Les millions de Brewster

Home from service in World War II, business-minded Dennis O'Keefe (as Montague "Monty" Brewster) wants to marry curvy blonde sweetheart Helen Walker (as Peggy Gray) right away. The couple has clearly waited long enough. However, a lawyer arrives with news that postpones the nuptials and Mr. O'Keefe's longed-for honeymoon. He has inherited one million dollars from his anthropologist uncle - but there are stipulations. O'Keefe must spend the million in two months to obtain the real prize - seven million dollars. He must not reveal the will's million-dollar detail to anyone, including Ms. Walker. His deceased uncle believes O'Keefe should "learn to hate spending money." O'Keefe thinks spending the million will be a "cinch," but you know otherwise...

"Brewster's Millions" is a fun, fast-paced version of the classic story...

By speed-reading the lead performance, O'Keefe and director Allan Dwan help make it more believable; if you stopped to catch your breath, you would likely think of some better ways to spend the million. This also distracts from the fact that the self-described "poor" couple already look like millionaires - they are beautifully-dressed, live in what looks like a mansion and are waited on by loyal Eddie "Rochester" Anderson (as Jackson). By the way, Mr. Anderson infuses his role with more dignity than expected. Another obvious strength is Mr. Dwan giving the old stage play an almost three-dimensional quality. Observe, for example how Dwan introduces Anderson through a soapy window. And throughout the film, Dwan uses his sets, cameras and players exceptionally well.

******** Brewster's Millions (4/7/45) Allan Dwan ~ Dennis O'Keefe, Helen Walker, Eddie 'Rochester' Anderson, June Havoc

An archetypal fast and furious, beat-the-clock screwball comedy based on a typically offbeat idea of a returning soldier standing to inherit millions if he can spend a million dollars in two months, but not tell anyone in the process. Cue a procession of hair-brained supposedly dead-duck schemes and investments which naturally come good to thwart our hero's plans until things right themselves by the end.

The basic idea is a good one and you suspect in the hands of a Frank Capra or Preston Sturges could have been wrung for more laughs and one suspects a bit deeper social comment, this failing exposed none more so than when Brewster's overnight largess to his black servant is to offer him a lackey's job for life, just after he's thrown tens of thousands of dollars at the rest of his nearest and dearest.

For me the pacing was just too frenetic and while likable enough the lead actors lacked the personality and timing of the recognised A-list acting talent of the day. Plus, I have to say the crudely deferential treatment of said black man-servant, all loud wise-cracks and "Yass boss, no boss" dates the film horribly.

But putting that to one side, this is a rollicking, occasionally humorous and engaging Golden Age comedy, worth diverting 75 minutes of your time for.

Ever since 1902 when the novel was first written and a play debuting on Broadway in the same decade, Brewster's Millions has had an enduring popularity that will never change. Who would not want to be in Montgomery Brewster's shoes and be given a chance to inherit a fortune and all you have to do is spend a small fortune to make it happen.

In this case returning war veteran Dennis O'Keefe is given said opportunity with certain restrictions. After all it would be no fun to just write a check for a million dollars to charity. No, he has to invest some of it, spend some of it, hire people at extravagant salaries, stuff like that.

But in this case O'Keefe proves to have a Midas touch. Everything he touches including the biggest losers turns into money makers. His war buddies Joe Sawyer and Herbert Rudley along for the ride think he's flipped his lid. So do the women in his life Helen Walker and Gail Patrick, not to mention showgirl June Havoc whom he backs in a flop show, but still winds out on top. Zero Mostel and Gene Wilder should have learned that secret.

Whether he makes it or not is for you to watch the film for and which girl he winds up with. Mischa Auer is also around as a ham actor from Havoc's show and so is Eddie Anderson just transferring his Rochester character to a different employer than Jack Benny.

I'm sure most people are familiar with Richard Pryor's 1985 version, but O'Keefe's version stand on its own measure and it measures well.

Dennis O'Keefe never became a top-tier star and today is mostly forgotten. It's a shame, as although he may not have had 'the look', he was quite enjoyable in gangster and light comedy films. Here, he and decent dialog manage to take a silly plot and make it worth watching.

The film begins with Monty Brewster (O'Keefe) coming back home after the war. He plans on marrying his sweetie, Peggy (Helen Walker) and settling down to a happy life. However, he soon is contacted by a lawyer. Apparently a VERY eccentric distant uncle has died and left his $8,000,000 to Monty...IF he manages to spend a million of it in two months. Supposedly it's to make him appreciate the value of money and make him sick of spending--though this makes no sense. He also cannot give much of the money to charity. In the process, a funny thing happens...the more he invests in stupid schemes, the more money he seems to make!! And, Peggy is getting sick of him because Monty is NOT allowed to divulge the crazy conditions of the will.

While the film goes a bit overboard when Monty starts acting crazy when he can't get rid of his money, it's a fun and frenetic film. Not deep or sophisticated--just funny. So, provided you can just turn off your brain and enjoy, you'll like this film very much.

Brewster's Millions (1945)

*** (out of 4)

Screwball comedy has Monty Brewster (Dennis O'Keefe) returning home from the war and finding himself with an inheritance for $8 million. The only catch is that he must spend $1 million within a two month period in order to collect the rest of the money. One of the deals is that he can't tell anyone so the people around him, including his fiancé (Helen Walker) and best friend (Joe Sawyer) thinks he's crazy. This was the fifth version of this famous story and two more would follow with the most recent being the 1985 version with Richard Pryor and John Candy. Having only seen tha version (the 1914 Cecil B. DeMille film is lost) this one here plays much better, although there aren't quite as many laughs. For a comedy one might say this fails because there aren't too many laughs but I didn't find that to be the case because there's so much innocent charm that one can't help but get caught up in the story and the situation O'Keefe finds himself in. O'Keefe really makes the film go with his frantic performance, which is very good. The way he slowly starts to lose his mind as he can't get all the money spent is priceless and makes for a good time. June Havoc, Gail Patrick, Mischa Auer and John Litel add nice support as well. Eddie 'Rochester' Anderson, a black actor, does a great job playing O'Keefe's servant and delivers most of the laughs in the film. It's also worth noting that this movie was banned in Memphis because it was deemed that their relationship was too "equal in nature" and the people of Memphis didn't want people watching a movie where the races were shown as equal. While the film isn't a major success or a masterpiece of comedy, it does work for what it is. The nice performances by the now forgotten actors is another reason to watch this film even though it's rather rare.