Dansons gaiement

George Murphy (Gordon) has taken over a floor of a hotel managed by Walter Slezak (Joe). The entire cast of his show eats and sleeps there for free to the horror of Slezak's boss Adolphe Menjou (Wagner). The film follows Menjou's attempts to throw everyone out of the hotel and Murphy's attempts to get some backing for his show.

The film is easy to watch with pleasant songs and some funny moments. Gloria DeHaven (Chris) and Frank Sinatra (Glenn) are good but Murphy and Menjou are guilty of shouting too much, The story is complete nonsense and overall it's too shouty.

Sinatra can obviously sing but it is the female backing singers that leave a lasting impression. They sing in that Wonderful World of Disney style that leaves a magical note in the air.

A screwball comedy, Step Lively is a remake of the Marx Brothers' Room Service, with a B-level musical score made listenable largely by the crooning voice of young Frank Sinatra. Released at the height of World War II, this farce does not pretend to make sense; it clearly was made to showcase Sinatra's talents as a singer and sex symbol. It works; you can't take your eyes off the skinny little guy from Hoboken, New Jersey. Supported by an enormously talented cast that includes Gloria DeHaven, Anne Jeffreys, Walter Slezak, Adolphe Menjou, and George Murphy. The choreography, however, could have used a hand from Busby Berkeley.

In this comedy of errors, a broke producer is staying in a swanky hotel without paying his bill. His excuse? He's producing a hit Broadway musical and will soon come into a lot of money. It's not enough that the hotel owner is about to evict him, the playwright he's also scammed out of a bundle of money under the pretense that he'll produce his play shows up and demands to see the show! The producer discovers that the playwright can sing, and he tries to persuade him to star in his musical, hoping he won't notice that the drama he originally wrote will never see the light of day.

The playwright is played by Frank Sinatra, in his first acting role where he doesn't play himself. The first four films he acted in, he literally played Frank Sinatra. Although he does sing several songs in this zany 1940s musical, he must have been relieved to play a character with a different name. Jule Styne and Sammy Cahn wrote the songs for Frankie and Gloria DeHaven, but unless you're a die-hard fan of silly musicals, this one will probably feel a little campy and tiresome. If you like very light-hearted stories, like On the Town or Take Me Out to the Ball Game, you find good company in Step Lively.

"Step Lively" from 1944 is a fun, energetic musical, based on the play Room Service. It's the story of a broke producer, Gordon Miller (George Murphy) housing his actors in a hotel. The actors sign for everything to the consternation of the manager (Walter Slezak), who has to answer to the owner (Adolphe Menjou). Miller has an investor on the line but with no money yet, he has to keep making promises he can't keep.

Along comes Glenn Russell (Frank Sinatra), a serious playwright who sent Miller his script and $1500 so it could be produced. Miller hasn't produced the play, and he doesn't have the $1500. He is charmed by Miller's girlfriend and star of Miller's show, Christine (Gloria de Haven). And at dinner that evening, after watching Christine's show at the hotel, guess what, Glenn Russell sings like Sinatra! The next day, Miller stages a fake rehearsal of what is an awful play, and the man representing the potential backer (Eugene Palette) sees that rehearsal with the benefactor's girlfriend, a Miss Abbott (Anne Jeffries) and is not impressed. As a diversion, Christine has Glenn sing through a song. Abbott falls in love, and it at last looks like Miller will get his investor.

This is a charming musical with a great young cast. It's easy to see why girls were mad over Sinatra - skinny, his suits just a little too big, those huge eyes, gentle manner and romantic singing voice - he is captivating. He sings "Where Does Love Begin," "As Long as There's Music," "Some Other Time," and "Come Out, Come Out, Wherever You are," some with the pretty De Haven, who does a lovely job. Walter Slezak is a scream as the put-upon Gribble, and Menjou is appropriately grumpy as the owner of the hotel.

Anne Jeffries is stunning, as she remains today, but I'm curious if her age could possibly be correct. She was supposedly born in 1923 to De Haven's 1925; that makes De Haven 19 in this film and Jeffries 21. I doubt it. The woman defies gravity, age, and everything else and if she's even older than 87 - wow! Lots of fun and nice to see the immature, sweet version of "Frankie."

STEP LIVELY is a vast improvement over Sinatra's HIGHER AND HIGHER at RKO, but that's hardly a big compliment. Nevertheless, it's a more enjoyable romp with some good work from others in the cast, including GEORGE MURPHY and GLORIA DeHAVEN, but much of the comedy is played so broadly that it seems forced at times.

Based on "Room Service", a comedy starring the Marx Bros. and based on a stage play, it's about a nervous hyperactive producer (Murphy) who wants to put on a show and is encouraged when he finds a talented writer/singer (Sinatra). The trouble is he can't pay his hotel bill and is constantly being badgered for money by WALTER SLEZAK and ADOLPHE MENJOU who don't want him to hold rehearsals for a new show in a penthouse suite.

It's a broad farce and is played for non-stop zaniness by the entire cast, but the constant shouting by Murphy and Menjou becomes tiresome after the first half-hour. ANNE JEFFREYS has a thankless role as a young lady who is only interested in having EUGENE Palette back the show because she's got a crush on Sinatra once she hears him sing.

The songs themselves don't make much of an impression, but are handled suitably by Sinatra and GLORIA DeHAVEN. It's no more then a B-musical with some A-sets for the hotel settings and production numbers.

Sinatra is his casual self in a role that makes no great demands of him except to sing on cue, but everyone else is given to extravagant bits of overacting. His best number is "As Long As There's Music", but it's a good thing he was soon grabbed by MGM for ANCHORS AWEIGH.