Une cloche pour Adano

This is one of those films made during late WWII about WWII. It has some of the feel of the Italian neo-realist films that were starting to be made around this time. This is definitely a good thing - it doesn't feel like an overproduced, overwritten studio effort.

The story slowly draws you in as the new American administrator of a little Italian village arrives and tries to help the townspeople get used to life as a free people again, and to get their lives & livelihoods restarted.

The writing is mostly fresh and natural, as is the acting. The only false notes are the bumbling Italians who become the Americans' assistants, and to a lesser extent the standard poor-yet-dignified villagers. But compared to most films of the era they're minor annoyances.

John Hersey's acclaimed Pulitzer Prize winning novel A Bell For Adano was purchased by 20th Century Fox and turned into a fine film. Darryl Zanuck borrowed John Hodiak from MGM probably because Tyrone Power was serving in the Marines at this time. Hodiak also did around the same time Lifeboat for Alfred Hitchcock also for 20th Century Fox. So for an MGM contract player Hodiak got two of his finest roles on loan to another studio. Happens that way some time.

Hodiak who is Major Joppolo, an Italian American from the Bronx has that much going for him as he's appointed military governor of the recently liberated town of Adano. That's considerable because he already has some familiarity with the culture.

The town wants the bare necessities, food, medical supplies, etc., but it also wants something. They had the biggest church bell around and it was there for hundreds of years. But Mussolini melted it down for cannon and from every quarter Hodiak is told get us our bell back or a new one just as good.

Hodiak deals with all kinds of situations trying to form an occupation government and there is the question of who to trust among the Italians. But the real test for Hodiak comes when an order is issued to keep all civilian traffic off the main road into Adano. The problem is that there are no side roads into the town, one way in and one way out. Hodiak takes it on his own initiative to countermand the order. He gets in trouble with the army, but earns the heartfelt thanks of the people of Adano.

Henry King got some great performances out of his ensemble and the recreation of occupied Italy is impressively done. Hodiak was a tough and compassionate man all at once with a lot of responsibility on his shoulders. It's definitely one of his best roles.

Also standing out is William Bendix as Hodiak's senior non-commissioned officer who backs Hodiak up all the way in his governing policies. Gene Tierney plays one of the villagers who wants Hodiak to find what happened to her boyfriend who was in the Italian army and providing some hospitality if needed. Harry Morgan is in A Bell For Adano playing a military police captain who is interested in covering his posterior in the military tradition. Finally there's Richard Conte who has a beautiful scene with Hodiak and Tierney as a recently released Italian soldier who tells them of the fate of Tierney's boyfriend.

For some reason A Bell For Adano the movie has been strangely forgotten and a lot of younger people haven't heard of it. That's a pity because this film is a neglected treasure.

I liked this film in most respects. John Hodiak was perfect as "Mr. Major." William Bendix, one of my favorite character actors, displayed much of his range, from humor to pathos. And Henry King's direction was superb. However, Gene Tierney was seriously miscast as the comely village girl.

Miss Tierney's Italian accent was practically non-existent. And that bleached blonde hair! I seriously doubt that an Italian girl of modest means in a fishing village would have made that a priority during World War II.

And why was John Hodiak talking about Jean Tierney's "dark skin" resembling that of his wife back home? If her skin was any lighter she could've been mistaken for an albino!

I gave this film an "8". It was one of those films where the plot line was taken too literally from the novel. The romance between Hodiak and Tierney didn't contribute much to the film. And Richard Conte's morbid description of the death of Tierney's boyfriend was way too heavy and mostly irrelevant to the rest of the film. Otherwise, "A Bell for Adano" would've have earned a "9" from me.

Ciao

This film showed that John Hodiak could act, though I guess he didn't get that many chances to star in the movies he appeared in during his career. He's wonderful as the commanding officer in charge of a post-war Italian village. He tries everything he can to rebuild the town--both physically and in spirit. However, the one thing he really can't do is restore the bell stolen from the town by the Fascists. The townspeople see this as a point of pride; i.e., if they get a new bell it proves they are a real and growing town. At first Hodiak isn't the least bit sympathetic to their plight. However, over time he begins to see that maybe there is something to be said about restoring civic pride. A cute and quite unusual film well worth watching.

In another attempt to depict Americans as the saviours of Europe post-WWII, Henry King's 'A Bell for Adano' centres on the rebuilding of an Italian town bombarded and driven to despair, rescued by the American 'invaders' who come to build civil peace.

The Italians are in the main shown in a comic way, as children who are incapable of governing themselves, or as joke fascists. A curious view at the time in history it was made, right at the end of the war. The Americans (the good-looking Major, the snipey Captain, the loyal but dumb Sergeant) have a bit more character but are still stereotypical Army types.

In the cast, John Hodiak is good as usual, helped this time by the stellar support of Harry Morgan, William Bendix, and Glenn Langan (as a too-good-to-be-true naval officer). Gene Tierney is a bottle-blonde lovely in the town and a love interest for Hodiak, although her acting is little more than passable.

I liked this film in the main as it manages to make an impact within a limited plotline. Now rarely seen and not available on video/DVD, it doesn't deserve to be in obscurity but to be seen and celebrated with other films made during and just after wartime.