Le fantôme de la momie

"The Mummy's Ghost" is a sequel to "The Mummy's Tomb" (1942). In that film Kharis the Mummy (Lon Chaney) perished in a house fire. Also the old high priest (George Zucco) dies of old age while handing over his powers to a new high priest. In this film we find out that not only did Kharis survive the fire unscathed but the old high priest turns up alive and shaking.

This entry has the High Priest Yousef Bey (John Carradine) being assigned the task of going to America to retrieve the mummies of Kharis and his queen Ananka. Hero Tom Hervey (Robert Lowery) is courting a beautiful Egyptian by the name of Amina Mansouri (Ramsay Ames). Meanwhile Yousef Bey sets about arranging to take the two mummies back to Egypt. To this end he unleashes Kharis upon the community to murder anyone who stands in their way.

At the same time Amina starts to experience blackouts as she is being gradually taken over by the spirit of Ananka (the "ghost" of the title) to become the re-incarnation of Queen Ananka. This suddenly becomes a point of issue between Kharis and Yousef Bey until......

Becoming a "B" movie second feature series, the films did nonetheless benefit from Universal's expertise in making this kind of film. Although it features a "B" list cast and runs a scant 61 minutes, it is still an entertaining way to spend an hour.

Lon Chaney would continue in the role of the Mummy in "The Mummy's Curse" (1944) the final film in the series.

A "tough, old bird" may not be an apt enough description of George Zucco's high priest character in the Mummy series. Somehow, still alive and shaking, he passes on the priesthood of what is now referred to as "Arkham" to Yousef Bey (John Carradine) & once again feels the need to recap the mummy's life history, which has been altered since "Mummy's Tomb". Now the story goes that the once exalted Princess Ananka died an accursed death and that Kharis was buried with her. Now it's the task of Yousef to go to Mapleton and bring the royal dead of Egypt back to their homeland.

Meanwhile, the wafting scent of tana leaves in the air attracts Kharis to the home of one Professor Norman. As Kharis shambles his way towards the cup of life, a young dish named Amina Mansouri (Ramsay Ames) gets a chance to show off her talents in filling out a nightgown as she sleepwalks her way to the very same house. Anyone else notice that black cat that ran in front of Ames during this scene? I believe that's called foreshadowing.

The reincarnation angle from the original Karloff "Mummy" gets dusted off. The spirit of Ananka has left its mummified shell & taken residence in the body of Amina. Now Kharis must go about what must be for him a pleasant task of carrying off yet another woman clad in white (it's the only activity that gets his "dead" arm to work) and hope that another high priest won't succumb to any lascivious thoughts lurking in the back of his mind.

But, that's not how things work out, for the life of an undead character stuck in repetitious sequels penned by unimaginative story writers is a hard one. The only merciful thing to do would've been to let Kharis & his Princess drown in eternal bliss, but the call of the box-office demanded one more sequel (Amon-Ra help us).

This mummy film is one of a series of four produced by Universal Pictures in the 1940s--well after their original film starring Boris Karloff. While none of these films opened up a lot of new ground, they were good escapist fun--for kids and adults willing to suspend reality and have a good time. I personally LOVE these old Universal horror films--even the lesser ones like this film. This one's plot isn't so special (except once again the mummy somehow makes it to America), but it stands out due to the acting of George Zucco and John Carradine--two wonderful veteran horror actors who played up the campiness of the film and made it far more entertaining.

The film looks a lot less impressive than the newest mummy films from Hollywood, but they still managed to be fun. Plus, the newer films, in my opinion, lack fun because they are so special effects-driven. See this film and have a good old fashioned time.

The Mummy's Ghost is the third of four movies in the original "The Mummy" franchise.

It follows on from the previous film and yet another high priest has risen our mummy (Played again by Lon Chaney Jr). Once again he is after the reincarnation of his original love. Trouble is this is the third time we've seen the same plot.

I'm not saying The Mummy's Ghost is any worse than the rest, it's just the same thing.

What it does have however is a very shocking and surprising finale that I found very entertaining. Movies from this time tended to be very predictable so this came as a surprise.

For fans this will entertain, but it could easily have been a stand alone movie.

The Good:

Fantastic finale

Well enough made

The Bad:

Some very hammy acting

Things I Learnt From This Movie:

Fainting was a big thing for women in the 1940's

Mummy tantrums are hilarious

Ancient egyptian bandages were bullet proof

"The Mummy's Ghost" is haunting and unforgettable thanks to the appearance of probably the most ravishing starlet to ever grace the screen: Ramsey Ames. She portrays the doomed Princess Ananka/Amina Monsouri heroine with a brooding, tremulous quality and when she sinks into the quicksand at the end with the mummy, you're shocked by watching her age into a 1000 mummy's bride. John Carradine is in great form as the high priest of arkham. Robert Lowery is unusually surly as the boyfriend. Reginald LeBorg directed this l944 classic. He originally wanted Acquanetta as the heroine but this sultry starlet fell and injured her shoulder on the first day of shooting. Ames was criminally ill-used by Universal but looked great in a short bob for the Republic serial, "G-Men Never Forget" in l947. Before she died two years ago from throat cancer, she remembered that Lon Chaney, who played the mummy, created many problems but she wouldn't specify. Other reports have it that Chaney was usually drunk by 12 noon. Ames was terrified he would stumble with her on the long, steep boardwalk to the remote shed and also into the swamp.wonderful atmosphere, classic musical scoring (originally from "Son of Frankenstein). Vera West does brilliant job in designing Ames beautiful white silk gowns.