Dangereuse association

A plane crashes and of the survivors, a not so scrupulous woman (Signe Hasso) and her husband (Mr and Mrs Ballister) make the most, exploring the persons of others for something to salvage. They come across four wills bequeathing bonds worth a million each to one Albert Richard Kingby (Edmund Gwenn) . They also find that the wills can be set aside if the bonds are handed over to the bearer by revealing a passcode. As Kingby, in whose case they find these wills is unconscious, they steal the wills and set upon the quest to explore further. Meanwhile, the survivors are rescued and Kingby also starts his quest. The first of these "millioners" dies when he tries to evade Kingby and the circumstances take a twist introducing a smart lawyer (James Craig) who isn't averse to cutting corners, into the chase. What happens subsequently when the lawyer and the lady are thrown together in this adventure and who really is this Alber Richard Kingby forms the main plot. Probably as this is a war time movie, there is an unexpected change of heart for both Craig and Hasso when they come to know the source of the wealth.

Craig with his easy manners and acting plays the lead in this film noir and is ably supported by Hasso as the greedy woman. But Edmund Gwenn steals the show with his sauve presence.

"Dangerous Partners" has some very unusual casting, as Edmund Gwenn of all people plays a ruthless murderer!! Say it isn't so...the sweet guy who played Santa in "Miracle on 34th Street" a killer?!

The story begins just after a plane crash. Two rogues find a dead man with four wills in his possession....and the names of four different people on the wills...and each for $1,000,000! Without knowing more, the pair decide to track down these four people and find out if they can squeeze the money out of them.

Someone else is also looking for these four people....and Albert Kingby (Edmund Gwenn) is willing to do anything to get the $1.000,000 in bonds. He first kills the partner...leaving the lady (Signe Hasso). Then, he chases her and her new partner (James Craig) and you wonder WHO he is and WHY is he killing people to get the money. See the film and find out why.

While the relationship between Hasso and Craig is tough to believe in parts, the film still works very well because it's well written and there is a nice payoff at the end. Well worth seeing...tense and exciting throughout.

By the way, some reviews called this a 'B-movie'. While having secondary actors like Hasso and Craig in the leads might make you believe this, at 79 minutes it's much too long to be considered a B....a quickie film designed as a second feature and usually running 50-65 minutes.

A real curiosity piece is this little thriller mixing a pair of unethical thieves (James Craig, Signe Hasso) with some shady characters and adding a Nazi spy twist at the end. It's all very improbable but with something happening every moment it's hard to turn away.

James Craig was at his handsomest but, unfortunately, this kind of film needed someone like Bogart to bring it alive. But Signe Hasso makes up for his bland performance by giving her all to the role of a woman who resorts to all sorts of tricks in her efforts to get her hands on some hefty amounts of money, even if it means double-crossing her partner in crime. And Edmund Gwenn is surprisingly effective as a bad guy, so far removed from his usual kindly old self. Audrey Totter hasn't much to do but does it well. Mabel Paige reminds us what a good character actress she was in good supporting roles.

And watch for Stephen McNally in a small role as the pilot of a plane crash that starts the story rolling (billed as Horace McNally).

An MGM B-picture that reminds us how interesting some of these little programmers could be. Enough plot twists to keep you watching until the end.

Contrived and convoluted, the actors playing the dangerous partners do not seem particularly dangerous. Their acting is poor, their chemistry is poor, and they are limited by a plot that seems that is a weak effort at seeming mysterious. The sudden insertion of political propaganda makes the movie approach ridiculousness.

This was a tight, neat little thriller, better than most of its kind at the time. I guess you would call it a true noir, which the House on 92nd Street was not quite. It wasn't totally plausible, but it was close enough for what it was. The supporting cast was all good with what they had to do, especially lovable Edmund Gwenn in an against-type villainous role. I would like to comment on Signe Hasso. I fell in love with her in The House on 92nd Street, and saw this movie not long after that. She was a good actress, very unappreciated I felt, and never looked more gorgeous than she did in this film. I find even now that most people have never heard of her and am glad to find from various postings about her movies on this website that she had other fans. The last minute change of heart for her character in the movie, who had been well portrayed as a rather cold, scheming adventuress was a bit unrealistic, but that's Hollywood of old. All in all I liked the flick. James Craig was a hunk, sort of Clark Gable, but not quite.