Le porte-avions X

The Movie was shot on the back lot of 20th Century Fox. The studio used sailors from NAS Longbeach Ca. as extras for about 2 weeks . In the Scene when a Bomb hits the Ship i am the first man on the fire hose . They had built part of a Carrier Deck over a lake and used SBD'S on this deck for close ups but then used film footage from actual battle scene's in between . This explains difference of planes and ships.

Wing and a Prayer (1944)

This is a Navy film made in 1944, set in early 1942. That says a lot to start--it's realistic, but it's also meant for support the troops, support the families back home, and avoid giving the enemy any information that might hurt the U.S. This one is set in the Pacific on an aircraft carrier, so there are both conventional sailors as well as pilots. Much of the movie is about ordinary down time, which builds up the interpersonal stuff, and gives the range of types on the ship--up to a limit (no minorities, for example).

There were a lot of movies made during the war about the war, and most employed a star or two to give them an audience. Here we have Dana Andrews, already a stalwart at this early point in his career, and Don Ameche, who was the bigger name at the time. But what makes the movies distinctive beyond this is always some twist, some specific aspect of the war that gets highlighted. The main one here is the ship is on a special mission to head toward the fringes of Japanese controlled water and give the impression that the U.S. Navy is scared and incompetent.

This makes for a lot of tension after awhile because the men really want to fight, and they are told to turn away. It's an interesting angle (with not a lot of historical truth to it, apparently). But it shows in part how the Navy had highly sophisticated plans that the average Joe couldn't and didn't know about. And so everyone should just be confident, everyone including all the folks watching it on Main Street, far from being able to help or knowing the truth.

The other unique twist is that one of the pilots is an Academy Award Winning actor. It's clear from the first action scene that he's not really competent, but he's cute and popular, gets lots of mail, and he carries his Oscar statuette with him everyone (including on missions). A fun Hollywood twist...and of course, it isn't left alone. All of this, the ruse, the actor, the whole waiting game, is a set up for a spectacular finish.

Trivia notes: There is a 16mm movie shown to the troops during fun time, and it's called "Tin Pan Alley," a 1940 Betty Grable flick with lots of flesh. It's naturally a hit with the men. And it's streamable on Netflix. Naturally I had to watch it...so look for my review of that one, too. Not half bad, but…. one of the moments that is a surprise (and a deflection) is when a plane takes off and crashes, and during some of the shots of the rescue there are mistakenly other ships in the distance.

That last 20 minutes is great war film stuff, including a unique section where the action is told only through sound. It's a small but brilliant addition to a strong, somewhat straight forward film.

"Wing and a Prayer" is a decent WW II film made in 1944. It stars Don Ameche, Dana Andrews, William Eythe, Cedric Hardwicke, Charles Bickford, Harry Morgan, and Richard Jaeckel (so young it's unbelievable). It's directed by Henry Hathaway.

The story concerns Naval decisions made during World War II before the Battle of Midway. It's not complete -- because of the time that it was made, info was still classified. We had broken the Japanese code and knew what was going to happen at Midway. This particular film is about a carrier, probably in real life, The Enterprise, that was supposed to make the Japanese think the Navy was spread all over the place so that they wouldn't anticipate the forces at Midway. When they were seeing carriers in different spots, they were in fact seeing only this carrier. The crew was told not under any circumstances to engage with the Japanese, which caused fatalities and problems when pilots could not defend themselves.

The crew was in the dark, of course, and had no understanding of this policy, so they were angry and frustrated.

Don Ameche plays a very stern flight commander, Bingo Harper, a man without a sense of humor, who seems detached from his men. Andrews plays lieutenant commander Edward Moulton, and William Eythe plays Hallam "Oscar" Scott, a film star who carries his Academy Award with him for luck.

This is a 20th Century Fox film, and Andrews and Eythe were two actors who came up during World War II and were groomed by Fox to take over for its absent actors. Eythe bore a resemblance to Tyrone Power and was being groomed for stardom. The role he plays here is undoubtedly based on Power, who was indeed a movie star-pilot with an unusual first name. And he had kissed Betty Grable, just like Hallam. Unlike Dana Andrews, Eythe probably would never have made first ranks - he is rough around the edges, awkward physically, and he just didn't have star quality. He was given some excellent roles, but after Zanuck found out he was gay and pretty openly the lover of actor Lon McAllister, he got rid of him. Eythe found work in television and on the stage but died at the age of 38 of hepatitis.

All in all, a pretty good movie, though the characters aren't very well developed, particularly Andrews' role. The minor characters have more back story.

The best characteristic of this film is the fine quality of the film in terms of cinematic depth-of-field and clarity. There is excellent camera work, especially in the complicated action scenes. Each scene is balanced and seemingly well-edited. The theme of the movie is somewhat weak relative to the fight/no fight stance of the U.S. Navy, and it is overpowered by the many action scenes which resemble a "Victory at Sea" format. The facts of the battle at Midway Island as presented in this movie are somewhat questionable. The superior forces of the Japanese Imperial Navy could best any navy in early June of 1942. That good fortune played a role in the American fleet's victory is not in question, that poor planning and accident forced the Japanese Imperial Navy's tactics is also accepted. Beyond these general facts it is difficult to accept the overstatement that the position of the U.S. Navy was that "This is the battle we've been praying for." There is also some question in the film as to the accuracy of the reports concerning the U.S. torpedo planes' success. In essence, the Battle of Midway was decisive, and very lucky for the Americans. To present the battle and victory as well planned and well coordinated is misleading. A word on acting: Don Ameche as Commander Bingo Harper is outstanding. His performance is solid in terms of the classic dramatic hero. As commander, he never wavers from his responsibility, he does what must be done, and he understands both how much victory means and what price must be paid.

I'm intrigued by war movies, especially war movies within a country at war. This also happens to be my country, and in fact -- though I will never know the details -- my dad was in this action. This has the required swelling of patriotic fervor at the end, and does so with a minimum of racist demonization.

Its about the one really risky time in the war. There was never any doubt that the Germans (and Italians) would lose in Europe once the US entered the war; the only question was the cost. But in the Pacific, the situation was truly dire between Pearl Harbor and this battle. After this battle, it was a war of factories.

But before, it was touch and go. Everyone in the States would have known the pivotal role of the event and would have their stories about tactics and bravery.

There are three notable things about this movie.

The first is that it is nearly all wrong in terms of the history. The reason for this is that the US had broken the code (JN-25). This was not something that could be announced; the US knew the details of the Japanese plans and were able to stage an ambush. But that hardly explains the other, gratuitous historical inaccuracies. One can only think that no one cared what the actual tactics were as long as communal dedication was apparent.

A second rather shocking thing is that all the combat footage is genuine. These are real warriors in the real place, with less than half of the movie (obviously overlain) produced as a fiction. Looking at these men and operations deepens the experience, knowing how rare it is to see this before Vietnam.

But the most interesting to me is one character. He's pretty much the central character of the fiction: a torpedo plane pilot. Now picture this; you have a real story of national import around which history does swing. You have actual footage which in other, later, contexts with narration stands strong. You have all this and you want to insert Hollywood; what do you do?

Well, you insert a character who is a Hollywood actor, someone who has left Hollywood and enlisted but who still carries his Oscar on combat missions! Its yet another example of this phenomenon I call the narrative fold. Pretty cool.

Oh, the fictional parts are bad in nearly all respects, excepting one scene. An airman has been killed and his buddy is packing his effects for transport back to his girl. Going through things to place in a suitcase, he finds an empty tube of toothpaste and tosses it in the trash. Then he reconsiders -- a very poignant moment -- and pulls it out of the trash to send to the woman. Its one thing that works. All the rest would wait to be decoded.

Ted's Evaluation -- 2 of 3: Has some interesting elements.