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IMDbPro

Le verdict de l'amour

Titre original : Perfect Strangers
  • 1945
  • Approved
  • 1h 42min
NOTE IMDb
7,1/10
1,7 k
MA NOTE
Deborah Kerr and Robert Donat in Le verdict de l'amour (1945)
Official Trailer
Lire trailer2:29
1 Video
12 photos
DrameRomance

Ajouter une intrigue dans votre langueA dull married couple, separated by their enlistment during World War II, reunite after three years to find that they have become very different people.A dull married couple, separated by their enlistment during World War II, reunite after three years to find that they have become very different people.A dull married couple, separated by their enlistment during World War II, reunite after three years to find that they have become very different people.

  • Réalisation
    • Alexander Korda
  • Scénario
    • Clemence Dane
    • Anthony Pelissier
  • Casting principal
    • Robert Donat
    • Deborah Kerr
    • Glynis Johns
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    1,7 k
    MA NOTE
    • Réalisation
      • Alexander Korda
    • Scénario
      • Clemence Dane
      • Anthony Pelissier
    • Casting principal
      • Robert Donat
      • Deborah Kerr
      • Glynis Johns
    • 41avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 4 victoires au total

    Vidéos1

    Vacation from Marriage
    Trailer 2:29
    Vacation from Marriage

    Photos11

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 6
    Voir l'affiche

    Rôles principaux30

    Modifier
    Robert Donat
    Robert Donat
    • Robert Wilson
    Deborah Kerr
    Deborah Kerr
    • Catherine Wilson
    Glynis Johns
    Glynis Johns
    • Dizzy Clayton
    Ann Todd
    Ann Todd
    • Elena
    Roland Culver
    Roland Culver
    • Richard
    Ivor Barnard
    Ivor Barnard
    • Chemist
    • (non crédité)
    Jeanine Carre
    • Jeannie
    • (non crédité)
    Leslie Dwyer
    Leslie Dwyer
    • Stripey
    • (non crédité)
    Muriel George
    Muriel George
    • Minnie
    • (non crédité)
    Alf Goddard
    • Sailor Singing 'Daisy, Daisy'
    • (non crédité)
    Vincent Holman
    • ARP Warden
    • (non crédité)
    Allan Jeayes
    Allan Jeayes
    • Commander
    • (non crédité)
    Peter Lawford
    Peter Lawford
    • Introduction - USA Version
    • (non crédité)
    Henry B. Longhurst
    • Petty Officer
    • (non crédité)
    Eliot Makeham
    Eliot Makeham
    • Mr. Staines
    • (non crédité)
    Elliott Mason
    • Mrs. Hemmings
    • (non crédité)
    Roger Moore
    Roger Moore
    • Soldier
    • (non crédité)
    Mollie Munks
    • Meg
    • (non crédité)
    • Réalisation
      • Alexander Korda
    • Scénario
      • Clemence Dane
      • Anthony Pelissier
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs41

    7,11.6K
    1
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    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8llltdesq

    A nice "little" film about real characters and their growth as people

    This film isn't a classic movie for the ages. It's probably not gong to be considered in any discussions of the "best" of all time. What it is, is a nice, charming delightful film about two people who have their nice routine lives changed by a little event-WWII! Over time, they change, they grow as people often do. The main question is, will their marriage grow and change, or will it flop around and expire like a fish out of water. The fact is, you come to truly care about them over the course of the film, in no small part because Robert Donat and Deborah Kerr deliver good peformances in what is a character-driven film. Well worth watching.
    7rupie

    a delightful surprise

    What a wonderful movie!

    As is often the case I was drawn to it by the names - Robert Donat, Deborah Kerr, Glynis Johns and Alexander Korda. How can you go wrong? I learned later that this was the flick that made Kerr a star, and understandably so. Glynis Johns is always a delight to the eye.

    The story line - a humdrum couple separated and transformed by the war - sounds like the makings for a pretty humdrum soap opera, but the script is very well done and involves us in the stories of these two people as they drift away from each other (or so they think).

    The great Alexander Korda's direction is spot on and masterful. Particularly impressive are the cutaway shots from husband to wife as each of them travels home to meet each other on leave after 3 years apart from each other, he in the Navy, she in the Wrens (Britain's naval corps for women). We learn from their conversations with their traveling companions about their apprehensions about reuniting. The scene where they face each other with their doubts is shot completely in the dark, a master stroke, reflecting the fact that they really don't know each other anymore.

    It's also a very good snapshot of wartime life in Britain.

    Incidentally, it seems the film was originally released in a longer version titled "Perfect Strangers."

    Altogether a wonderful find. Thank you Turner Classic Movies.
    10silenceisgolden

    "You've frizzed your hair out like a blond gollywog!"

    What a screenplay this movie has! It's wonderful! It's a simple story but it's executed wonderfully! You truly feel for the main characters. Deborah Kerr has never been a favorite of mine but she is wonderful in this film. Robert Donat, as usual, is brilliant! I highly recommend this to fans of classic romances. It is sweet, humorous in parts, and REAL! I wish Donat had done more films when he was around, but I shouldn't complain. I'm just glad he was smart enough to always take good roles in quality films. Kerr and Donat sparkle in this and Glynis Johns is so perky! Like a little cheerleader! This is great fun! I'll stop rambling now, if this is ever shown on TCM, you must watch it!
    10perrylyn-1

    Great stories never die. Or do they?

    There are certain stories that are so original and intrinsically entertaining that they get reinvented every 20 or 30 years. Case in point, "The shop around the corner", which became "In the good old summertime" and finally "You've got mail". That's the kind of originality that runs through this story. Premise: A young married couple about to be parted for 3 years, both to do duty in her Majesty's Royal Navy in WWII. He's timid and boring. She's mousy and sickly. He becomes bold and manly. She blossoms into an attractive and assertive woman. Both now dread having to meet each other again after several years separation, remembering only how each partner use to be like. What happens when they meet again is pure fun. Why are there no remakes of this terrific story? We've had plenty of new wars to use as a background. People still change, sometimes for the better, during long separations. I have a VHS copy of this story taped from TV years ago. I only wish they would sell this movie again, while we wait for the updated script someone should write.
    8bkoganbing

    Not before victory

    One of the differences between the World War II experiences of the United Kingdom and America was that our war was thousands of miles away and their's was right at home. As a result our cinema produced a lot of comedies as well as drama in films about the war. In the UK the war was no subject for humor before final victory.

    When victory did come Alexander Korda produced and directed a delightful comedy that starred Robert Donat and Deborah Kerr about a married couple who have to adjust themselves to the fact that war has made them different people.

    Donat had a ship shot out from under him and survived. During his hospital convalescence temptation hits him big time in the person of nurse Ann Todd. In fact he did a bit of succumbing and who wouldn't. Ann Todd who is probably best known for American audiences as Gregory Peck's wife in The Paradine Case was one of the most strikingly beautiful women who ever was on the big screen. She was an exquisite porcelain blond goddess as you'll see here.

    As for Kerr she joins the WRENS the British equivalent of the WAVES to do her wartime service in a country that was united and determined to withstand a foreign invader. She's a doormat of a housewife, but with roommate and friend Glynis Johns, Kerr develops a nice self assurance.

    At the end of the war when they reunite Donat and Kerr are not sure they're suitable for each other. That has to all be worked out if it can.

    Vacation From Marriage was at a turning point in the career of Deborah Kerr. This film was produced by MGM as well as Korda and Kerr would shortly be off to Hollywood and an MGM contract. This film was preview of what American audiences would enjoy for the next twenty years.

    As for Donat most movie fans know he suffered his whole life from crippling asthma. Yet he still carries off his military scenes well even though he could never not project a certain frailty in any role he ever undertook. And he was never bad in any film role.

    Vacation From Marriage got an Oscar nomination for original screenplay. The story is good and the characters are people the writer, director, and players make you care about. See this one when it's broadcast.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Uniforms worn by the characters are 100% correct. Cathy's W.R.E.N. uniform, when she joins, has the pre-1942 soft cap. Toward the end, it is updated to the correct later-style cap. When working with her boat crew, she wears the correct men's bell bottoms and white top, and the lanyard with knife. Elena, the nurse, wears a correct tropical dress white uniform of Queen Alexandra's Royal Naval Nursing Service, with white tippet (short cape).
    • Gaffes
      In the beginning, Robert rips the page off a calendar exposing the page for Wednesday, April 4, 1940. That date fell on a Thursday. It is the correct day, though, for 1945 -- the year the movie was produced.
    • Citations

      Robert Wilson: You've certainly got the view you always wanted.

      Cathy Wilson: Miles and miles of it. But oh, Robert, the desolation!

      Robert Wilson: Poor old London. Well, we'll just have to build it up again.

      Cathy Wilson: It will take years and years.

      Robert Wilson: But what of that, Cathy? We're young.

    • Connexions
      Referenced in La Croisée des destins (1956)
    • Bandes originales
      These Foolish Things
      (uncredited)

      Music by Jack Strachey

      Lyrics by Eric Maschwitz

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    FAQ16

    • How long is Vacation from Marriage?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 novembre 1945 (États-Unis)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Voulez-vous divorcer avec moi?
    • Lieux de tournage
      • Denham Studios, Denham, Buckinghamshire, Angleterre, Royaume-Uni(Studio)
    • Sociétés de production
      • London Film Productions
      • Metro-Goldwyn-Mayer British Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 42min(102 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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