Mission à Alger

While this is contrived and silly at times, the best part of it, for me, was the fact that everyone knows what Holmes is up to and he still manages to come out on top. There are two plots at work here. One has to do with the transporting of stolen emeralds and the other the transporting of royalty. On numerous occasions, Holmes turns the tables on his adversaries. The dangers are everywhere and his head spins like an owls as he peers over his shoulder, through the fog, and through portholes. He sets up a wonderful ruse. The men who are out to squelch his efforts are really interesting: a mute thug who uses sign language, a wiry Peter Lorre type with a foreign accent, and a sort of Sydney Greenstreet wannabe. Watson becomes enamored with a pretty young singer who is carrying around secrets. He even belts out his own version of "Loch Lomond" and he proves to have quite a beautiful voice. Without giving anything away, Holmes keeps his cards close to his vest until the denouement. He suspects no one; he suspects everyone. I think this is a lesser effort, but still a lot of fun.

The definitive movie Sherlock Holmes is Basil Rathbone; the definitive movie Dr. Watson is Nigel Bruce. Together, these two brilliant actors made fourteen Sherlock Holmes films between 1939 and 1946, most of them loosely based on stories by Arthur Conan Doyle; a few based on Doyle stories in name only. All are thrilling, exciting excursions into the realm of mystery and deductive reasoning, even the later low-budget ones.

The original pairing of the super sleuth with his bumbling if lovable assistant portrayed by Rathbone and Bruce was in "The Hound of the Baskervilles," where star billing went to Richard Greene as Sir Henry Baskerville. The popularity of Holmes and Watson showed the studio that the audience cared more for the two supporting players than for the somewhat stiff Greene. Next time in "The Adventures of Sherlock Holmes," Rathbone and Bruce deservedly received top billing.

During World War II with England in peril from the Luftwaffe, Holmes and Watson were utilized to booster the war spirit. Holmes could be heard at the end of the war-time films haranguing his fellow countrymen and their ally, the United States, about patriotism and gallantry. Winston Churchill was touted as the savior of his nation.

"Pursuit to Algiers," based on Doyle's "The Return of Sherlock Holmes," finds the crafty detective helping escort Nikolas (Leslie Vincent), heir of a foreign country and a target for conspirators, to assume his crown following the assassination of his predecessor. There are many clever scenes involving Dr. Watson unknowingly being used as a decoy to protect Nikolas. When Nikolas' supporters first contact Holmes surreptitiously, they employ a ruse involving a fish and chips cypher, beyond Watson's grasp. In the process Watson is propositioned by a hooker who calls the good doctor, Ducky, much to his chagrin. Holmes takes the high road by plane; Watson takes the low road by boat. There is much chicanery aboard the ship that takes up most of the movie. The ending may come as a surprise for many.

One of the high points of "Pursuit to Algiers" is Watson's story of "The Giant Rat of Sumatra." Entreated by his fellow passengers to tell about one of Sherlock Holmes' greatest adventures, Watson volunteers to entertain all with his giant rat fable. His use of inanimate objects on the table for purposes of illustration to make the exploits he relates more colorful is well worth the price of admission.

There are more songs than usual for a Sherlock Holmes outing. Such traditional Scottish airs as "Flow Gently Sweet Afton," sung by Marjorie Riordan as a girl from Brooklyn named Sheila Woodbury with something hidden in her sheet music satchel and "Loch Lomond," sung by Watson himself, not only serve as icing but are utilized to embellish the plot.

The twelfth in the Sherlock Holmes series and coming at the end of the war, "Pursuit to Algiers" is one of the most entertaining of the lot and there is no rousing speechifying by Holmes at the end. Those speeches were wonderful morale buildings at the time, but are a bit quaint for today's audiences.

Most Consider this the Weakest in the Basil Rathbone-Nigel Bruce Series and it Probably is, but that Does Not Mean it is Unwatchable or Worthless. By this, the 12th of the Teams Pairing, the Charm for Fans has Made Itself Undeniable and Unobtrusive Despite Some Silliness and Liberties that the Movies So Often Exhibited.

Mostly Taking Place on an Ocean Liner it is Claustrophobic and Confined and the Supporting Cast is Less than Memorable Playing Weak and Ill Defined Villains. The Film does have a Nice Twist at the End and there is Enough Going On that it just Keeps from Getting Tedious.

Sherlock Keeps Most of His Personal Stingers Directed to Watson at Bay. The Final Line of the Movie is a Tongue in Cheek, In-Joke that is Charming and in Good Spirits.

Please make sure and get the UCLA restored version of this classic on DVD. There are some appalling Public Domain versions of the Rathbone/Bruce series floating about, especially in the U.K., which seem to have been ripped from poor quality VHS tapes, and they're worse than VCD quality. You'll certainly enjoy this series even more if you see them in good quality prints. Pursuit To Algiers is not the best of the series - that honour goes to SH and the Spider Woman - but it's very certainly worth watching, as it contains some delightful moments, although the storyline is a bit thin. Poor old Watson is put upon, as usual, while Holmes has, at least, the sense to keep his hair tidily back-combed in this episode, unlike others in the series where his barnet is all over the place. This is one to come back to again and again - a cosy evening in front of the fire, and Holmes and Watson off on a chase. But remember! Do yourself and your family a favour and get the RESTORED version. Avoid the market cheapies!

Flicking through the channels I came across this old friend and laid the zapper down. Some of the other Rathbone Holmes' are better old friends, but this'll do admirably.

When we finally leave the convoluted and circuitous (as Holmes himself admitted) opening scenes behind and get to the foggy ship where the action takes place we can relax - this is familiar territory! Holmes and Watson with the game afoot and surrounded by shady omniscient characters, a well bred damsel on the run and (for a change) a King to protect. Watson sings for the damsel, in a dangerously resonant baritone, Holmes plays with a cracker that weighs a gram too much, the Giant Rat of Sumatra is explained away...or is it?

After watching the Definitive DVD, I learn that Martin Kosleck and Leslie Vincent were gay and living together. Nothing terribly unusual of course, but whenever I watch these Holmes films the usually intrusive world of sex never enters my head, so I admit I was surprised. Rathbone apparently was disappointed that his close friend Martin was associating with someone so "talentless" - in the acting department though Basil!

How at the climax did the baddies know Watson had forgotten to take his pipe with him? This tremendous stab in the dark (!) enabled them to rough up Holmes so much that his hair was mussed.

Still great stuff.