Ajouter une intrigue dans votre langueA prim and proper widow who has succeeded him as mayor of a provincial Vermont town hires a worldly New York sculptor for her husband's statue.A prim and proper widow who has succeeded him as mayor of a provincial Vermont town hires a worldly New York sculptor for her husband's statue.A prim and proper widow who has succeeded him as mayor of a provincial Vermont town hires a worldly New York sculptor for her husband's statue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires au total
Rafael Alcayde
- Artist
- (non crédité)
Jessie Arnold
- Townswoman
- (non crédité)
Charles Arnt
- Clerk
- (non crédité)
Walter Baldwin
- Witherspoon
- (non crédité)
Brooks Benedict
- Nightclub Patron
- (non crédité)
Virginia Brissac
- Townswoman
- (non crédité)
Paul E. Burns
- Workman
- (non crédité)
Jimmy Carpenter
- Newsboy
- (non crédité)
Janis Carter
- Miss Thorn
- (non crédité)
Hobart Cavanaugh
- Perc Mather
- (non crédité)
Avis à la une
Fun teaming of Dunne and Boyer in a nice little comedy with good performances by all.
Dunne plays a widow who is mayor of a small Vermont town. She goes off to New York City to interview a sculptor (Boyer) for a town project but gets involved in a nightclub raid after she is mistaken for the stripper. Back in Vermont Dunne tries to forget Boyer but he shows up and moves into her garage to sculpt.
Dunne is goaded into "life" again by her father-in-law (Charles Coburn) and dramatic teen step-daughter (Mona Freeman). This get funny when Freeman thinks Boyer has proposed to her. To get even Dunne traps gawky teen (Jerome Courtland) into proposing to her. The four spar back and forth with Coburn get more and more confused until things finally straighten out.
Good support from Elizabeth Patterson, Charles Dingle, Janis Carter, Adele Jergens, Carl Switzer, Nora Cecil, Nina Mae McKinney, and Hobart Cavanaugh. Shelley Winters has a bit part.
Dunne and Boyer had great chemistry and three made films together.
Dunne plays a widow who is mayor of a small Vermont town. She goes off to New York City to interview a sculptor (Boyer) for a town project but gets involved in a nightclub raid after she is mistaken for the stripper. Back in Vermont Dunne tries to forget Boyer but he shows up and moves into her garage to sculpt.
Dunne is goaded into "life" again by her father-in-law (Charles Coburn) and dramatic teen step-daughter (Mona Freeman). This get funny when Freeman thinks Boyer has proposed to her. To get even Dunne traps gawky teen (Jerome Courtland) into proposing to her. The four spar back and forth with Coburn get more and more confused until things finally straighten out.
Good support from Elizabeth Patterson, Charles Dingle, Janis Carter, Adele Jergens, Carl Switzer, Nora Cecil, Nina Mae McKinney, and Hobart Cavanaugh. Shelley Winters has a bit part.
Dunne and Boyer had great chemistry and three made films together.
Irene Dunne is at her radiant best dressed in the height of forties chic as a glamorous widow caught up in racy situations that wouldn't have been out of place ten years earlier during the PreCode era.
Only her shoulderpads betray that this dates from the era of the dreaded Hays Office, who presumably waved it through since nothing involving Ms Dunne could possibly be objectionable.
Only her shoulderpads betray that this dates from the era of the dreaded Hays Office, who presumably waved it through since nothing involving Ms Dunne could possibly be objectionable.
Together Again casts Irene Dunne as a small town Vermont mayor who took over
when her husband died. There's a statue to him in the town square that lightning
removed the head of. It has to be replaced and she goes to New York to commission sculptor Charles Boyer to make a new statue,
Dunne's household consists of father-in-law Charles Coburn in one of his patented foxy grandpa parts and her teen daughter Mona Freeman. Both think she ought to move on and start dating. Even the job as mayor is more of an obligation as Dunne sees it. Boyer's arrival gives Coburn some hope.
This was one very nice comedy and the performances of Charles Dingle as Dunne's rival for mayor and newspaper editor and Adele Jergens as a stripper that Dunne gets caught in a nightclub raid with in a very funny sequence.
Together Again was the third and final time Charles Boyer and Irene Dunne were teamed on screen. This one is not Love Affair, but this is a funny film.
Dunne's household consists of father-in-law Charles Coburn in one of his patented foxy grandpa parts and her teen daughter Mona Freeman. Both think she ought to move on and start dating. Even the job as mayor is more of an obligation as Dunne sees it. Boyer's arrival gives Coburn some hope.
This was one very nice comedy and the performances of Charles Dingle as Dunne's rival for mayor and newspaper editor and Adele Jergens as a stripper that Dunne gets caught in a nightclub raid with in a very funny sequence.
Together Again was the third and final time Charles Boyer and Irene Dunne were teamed on screen. This one is not Love Affair, but this is a funny film.
'Together Again' had a good deal going for it. An interesting premise. Direction by Charles Vidor, who was a reliable director. And two talented leads in Irene Dunne and Charles Boyer, am more familiar and have a preference for Dunne in general but it will always be hard to forget Boyer's performance in 'Gaslight'. Also like romantic comedy when it is done well, and there are numerous times where it has been (as well as badly).
For me, there are far better romantic comedies out there (old and new) than 'Together Again' and it doesn't completely succeed. As well as far worse, this is one of the bang in-between ones. Also think it could have done more with its potential. There is quite a lot to enjoy though, 'Together Again' is quite a fun inoffensive film as long as one doesn't expect a massive amount from it but it is easy to see where people less enamoured by and more critical of it are coming from.
Its weak point is the story, which even when trying to not take it too seriously is easy to criticise. It is very over-familiar and far-fetched with motivations and situations being appearing without much warning and not really explored properly and with some of the film not ringing true all that much. Also think that it would have benefitted from not trying to include as much as it did, on top of being very worthy it did feel like 'Together Again' tried to do more than it needed to.
So it did in parts feel pretty choppy which affected the amount of depth there was, which was not enough. The characters are well played on the most part and one doesn't detest them, but for my tastes they read too much like underdeveloped stereotypes. Do agree that Mona Freeman is very annoying in her role and that the first fifteen minutes are too talky and rambles on too much.
But stick with it and don't give up because 'Together Again" does generally become much more entertaining. It is very nicely shot and designed and Vidor directs more than competently, he is at ease with the material and seems engaged with it. The script has a fair share of witty moments, the best which is primarily in the chemistry between Dunne and Boyer gleaming in sparkle. Its more romantic parts have genuine charm without being over-sentimental.
While the story is heavily flawed, it is also cute and entertaining, carried by the gleaming chemistry between the two leads. Who are both very strong and engaging with material that serves them quite well. Ever reliable Charles Coburn is the standout of the rest of the cast.
On the whole, could have been a lot better but not a bad time passer. 6/10
For me, there are far better romantic comedies out there (old and new) than 'Together Again' and it doesn't completely succeed. As well as far worse, this is one of the bang in-between ones. Also think it could have done more with its potential. There is quite a lot to enjoy though, 'Together Again' is quite a fun inoffensive film as long as one doesn't expect a massive amount from it but it is easy to see where people less enamoured by and more critical of it are coming from.
Its weak point is the story, which even when trying to not take it too seriously is easy to criticise. It is very over-familiar and far-fetched with motivations and situations being appearing without much warning and not really explored properly and with some of the film not ringing true all that much. Also think that it would have benefitted from not trying to include as much as it did, on top of being very worthy it did feel like 'Together Again' tried to do more than it needed to.
So it did in parts feel pretty choppy which affected the amount of depth there was, which was not enough. The characters are well played on the most part and one doesn't detest them, but for my tastes they read too much like underdeveloped stereotypes. Do agree that Mona Freeman is very annoying in her role and that the first fifteen minutes are too talky and rambles on too much.
But stick with it and don't give up because 'Together Again" does generally become much more entertaining. It is very nicely shot and designed and Vidor directs more than competently, he is at ease with the material and seems engaged with it. The script has a fair share of witty moments, the best which is primarily in the chemistry between Dunne and Boyer gleaming in sparkle. Its more romantic parts have genuine charm without being over-sentimental.
While the story is heavily flawed, it is also cute and entertaining, carried by the gleaming chemistry between the two leads. Who are both very strong and engaging with material that serves them quite well. Ever reliable Charles Coburn is the standout of the rest of the cast.
On the whole, could have been a lot better but not a bad time passer. 6/10
I saw this film a long time ago, and I wish it were on television more often. According to another reviewer, it is not yet available on DVD, and I wish it were.
The film stars Irene Dunne as the widow of a small town mayor, and she hires a famous sculptor, portrayed by Charles Boyer, to sculpt a statue of her late "sainted" husband. After some hesitation on the part of Dunne, a romance follows, along with family predicaments that complicate the plot and create the comedy in the film. Throughout the film the tango number, "I Get Ideas," adds to the romantic atmosphere as widow Dunne finds she can love again.
The ending contains an unexpected comedic happening, and the viewer is left to imagine the outcome of plot. This film is one I would recommend to anyone who likes romantic films and "chick" flicks.
The film stars Irene Dunne as the widow of a small town mayor, and she hires a famous sculptor, portrayed by Charles Boyer, to sculpt a statue of her late "sainted" husband. After some hesitation on the part of Dunne, a romance follows, along with family predicaments that complicate the plot and create the comedy in the film. Throughout the film the tango number, "I Get Ideas," adds to the romantic atmosphere as widow Dunne finds she can love again.
The ending contains an unexpected comedic happening, and the viewer is left to imagine the outcome of plot. This film is one I would recommend to anyone who likes romantic films and "chick" flicks.
Le saviez-vous
- AnecdotesWhen Charles Coburn is trying to play Cupid between Irene Dunne and Charles Boyer (at 43 minutes), the musical motif is the tune from "Damn the Torpedoes, Full Speed Ahead" - the song Coburn hums and sings throughout "The More the Merrier" (1943), for which he won an Oscar for playing Cupid between Jean Arthur and Joel McCrea.
- Citations
Jonathan Crandall Sr: [to Anne] It also seems that you're a big shot in your office and an nonentity at home.
- ConnexionsReferenced in Choose Me (1984)
- Bandes originalesAdiós, Muchachos
(uncredited)
Music by Julio C. Sanders (as Julio Cesar Sanders) (1927)
Lyrics by César Felipe Vedani
Used as leitmotif throughout film
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- How long is Together Again?Alimenté par Alexa
Détails
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Coup de foudre (1944) officially released in Canada in English?
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