La griffe sanglante

I like all of the Basil Rathbone Sherlock Holmes films, but this is one of my favorites. Imagine you are in The Quiet Man's village of Inisfree full of quirky colorful characters and suddenly the fog rolls in and a glowing monster wandering around the marshes first starts ripping out the throats of sheep, then graduates to people.

The same thing happens here, except it is in a village in wartime Canada. Luck will have it that Holmes and Watson are in Canada at a convention on the occult when the first human victim is killed, the wife of one of the attendees of the conference. She was once a famous actress. This is quite a mystery, since two of the people Holmes comes to suspect end up victims of "the monster" themselves, and yet none of the three victims has anything in common, none know each other now nor ever did. Well, they actually did have one thing in common - each had an odd premonition that they were about to be killed before it happened. The first victim actually sent a message to Holmes at the convention in Canada asking for his help, unfortunately, not in time though.

You know you are in present day because of the technology being used, but the characterization of Holmes, Watson, and the villagers makes the film timeless. How odd that Universal could hit it out of the park in the 40s with the Sherlock Holmes series in the realm of suspense and even horror, but really never managed to hit the mark post Laemmle with any of the actual Universal horror franchises.

This is a wartime film that rarely enough has nothing to do with WWII, yet at the end Holmes manages to find a way to quote Churchill.

I'd highly recommend this one.

Universal's Sherlock Holmes series brought the characters into the 20th Century. Many of the were related to World War II, stories in which Holmes went in pursuit of spies and counterspies; others tried to mimic the original Arthur Conan Doyle stories with a presentation of mental puzzles. Although generally well executed, seldom did any of the titles rise above the level of "B Pictures"--but on the rare occasions that they did, they did so with a vengeance, and THE SCARLET CLAW is such a case. Directed at a fast clip by Roy William Neill, memorably photographed by George Robinson, and sporting an expert cast in a particularly clever script, this is easily among the best of the series.

The story hearkens back to such titles as THE HOUND OF THE BASKERVILLES. Lord Penrose (Paul Cavanaugh) is convinced that his small, Canadian town is beset by an evil spirit--and is indeed giving a lecture on psychic phenomena when his wife is found murdered, presumably by a apparition that haunted the town many years before. Convinced that it is the work of an otherwordly being, he does not welcome the arrival of Sherlock Holmes (Basil Rathbone), who is convinced that there is nothing ghostly about the matter in the least.

The Universal films counted a great deal on the chemistry between Basil Rathbone and Nigel Bruce as Holmes and sidekick Dr. Watson, and indeed that chemistry is on full display in this particular title. But the overall cast is remarkably fine, not only the aforementioned Cavanaugh but most particularly Gerald Hammer, who frequently appeared in these films and here offers a uniquely memorable turn as the fearful postmaster. And, unlike most other films in the series, the solution to the crime is indeed a shocker.

The restoration is very handsome and the DVD comes with two nice bonuses, a short documentary on the challenges faced by those who restored the series (THE SCARLET CLAW receives particular mention) and an erudite audio commentary by film historian David Stuart Davies. If you've seen one or two films in the series and been unimpressed--give this one a try to see what Rathbone and company could do when when they had all the right makings. Recommended.

GFT, Amazon Reviewer

I don't know how I missed this one over the years, but watching it today on TCM, I don't remember ever seeing it before.

THE SCARLET CLAW was written especially for the screen and not from any novel penned by Sir Arthur Conan Doyle. Turns out it's one of the very best entries in the series, up there with THE HOUND OF THE BASKERVILLES and THE ADVENTURES OF SHERLOCK HOLMES as essential Holmes films.

It has all the atmosphere one would want in a Sherlock Holmes story and a mystery that deepens as the plot goes forward but resolved in a very satisfying way by Holmes. The cast includes an excellent performance from PAUL CAVANAGH as Mr. Penrose, whose wife dies a vicious death at the hands of a killer and leads to Holmes' investigation. GERALD HAMER as a nervous postman and VICTORIA HORNE as a frightened housekeeper are also fine, as is MILES MANDER as a judge whose life is in danger from a serial killer.

Although this one takes place in Canada, it might just as well have taken place on the Dartmouth moors in Devonshire--that's the kind of atmosphere it has with plenty of mist and fog to add to the Gothic ambiance of the tale.

Well worth watching for Sherlock fans. Especially good is NIGEL BRUCE as the bumbling Dr. Watson who inadvertently helps BASIL RATHBONE from time to time. His blustery interpretation of the comic sidekick is especially well done in this caper. Rathbone, of course, is beyond reproach.

Breathing a similar style to the earlier The Hound of the Baskervilles, The Scarlet Claw sees the great Sherlock Holmes in the middle of another supernatural themed adventure. While this yarn isn't quite up to the standards of The Hound of the Baskervilles, it still represents another success in turning the detective novels into films. This time round, we follow a remote village that is at the mercy of a mysterious ghost who appears to be killing them off. Not being a believer in ghosts, our logical protagonist, Sherlock Holmes, decides to take the case on and travels to the remote village to find, as usual, that there's more going on than meets the eye. Once again, this story is riddled with inventive twists and a plot that is constantly full of suspense and, as usual, it makes for great viewing. While the plot doesn't have any depth or substance, it doesn't matter at all because this film is made for pure entertainment value, and on that front it certainly delivers!

Once again, Basil Rathbone takes the lead role as the super-sleuth Sherlock Holmes and, as usual, does excellently with it. He does so well at playing this character that you when you think Sherlock Holmes, it's Rathbone's image that instantly pops into your mind. While this may have hindered the rest of his career a little, it's definitely a good thing while you're watching a Sherlock Holmes movie. Also reprising his role from previous Holmes movies is Nigel Bruce in the role of Dr Watson. He too makes great use of the role, and again it's hard to imagine anyone else playing Dr Watson. The supernatural elements of the story are nice, and seeing the numerous atmosphere scenes is always a treat. The black and white cinematography helps to create a foreboding atmosphere, which compliments the story nicely. The ensemble of characters surrounding the mystery are well done and the film throws in a number of red herrings in order to keep the conclusion from the audience until it is finally time to give it away. All in all; great stuff!

Universal once again brings Basil Rathbone and Nigel Bruce back as Holmes and Watson. This time the duo is listening to an expert talk about cults and so forth, and within moments they are thrust into a mystery of a woman's death supposedly by the hands of a ghost. They must travel to the town Le Mort Rouge(The Red Death) in Canada where the conference was being held. Rathbone is in fine form as Holmes. He seems to be so comfortable with this role by this point that his mannerisms just flow. As good as Rathbone is, it is the comic performance of Nigel Bruce as his bumbling sidekick Dr. Watson who really does a whale of a job stumbling and mumbling through his role. Bruce plays off Rathbone wonderfully, and he has a larger than life presence(steals many a scene too I might add). The rest of the cast is definitely all quality. The direction by Roy William Neill is first-rate. He directs very smoothly by enhancing the two central characters but also creating a very effective moody atmosphere. The story is imaginative and not derived from a Doyle story. I like the way that the scripter managed to put mystery writer G. K. Chesterton's name into the film. The last little monologue by Holmes at the conclusion of the film is a wartime thanks to Canada and how it acts as a link for mankind. Interesting tribute.