L'aventure

You have to see the movie to learn what "it" refers to. You will also learn how to lure chickens properly, how to regain your "soul", what San Fran looked like in 1945, how to attract a woman by dating her roommate, how to throw rocks at your lover, how snappy dialogue and lively acting can be much more entertaining than the 90% of the c**p in today's "subtle" acting movies. No "adventure" here in today's terms but quite daring and emotional in its own way.

In his first film after World War II service in the Army Air Corps, Clark Gable settled down to a familiar character and one of his most familiar directors. Adventure was the last of five films that Gable did with Victor Fleming which also includes Gone With The Wind. This one never quite measured up to Gone With The Wind though.

Gable was literally met at the airport by Louis B. Mayer and rushed into this film. It was thought at the time that a film with current box office sensation Greer Garson was a can't miss item at the box office. Garson was coming off an Oscar she received in 1942 for Mrs. Miniver the year Gable went away to war.

The results were underwhelming, but seen over 60 years after it was first out show Adventure to be not a bad story at all. Gable fits comfortably into the part of the tough boatswain who loves the rollicking life at sea he leads. No woman is going to be tying him down, not one like prim and proper librarian Greer Garson. He likes them like her roommate Joan Blondell, sassy and out for a good time.

But Greer and her notions of settling down with home and family kind of get under his skin. It's what's led many a man to the altar.

Gable and Garson never worked together again, probably by mutual consent. Neither were each other's types on the screen and in life, but no one has anything to be ashamed of in Adventure.

Best performance in the cast is by Thomas Mitchell as Gable's friend and confidante. Mitchell plays the usual tragicomic alcoholic that he took a patent out on for the screen.

Another in the cast and former vocalist with the Xavier Cugat Orchestra is Lina Romay who is the woman we first see Gable with as the film opens. She would shortly be joining the Bing Crosby show as the featured female singer. That 'dame' who gets $20.00 for some conversation is none other than Barbara Billingsley aka June Cleaver. Who'd have thunk that one?

Though this one didn't set the world on fire, Gable's next two films, Homecoming and The Hucksters rank in my humble opinion as two of his very best. The King was ascending his throne again.

I was 8 years old when I saw this movie and it impressed me so much. I will never forget 3 things in the movie "Adventure". How to hypnotize a chicken; how the water drains out of the tub in a different direction depending on which side of the equator you live; how Clark Gable was yelling at his newborn baby to breathe.It was such a good romance, even to a young girl and I remember how the friend, Mudgin, was afraid of losing his soul. I am 64 years old now and it is still as fresh in my mind as it was in 1946 in Hartshorne, Oklahoma.

I'm giving this movie 6 stars for the sheer pleasure of looking at Greer Garson, one of my favorites.

But I'd put this movie alongside "Remember?" as the weakest Garson films. For me, the problem was Clark Gable.

Gable is given the kind of typical "rough guy the dames falls for" role that made him a star...a combination of bluster and charm that won over Jean Harlow or Myrna Loy or Claudette Colbert.

Here, I think it's too much bluster and too little charm to realistically connect with Garson in the role she's given.

One pleasure here is seeing Joan Blondell -- she did lots of good work after the '30s musicals that she's best remembered for.

Also good: Thomas Mitchell.

Overall: see it once for the novelty of it, or skip it altogether,

Gable and Garson make for a poor pairing in this overlong limp love story that goes in circles for over two hours. Gable fresh from war service looks like he's aged considerably and his tired abrasive performance shows it.

Harry Patterson (Gable) has a girl in every port and plans never to get tied down. Wandering into a library with a shipmate friend he meets staid and proper librarian Emily Sears (Garson) who is at first put off by the lug but opposites are known to attract and they ending up running off to Reno and getting hitched. But Harry's no land lubber and the two split up but not before Emily gets knocked-up. An oblivious Harry goes back to sea and his old ways but it just ain't the same.

There is little finesse to be found in Gables performance, just bluster. He does a lot of jabbering and doesn't really connect with anyone in the film. Garson's Emily on the other hand is too delicate and restrained to do a one-eighty. Victor Fleming's direction is loose and uninspired and the production values erratic with some terrible back projection.

"Gable's back and Garson's got'em" went the phrase back then but after seeing this you can keep them.