Sincere approach but strictly a product of its time...
FRANK SINATRA interrupts the beating of a Jewish boy in an alley outside a stage door to lecture the kids on tolerance with a message of anti-bigotry. That's the thrust of this eleven minute short on the subject of racial tolerance at a time when WWII was ending and the world was discovering the truth about Nazi concentration camps.
Sinatra gives a heartfelt, easy-going performance that was an indication of the actor he would become and sings "The House I Live In" with professional ease and charm. The film was a promotional piece that won several awards for its socially significant contribution at a time when Hollywood was confronting the war effort with everything it could muster.
It's a sincere effort at promoting religious or racial tolerance, and Sinatra should be commended for getting the message across with sympathetic treatment, although the preachy overtones may be a bit too much for some.
Sinatra gives a heartfelt, easy-going performance that was an indication of the actor he would become and sings "The House I Live In" with professional ease and charm. The film was a promotional piece that won several awards for its socially significant contribution at a time when Hollywood was confronting the war effort with everything it could muster.
It's a sincere effort at promoting religious or racial tolerance, and Sinatra should be commended for getting the message across with sympathetic treatment, although the preachy overtones may be a bit too much for some.
- Doylenf
- 2 mai 2008