

It's WWII London. Rosalind Bruce (Rita Hayworth) is the star performer at the Music Box Theatre. A Life magazine photographer is doing a story on the theatre which never closed during the Blitz. A stagehand recounts the story. In flashback, Rosalind is pursued by RAF pilot Paul Lundy (Lee Bowman).

This musical is mostly about watching Rita Hayworth doing her dancing. Of course, she's a great dancer although she is dubbed for her singing. That's perfectly fine. The romance starts well, flutters for awhile, and ends on an important note. It is melodramatic at times, but that's the movie. The war is ending soon and this is bittersweet recall of recent events.

When I first saw this movie I was a 13 year old boy in love with Rita Hayworth. In many ways the movie is a typical 40's musical chick flick. What is not typical is the story based on real events in London during the blitz instead of a contrived plot to frame the musical numbers. (See the recent "Mrs. Henderson Presents".) The story has bravery and tragedy as well as the usual romance and fluff. Also above average are the score by Jule Styne and Sammy Cahn as well as the talents of Rita Hayworth, Janet Blair (in a strong second banana role), and Marc Platt, the dancer who went on to be one of the brothers in "Seven Brides For Seven Brothers". Without giving away the ending, have your hankie ready.

Rita Hayworth is an American performer during the blitz in "Tonight and Every Night." The film is based on the true story of a theater that kept going during the horrific bombings London suffered, unlike other theaters, which closed their doors. In the film, a photographer from Life arrives to do a feature about the theater and hears a story about Rita and friends from a stagehand.

What a gorgeous woman and dancer Rita was, and what charisma! She sparkles on the screen and is stunningly beautiful in this Technicolor film. She looks like her magazine covers - perfect. Lee Bowman is her leading man, Janet Blair plays her best friend, and Marc Platt, a Broadway dancer who is an absolute dynamo, plays a fellow performer.

There really isn't much to this script, except that there's a somewhat unexpected plot twist and the ending isn't as expected. We're looking in one direction while the script goes in another. There are some nifty production numbers and some pretty songs - better, I think, than those found in another Hayworth vehicle, Down to Earth.

Rita's voice is always dubbed, but I wonder if she could sing or could have sung with some training. Guess we'll never know.

Seeing Rita is always worth it.