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Ajouter une intrigue dans votre langueAllen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...Allen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...Allen Quinton writes a fellow soldier's love letters; tragedy results. Later, Allen meets a beautiful amnesiac who fears postmen...
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 2 victoires et 6 nominations au total
Harry Allen
- Farmer
- (non crédité)
Conrad Binyon
- Boy in Library
- (non crédité)
Nina Borget
- Italian Waitress
- (non crédité)
Matthew Boulton
- Judge
- (non crédité)
Clifford Brooke
- Cart Driver
- (non crédité)
David Clyde
- Postman
- (non crédité)
Alec Craig
- Dodd
- (non crédité)
Catherine Craig
- Jeanette Campbell
- (non crédité)
Avis à la une
This is an early "end of world war II" movie. The war is over and now the returning soldiers are trying to put their lives in order again.
Mostly set in a very rural part of England (Devon perhaps?). Cotton plays an emotionally scared veteran who tries to make amends for the wrong he has done, though it is really just a coincidence that he runs into the woman he somewhat inadvertently deceived (by writing letters on behalf of another man).
Jennifer Jones is quite good in this role that demands a youthful innocence. It sure doesn't hurt that she is a very beautiful young woman.
Good scenery and a good early effort at showing the true emotional cost of war on the vets who survive it.
Mostly set in a very rural part of England (Devon perhaps?). Cotton plays an emotionally scared veteran who tries to make amends for the wrong he has done, though it is really just a coincidence that he runs into the woman he somewhat inadvertently deceived (by writing letters on behalf of another man).
Jennifer Jones is quite good in this role that demands a youthful innocence. It sure doesn't hurt that she is a very beautiful young woman.
Good scenery and a good early effort at showing the true emotional cost of war on the vets who survive it.
This film is more than just the best of the "other fellow writes love notes" genre. The Ayn Rand screenplay, though a potboiler, conveys the absolutist nature of true romantic love, which certainly dovetailed nicely with her objectivist philosophy. Jennifer Jones is lovely as ever, and extremely convincing in her amnesiac role. A fine film.
A soldier (Joseph Cotten) writes love letters to another soldier's girl (Jennifer Jones) back home. Imagine her disappointment when she marries him; in the meantime, Cotten is beset with guilt when he learns of it. Conveniently, she soon becomes a widow and Cotten must find her. The search is stretched across 101 tiresome minutes, complicated by the weak plot device of amnesia and the necessity to keep the past from her to protect her sanity. Director William Dieterle and DP Lee Garmes are visually talented enough to keep us seated until we get The Big Message: 'No one can build happiness on a lie," from romance writer Ayn Rand.
This is one of my favorite movies of all times. Jennifer Jones and Joseph Cotten once again create magic and enchantment together on the screen. It also features magnificent performances by Ann Richards, Gladys Cooper, and Cecil Kellaway. "Love Letters" has everything a true Hollywood classic needs: romance, suspense, a surprise ending and of course, wonderful actors. I give "Love Letters" a 10!~
"Love Letters" is a 1945 film starring Joseph Cotten and Jennifer Jones. It's a mystery/romance that also is a spin on "Cyrano de Bergerac." As a favor to a buddy, British soldier Allen Quinten writes letters to his friend Roger's girlfriend Victoria while they are serving together, though Allen's conscience begins to bother him. He has also fallen in love with Victoria, and he believes that Victoria has fallen in love with a "man who doesn't exist." Once discharged and back in the London area, he learns that Roger married Victoria and later was killed. As it turns out, Roger was murdered by Victoria, who served a year in prison for manslaughter. Allen blames himself, feeling that the murder happened because Victoria was disillusioned when she realized she married a man who was not the person she fell in love with. When by coincidence he meets Victoria, she has amnesia. Once he finds out who she is, it's too late - they're in love, and he wants to marry her.
This is a really lovely film, based on a novel and adapted for the screen by Ayn Rand. Though it may not seem a likely subject for Rand, her personal philosophy is in play. "Cyrano de Bergerac" was one of her favorite stories, and she believed, as she shows in "Atlas Shrugged," that any deception in love can only lead to disaster.
There's not much mystery to the story - you know what happened from the very beginning - but the romance is good, as is the acting. Gladys Cooper plays Victoria's aunt, who suffered a stroke after the murder. She's very good. Cotten and Jones make a great team as always, Cotten strong, sensitive, pensive and handsome, and Jones stunningly beautiful and fragile with that dreamy quality that made her so good in the later "Portrait of Jennie." "Portrait of Jennie" is more interesting and a better film overall, but both benefit from an ethereal performance by Jones and nice chemistry with Cotten.
The song "Love Letters" comes from this film. It is played throughout and adds to the lovely British country atmosphere. Highly recommended.
This is a really lovely film, based on a novel and adapted for the screen by Ayn Rand. Though it may not seem a likely subject for Rand, her personal philosophy is in play. "Cyrano de Bergerac" was one of her favorite stories, and she believed, as she shows in "Atlas Shrugged," that any deception in love can only lead to disaster.
There's not much mystery to the story - you know what happened from the very beginning - but the romance is good, as is the acting. Gladys Cooper plays Victoria's aunt, who suffered a stroke after the murder. She's very good. Cotten and Jones make a great team as always, Cotten strong, sensitive, pensive and handsome, and Jones stunningly beautiful and fragile with that dreamy quality that made her so good in the later "Portrait of Jennie." "Portrait of Jennie" is more interesting and a better film overall, but both benefit from an ethereal performance by Jones and nice chemistry with Cotten.
The song "Love Letters" comes from this film. It is played throughout and adds to the lovely British country atmosphere. Highly recommended.
Le saviez-vous
- AnecdotesThe role of Victoria Morland/Singleton was initially planned for Ann Richards, but after Jennifer Jones became available, Richards ended up playing Dilly, Singleton's friend.
- GaffesWhen Alan sees the archived newspaper article, the first brief paragraph is on topic. The second paragraph is unrelated and everything else on the page is gibberish.
- Citations
Allen Quinton: You are so calm, it is so contagious, you... you are so happy.
Victoria Morland: I will tell you the secret, just two words, "Be yourself". You are afraid of that, everybody is. But I have no choice, I can't be anything but myself.
- ConnexionsReferenced in Maman très chère (1981)
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- How long is Love Letters?Alimenté par Alexa
Détails
- Date de sortie
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- Aussi connu sous le nom de
- Love Letters
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- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Le Poids d'un mensonge (1945) officially released in India in English?
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