L'amour est une mélodie

It's 1905. Nora Bayes (Ann Sheridan) notices that single gal song acts aren't working anymore. It's either singing girl groups or couple acts. She tries to recruit her friend Jack Norworth (Dennis Morgan) for a couple act. He dismisses her at first. Eventually, he accepts her proposal. Their friend is magician, The Great Georgetti (Jack Carson).

This is a biopic of vaudevillian couple Nora Bayes and Jack Norworth. They would 'write' the popular 1900's song "Shine On, Harvest Moon". I don't know any of these songs. I don't know these performers. I doubt that they actually wrote the songs. They definitely did not come up with it while riding a carriage in the moonlight. I cannot comment on any other inaccuracies or even the time period. The music is not necessarily my taste, but I can't find any fault in it. The romantic chemistry is fine. They need a meet-cute, but they do have some heat. The story isn't much after the sleazy club owner early on. There is a fun bit with a magic act. I wouldn't mind a magician try that in his act for real. Margie is a fun dummy. They have the most memorable song "So Dumb but So Beautiful". Maybe they should make a movie about them.

Ann Sheridan and Dennis Morgan, as singing duo Nora Bayes and Jack Norworth, are wonderful portraying the Broadway stars who had to struggle just to perform together.

The beautiful Ann Sheridan does a fine job portraying a women who loves her partner but is willing to make a sacrifice for what she believes will help his career.

Kudos to the production crew for a visually enjoyable movie. Add in a few good musical numbers and you have a fun, uplifting movie with an occasional bittersweet moment thrown in for good measure.

And, with all due respect to Lynn Martin, who did the vocals for Ann Sheridan, I personally would like to have heard Ann Sheridan sing in this movie. Perhaps a special edition will surface one day for Shine On, Harvest Moon.

Landing in movie palaces in the middle of World War II, this biopic must have been a nice morale booster. Ann Sheridan and Dennis Morgan portray the real-life Broadway stars Nora Bayes and Jack Norworth with fairly entertaining results. Ann Sheridan was a wartime favorite and her performance is fun to watch, even though her singing voice is dubbed. The film offers an opportunity to hear some great old tunes, the best of which is "Time Waits for No One."

My main reason for watching the movie was Ann Sheridan. I loved watching her on the big screen. The song Jack Carson sang to Marie Wilson eked me too. Did not like it. It also was worth watching for the period clothes. All in All, Not Bad. It was also an education on the way Music was sold then. Something like In the Good old Summertime with Judy Garland.Marie Wilson really played a Great part as she was very Intelligent. She was really Typecast most of the time. I believe she played same type of Character on the Radio too. The Color was a Great idea. I think all Musicals should be in Color,especially 42Nd st. Even Dennis Morgan clothes looked better in Color.

The comment posted before mine was unfortunately inaccurate. Lynn Martin did provide the vocals for Ann Sheridan in this film. While the studio had trusted her untrained but acceptable voice in a great number of dramas, thrillers and minor musicals before this, they were not ready to let her tackle a major musical with her own voice. The whole idea of a voice double is to sound as similar as possible to the person on screen. Lynn Martin was the perfect choice, even a certain nasal tone, but a much more polished sound. If you have the chance to hear her in quite a few low-budget musicals she sang in at other studios, you will recognize her immediately. She did not have to change her voice much to be a great match for Ann Sheridan and this is why she was chosen. Personally, as much as I love Ann Sheridan, i think she sounded much better with a professional singing voice.

A lot of well-known actors and actresses sang in scores of films but were dubbed just once or twice - that is not unusual at all. The same happened to Dorothy Lamour, Carole Landis, Shirley Temple and Patricia Morison (of KISS ME KATE fame) among others. So this is not even a factor.

(But it is true that Lynn Martin NEVER dubbed Rita Hayworth at any point.)