NOTE IMDb
6,5/10
546
MA NOTE
S'échappant d'un train de prisonniers nazis dans l'Italie déchirée par la guerre, un soldat américain et un soldat britannique se dirigent vers la frontière suisse et se retrouvent à la tête... Tout lireS'échappant d'un train de prisonniers nazis dans l'Italie déchirée par la guerre, un soldat américain et un soldat britannique se dirigent vers la frontière suisse et se retrouvent à la tête d'un groupe multinational de réfugiés.S'échappant d'un train de prisonniers nazis dans l'Italie déchirée par la guerre, un soldat américain et un soldat britannique se dirigent vers la frontière suisse et se retrouvent à la tête d'un groupe multinational de réfugiés.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires au total
Maurice Sakhnowsky
- Hillel Sokolowski
- (as M. Sakhnowsky)
Avis à la une
In the chaos surrounding the Italian campaign, an American flier and a British officer meet after having escaped internment. They make their way north towards Switzerland. They are aided by ordinary people. When news comes that Mussolini has escaped the partisans, a local Fascist rats them out to the Germans and they have to make a run for it over the wintry mountains, leading a desperate band of refugees.
This Swiss movie was directed and co-written by Leopold Lindtberg. He knew something about being a refugee. He began his career in the theater and the movies in his native Vienna, but in the early 1940s, his Jewish religion forced him to flee to Switzerland. By chance he was able to cast this movie well: two of the "escaped British officers" were precisely that, and professional actors to boot; the American was a flier whose plane came down in Switzerland, and was being held there until matters could be sorted out.
Although there are dramatic, theatrical moments, the setting in the mountains and towns of Switzerland, and the casting of locals lends a humanist air to the movie that made me think of Pressberger & Powell's movies of the period. the camerawork is extraordinary; instead of using rapid cutting to create excitement, cinematographer Emil Berna uses a moving camera, with fast, long movements to produce a sense of panic.
Although this sort of movie was almost a commonplace of the era, it's ANABASIS-like plot of trying to escape -- only this time, it's to Switzerland, instead of the sea -- and its fortuitous casting makes it extraordinary.
This Swiss movie was directed and co-written by Leopold Lindtberg. He knew something about being a refugee. He began his career in the theater and the movies in his native Vienna, but in the early 1940s, his Jewish religion forced him to flee to Switzerland. By chance he was able to cast this movie well: two of the "escaped British officers" were precisely that, and professional actors to boot; the American was a flier whose plane came down in Switzerland, and was being held there until matters could be sorted out.
Although there are dramatic, theatrical moments, the setting in the mountains and towns of Switzerland, and the casting of locals lends a humanist air to the movie that made me think of Pressberger & Powell's movies of the period. the camerawork is extraordinary; instead of using rapid cutting to create excitement, cinematographer Emil Berna uses a moving camera, with fast, long movements to produce a sense of panic.
Although this sort of movie was almost a commonplace of the era, it's ANABASIS-like plot of trying to escape -- only this time, it's to Switzerland, instead of the sea -- and its fortuitous casting makes it extraordinary.
I think that pretty sums up this film.
The other reviews say it very well. And to them, I say "ditto" to those reviews that praise this film. But you want something more specific, don't you? Fair enough.
It's a story of refuges trying to get away from the Nazis, and we begin with a British and American soldier for much of the film, as they make their way into a village. Later, they are joined by a British officer and civilian refuges.
Along with the other characters, we are treated to some very believable people, as three dimensional as you get, and the directing and camera work lets us follow the story, as well as the people and their emotions, in this odyssey.
There are heroics, but these are incredibly believable heroics, and we get the full "motivation" for everything that happens. The camaraderie of the times is beautiful, and is something missing in today's movies.
This is a "smart" movie. Not only do we get awesome intellectually stimulating ideas, drama, and story, but we also get awesome camera, directing, and action. This is well paced, certainly more fluid and active than 95% of the movies that have been made since 1965, if I am to pick a year in which a modern era begins.
Thumbs up. If you get a chance, this is a movie that will excite you on all levels, for all audiences.
The other reviews say it very well. And to them, I say "ditto" to those reviews that praise this film. But you want something more specific, don't you? Fair enough.
It's a story of refuges trying to get away from the Nazis, and we begin with a British and American soldier for much of the film, as they make their way into a village. Later, they are joined by a British officer and civilian refuges.
Along with the other characters, we are treated to some very believable people, as three dimensional as you get, and the directing and camera work lets us follow the story, as well as the people and their emotions, in this odyssey.
There are heroics, but these are incredibly believable heroics, and we get the full "motivation" for everything that happens. The camaraderie of the times is beautiful, and is something missing in today's movies.
This is a "smart" movie. Not only do we get awesome intellectually stimulating ideas, drama, and story, but we also get awesome camera, directing, and action. This is well paced, certainly more fluid and active than 95% of the movies that have been made since 1965, if I am to pick a year in which a modern era begins.
Thumbs up. If you get a chance, this is a movie that will excite you on all levels, for all audiences.
"The Last Chance" is a production by the European branch of MGM and has a most unusual cast. None of the actors are particularly famous and they speak many different languages.
The film is set in Italy just after the ouster of Mussolini. The country is excited to see the Fascist regime go...and for two stranded soldiers, an American and British one, who are thrilled that they can finally relax and not worry about being captured. However, their joy is very short-lived, as the Germans soon pour into the country and they take control. Now the two men need to be on their guards again. Along the way, they meet many lovely Italians who assist them as well as many other refugees seeking freedom in nearby Switzerland. What's to become of all these displaced people?
The movie came out about six months after the war in Europe had ended and it brings attention to refugees...who were seldom talked about in movies of the day. Well written, compelling and worth seeing.
The film is set in Italy just after the ouster of Mussolini. The country is excited to see the Fascist regime go...and for two stranded soldiers, an American and British one, who are thrilled that they can finally relax and not worry about being captured. However, their joy is very short-lived, as the Germans soon pour into the country and they take control. Now the two men need to be on their guards again. Along the way, they meet many lovely Italians who assist them as well as many other refugees seeking freedom in nearby Switzerland. What's to become of all these displaced people?
The movie came out about six months after the war in Europe had ended and it brings attention to refugees...who were seldom talked about in movies of the day. Well written, compelling and worth seeing.
Director Leopold Lindtberg grew up in Austria in the early 20th century. As German fascism cast its shadow across Europe, Lindtberg emigrated to Switzerland where, after several years of controversial film-making during and after World War II, he was eventually naturalized.
The Last Chance is a work of historical fiction which draws its power from consistent plausibility made possible by its historic and geographic context. The story takes place mostly in the Italian and Swiss Alps late in Mussolini's rule. It follows two young POWs - one British and one American - who escape from a prisoner transport train in Northern Italy and hatch a scheme to hike across the mountains to neutral Switzerland.
The relationships these soldiers develop along the way - with those who help them, inform on them, shelter and clothe them, and particularly those who come to depend on them - show us a side of World War II which is not often well-explored in non-propaganda films of the era. Although The Last Chance is powerfully anti-war, it is by no means a propaganda film. Rather, it is a thoughtful work of social realism depicting the power and value of humanity to overcome its own tendencies toward collective insanity.
Filmed near the end of world war II under what must have been very challenging conditions, Lindtberg's few advantages must have been that it would be easy enough to find destroyed villages, burnt out buildings and talented actors willing to make a film celebrating the human spirit for little money. The exceptional realism of the sets, the effortless cinematography, and the talented international cast (very few of whom are known for any other films) make the film very easy to watch, and no suspension of disbelief is required as the script, story and action of the plot seem to fit right in place.
There are no recognizable stars in The Last Chance, but the casting is perfect and there are some very powerful performances. The two leads (John Hoy and Ray Reagan - neither of whom ever made another film) are very good, and most of the Italian cast members give noteworthy performances.
Praised as a masterpiece of suspense by none other than Alfred Hitchcock, The Last Chance is a war film which contains very little battle action, and a surprising amount of philosophical dialog. It may be one of the lowest-budget films to win both a Palme D'Or (1945) and Golden Globe (1947), and the courage of its director in making it when the outcome of the conflict it depicts was far from clear is mirrored in the courage of the protagonists. Lindtberg also drew from his own intimate experience with central Europe during the war to create the memorable characters and story line of this brave film, and it shows.
The Last Chance is a work of historical fiction which draws its power from consistent plausibility made possible by its historic and geographic context. The story takes place mostly in the Italian and Swiss Alps late in Mussolini's rule. It follows two young POWs - one British and one American - who escape from a prisoner transport train in Northern Italy and hatch a scheme to hike across the mountains to neutral Switzerland.
The relationships these soldiers develop along the way - with those who help them, inform on them, shelter and clothe them, and particularly those who come to depend on them - show us a side of World War II which is not often well-explored in non-propaganda films of the era. Although The Last Chance is powerfully anti-war, it is by no means a propaganda film. Rather, it is a thoughtful work of social realism depicting the power and value of humanity to overcome its own tendencies toward collective insanity.
Filmed near the end of world war II under what must have been very challenging conditions, Lindtberg's few advantages must have been that it would be easy enough to find destroyed villages, burnt out buildings and talented actors willing to make a film celebrating the human spirit for little money. The exceptional realism of the sets, the effortless cinematography, and the talented international cast (very few of whom are known for any other films) make the film very easy to watch, and no suspension of disbelief is required as the script, story and action of the plot seem to fit right in place.
There are no recognizable stars in The Last Chance, but the casting is perfect and there are some very powerful performances. The two leads (John Hoy and Ray Reagan - neither of whom ever made another film) are very good, and most of the Italian cast members give noteworthy performances.
Praised as a masterpiece of suspense by none other than Alfred Hitchcock, The Last Chance is a war film which contains very little battle action, and a surprising amount of philosophical dialog. It may be one of the lowest-budget films to win both a Palme D'Or (1945) and Golden Globe (1947), and the courage of its director in making it when the outcome of the conflict it depicts was far from clear is mirrored in the courage of the protagonists. Lindtberg also drew from his own intimate experience with central Europe during the war to create the memorable characters and story line of this brave film, and it shows.
"The Last Chance" is a movie about escape and pursuit. It is about Italian villagers helping Jews and Allied POWs escape; and about the Allies helping the Jews as well. The setting for the film was 1943, and the place was northern Italy. This little known film was made in Switzerland and released in Zurich, on May 26, 1945 -- less than three weeks after the end of WWII in Europe. It opened later that year in New York City (Nov. 27), in Brussels (Dec.2), and in Paris (Dec. 19). It appeared in most other European countries in 1946 – but wasn't shown in Italy or Austria until 1947. It was distributed by MGM.
Most of the cast were unknown outside of Europe. The main supporting actors had much more movie experience than any of the three male leads who played the Allied soldiers fleeing the Nazis. Ewart Morris appeared in only one other movie, and John Hoy and Ray Reagan appeared only in this film. Even with their inexperience, the three leads were very good. Characters in the film speak four languages – Italian, English, German and French.
The quality of the film I have is very poor. The movie was obviously made on the cheap, but it is very well done and is an excellent story. Very little costuming or casting was needed of German soldiers. Instead, much of the filming was done of the escapees and villagers helping them. Excellent filming techniques were used. The use of key lighting with lots of shadows reminds one of the early styles used by Alfred Hitchcock and John Ford.
The movie most likely was filmed in Switzerland and part of Italy around Lake Maggiore. This 52,500-acre lake (23,870 hectares) straddles the border of Italy and Switzerland. It was a route frequently used by escaping POWs and downed Allied pilots. Other war movies have been made with escapes by way of Lake Maggiore. At the time of filming, director Leopold Lindtberg would have had no difficulty finding a burned or war- damaged Italian villages in the area. Many locals would be able to serve as extras for the townspeople in the film. These were people who had lived through such treachery and horror within just the past year or two. The film won the grand prize at the Cannes Film Festival in 1946, and earned a Golden Globe in 1947.
"The Last Chance" is a very good war drama from WWII. At the start of the war, Italy was a fascist state and ally of Germany. But the people overthrew Benito Mussolini in 1943. And, throughout the war, Italians aided Jews fleeing the Nazis. They hid and helped American, British and other Allied downed pilots; and they helped escaping POWs. Thousands of Italians were killed by the Germans for aiding escaping Allied soldiers. No other nation during WWII did more to help those fleeing the Nazis. This is a fine movie about that time and effort.
Most of the cast were unknown outside of Europe. The main supporting actors had much more movie experience than any of the three male leads who played the Allied soldiers fleeing the Nazis. Ewart Morris appeared in only one other movie, and John Hoy and Ray Reagan appeared only in this film. Even with their inexperience, the three leads were very good. Characters in the film speak four languages – Italian, English, German and French.
The quality of the film I have is very poor. The movie was obviously made on the cheap, but it is very well done and is an excellent story. Very little costuming or casting was needed of German soldiers. Instead, much of the filming was done of the escapees and villagers helping them. Excellent filming techniques were used. The use of key lighting with lots of shadows reminds one of the early styles used by Alfred Hitchcock and John Ford.
The movie most likely was filmed in Switzerland and part of Italy around Lake Maggiore. This 52,500-acre lake (23,870 hectares) straddles the border of Italy and Switzerland. It was a route frequently used by escaping POWs and downed Allied pilots. Other war movies have been made with escapes by way of Lake Maggiore. At the time of filming, director Leopold Lindtberg would have had no difficulty finding a burned or war- damaged Italian villages in the area. Many locals would be able to serve as extras for the townspeople in the film. These were people who had lived through such treachery and horror within just the past year or two. The film won the grand prize at the Cannes Film Festival in 1946, and earned a Golden Globe in 1947.
"The Last Chance" is a very good war drama from WWII. At the start of the war, Italy was a fascist state and ally of Germany. But the people overthrew Benito Mussolini in 1943. And, throughout the war, Italians aided Jews fleeing the Nazis. They hid and helped American, British and other Allied downed pilots; and they helped escaping POWs. Thousands of Italians were killed by the Germans for aiding escaping Allied soldiers. No other nation during WWII did more to help those fleeing the Nazis. This is a fine movie about that time and effort.
Le saviez-vous
- AnecdotesThe three leads were all real prisoners of war who had escaped to Switzerland, and were asked by the director Leopold Lindtberg to be in the film. Ewart G. Morrison (Maj. Telford) even wore the clothes he had escaped in as his costume.
- Bandes originalesFrère Jacques
Traditional
Sung by the party in the mountain hut
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Dernière chance
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 53min(113 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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