En route pour l'Alaska

Crosby and Hope are at it again, this time searching for gold in Alaska. The great lines don't run as fast and furious here as they do in some of the other "Road" pictures, but there are still plenty of laughs to go around. The film loses some points in two areas: the unnecessary and unfunny commentary by Robert Benchley and the simple fact that the premise of the film is completely ridiculous. I still cannot figure out why Crosby and Hope would spend half the film pretending to be two men they know are wanted killers. Of course, thanks to movie magic, the local authorities seem to ignore this. However, these things don't detract much from this very funny film.

This is hardly an original insight, but anyone who dismisses Bob Hope as the tiresome, unfunny comic from those dreadful '60s 'comedies' he appeared in is missing out on a real national treasure - his films up to around 1952 are hysterically funny, and his ROAD entries with cohorts Crosby and Lamour are among the best of 'em. Hope, along with the brilliant Preston Sturges, had restored Paramount to the comedy throne they'd occupied in the early 30s; from the lavish budget and attention to period detail throughout UTOPIA, it's obvious that the studio was not ungrateful. For my money, ROAD TO UTOPIA is the funniest film he ever made (though there are half-a-dozen others close on its heels). As in all ROAD movies, the engine powering the vehicle was the lightning-quick banter between the two leads; Crosby smooth as snake-oil , Hope perpetually suspicious and cowardly. And with excellent reason, as no straight man ever victimized a foil the way Bing routinely does to Bob. ROAD movies always threaded their satires of B-movie plots (this one spoofing Robert W Service-style frozen-North melodrama) with plenty of topical humor, much of it capitalizing on the fans' awareness of the stars' personal foibles (Crosby's rivalry with Sinatra, his investments in thoroughbreds, Hope's disastrous box-office returns in LET'S FACE IT), and there's a goodly amount of what later generations referred to as 'breaking the fourth wall' ( they talk directly to the audience at varying points). What elevates UTOPIA over the others is the sky-high breezy confidence of everyone involved this go-around. The cast and crew, coming off ROAD TO MOROCCO, were on a roll and knew it and they ride that momentum for all it's worth, Hope's constant kibitzing particularly hilarious from start to finish. Der Bingle gets to groan a couple of subpar songs (as opposed to MOROCCO's highlights - 'Ho Hum' and 'Moonlight Becomes You' - this outing's 'It's Anybody's Spring' and 'Welcome To My Dream' are instantly forgettable) but the team's 'Put It There, Pal' is infectious fun and Miss Lamour's 'Personality' is sexy and sprightly. A further note on Lamour - she's luxuriously beautiful here, an ice-cream sundae with curves (why she's never ranked with the decade's top screen sirens is unfathomable: she's every bit the looker that Lake, Grable, Hayworth & Sheridan were, and a better singer besides). My apologies for not quoting any of the zingers from the script, but there are just too many of them to play favorites with. ROAD TO UTOPIA is well worth the effort it'll take you to track down; get cracking.

Oh this one is funny...haven't seen it since High school, years and years ago, but I remember it well...the seen where an aged couple-including Hope, talk about their son-and then in comes Bing Crosby(!!)-where Hope sez to the camera-'We adopted him!'...oh what a riot. And then there is the great scene where they are sledding, and the Paramount stars pop up over a mtn in the background...the constant lines about how, even when they're in trouble, 'Paramount won't let anything happen to us because we're under contract for another 4 pictures' or words to that effect...very funny stuff, Benchley's narration a hoot too.

***, this one is funny and to my thinking the best of the lot.

Bob and Bing pal through this in their breezy manner, ably assisted by Dottie Lamour and especially the dry witty commentary of humorist Robert Benchley. Students of film and lovers of movies will appreciate the quality of the production, and rejoice in the knowledge that not everything funny was created after 1990.

Duke Johnson (Bing Crosby) and Chester Hooton (Bob Hope) are struggling entertainers down on their luck who travel to Alaska. Killers Sperry and McGurk steal a vital map showing the location of a gold mine. Our two heroes manage to obtain the map and decide to impersonate Sperry and McGurk which leads them into more trouble than they could ever have imagined. Along the way they meet saloon singer Sal Van Hoyden (Dorothy Lamour) and as usual both men compete for her charms. With Sperry and McGurk hot on their trail plus other assorted villains after them Hope and Crosby get into many tight corners but they still find time for some catchy songs along the way including "Put It There Pal" which is a typical Hope/Crosby kind of number and Dorothy Lamour puts over "Personality" with her usual flair.

Of all seven of the "Road" pictures there are four which to me are outstanding and superior to any other comedy films from that same period. The "Road" films have certainly stood the test of time over the years and not become dated. My four favourites are the Roads to "Morocco", "Utopia", "Rio" and "Bali". Hope and Crosby worked well together as a team and in "Road to Utopia" reached new comedy heights. The film is very fast moving with gag following gag, talking animals, many hilarious comedy routines and situations, and even has Robert Benchley occasionally interrupting the proceedings to give an entertaining commentary on the film. The film is told in "flashback" and has a brilliant pay-off line at the end (one of the best in the entire "Road" series).

Some favourite lines from the film:

Bob Hope (to Bing Crosby): "I didn't think there was one more way to get the cops after us but you found it!".

Hope (to Crosby): "Next time I'll bring Sinatra!". (When Crosby loses a talent contest on board ship).

Hope (to Crosby): "It may be a mountain to you but it's bread and butter to me".

Hope (to Douglass Dumbrille): "I'll take a lemonade .... in a dirty glass!".

Hope (to audience): "We adopted him!".

The "Road" films never won any Oscars but brought an enormous amount of pleasure to a lot of people during the 40's. Hope and Crosby were a great team and made seven "Road" films in total. They both had very successful careers separately in movies, television, radio and on the stage and were probably two of the biggest stars to come out of Hollywood in the thirties and forties. 10/10. Clive Roberts.