On Approval

Maria (Beatrice Lillie) invites Richard (Roland Culver) to stay with her in her house in Scotland for a month to see if they are compatible and thus suited for marriage. George (Clive Brook) and Helen (Googie Withers) come along as chaperones for their friends, Helen for Maria and George for Richard. The staff at the house walk out of the residence, leaving the four main characters to fend for themselves and find out about each other.....

This film is very amusing - a good example of dialogue-driven humour. The script is well written and the cast deliver it with precision. All four main characters are well suited to their roles and equally excellent. The only oddity is that Googie Withers, playing an American, couldn't be more English! At the beginning of the film, a narrator delivers an intro in a very British comedy cartoon fashion. Perhaps this segment could have been shorter. However, once the film starts properly, it immediately holds the viewer's interest and runs for a decent length. There is also a twist in the tale.

in this 1944 film version of the Frederick Lonsdale play. Charming, caustic, biting, and very funny, On Approval centers on 4 people who end up together in a house in Scotland for a month to see if they are "suited" for marriage. Of course no one gets along, the servants leave instantly, and the weather is dreadful. Lillie made only a handful of films; what a pity. She's quite wonderful as the rich woman who disdains marriage. Clive Brook (best remembered for Cavalcade) is excellent as the Duke (son of a butcher's daughter) who assumes the airs of aristocracy without having money. Roland Culver and Googie Withers round out the bickering foursome. Surprisingly fresh and current. I'd seen the 1982 BBC play with Penelope Keith and remembered it fondly. This is different but equal. Lonsdale seemed at one time a copy of Wilde or even Coward. But he has a special way with words that makes for delightful dialogue. On Approval is worth looking for!

First of all, the pictorial quality of the print on this 1943 comedy is amazingly good; the diction of the actors speaking the King's English is also impeccable, and on that level alone this film is watchable--but much more for me; it's a wartime English film, obviously done on the cheap--but done very well and featuring top quality stage actors who delight in the clever quip and character-driven drollery.

A wee bit of story: a demanding woman decides to take her prospective hubby to an island retreat to see if they can properly relate before they marry--two friends tag along. Now largely forgotten actor Clive Brook (a lead in Dietrich's Shanghai Express) directed and stars as an effete snob who has lessons to learn, and the impeccably hilarious, viper-tongued Beatrice Lille, who made far too few movies, is showcased at her raised-eyebrow best. This is an old-fashioned drawing room comedy, adult in nature, literate in approach, and short, sweet and delightful.

"On Approval" is a comedy of manners and it delivers on its promise to delight. The dialogue is the thing--filled with insinuations, clever slights, and unabashed insults. The four leads make the most of the plot, which is about two men trying to marry into wealthier circumstances via two sisters.

One reviewer said this film is not up to Oscar Wilde's standards. Well maybe it is too tame to be Wilde, but it is still charming and filled with plenty of caustic throw-away lines and honest insights.

I think I will have to see it more than once to fully appreciate the film because of the sheer volume of memorable lines. That's a prospect I can bear to suffer.

The most English of all English comedies and something of a tour-de-force, particularly for Clive Brook who produced, directed and adapted Frederick Lonsdale's play as well as taking the lead as a penniless Duke in love with an American heiress. She's Googie Withers but she doesn't love him back. They end up as chaperons, he to Roland Culver and she to Beatrice Lillie, on a Scottish island where Lillie has brought Culver for a month 'on approval' to see if she likes him enough to marry him. All four are superb but Lillie, in one of her few major film roles, walks off with the movie as the obnoxious Maria, though in the acting stakes Brook does give her a run for her money. The film is seldom revived, however; could it be just too sophisticated for mass consumption?