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5,4/10
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MA NOTE
Expédiée en Louisiane, la momie Kharis d'Égypte erre dans le bayou, tourmentée par son amour interdit pour la princesse Ananka.Expédiée en Louisiane, la momie Kharis d'Égypte erre dans le bayou, tourmentée par son amour interdit pour la princesse Ananka.Expédiée en Louisiane, la momie Kharis d'Égypte erre dans le bayou, tourmentée par son amour interdit pour la princesse Ananka.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Lon Chaney Jr.
- Mummy
- (as Lon Chaney)
Eddie Abdo
- Pierre
- (non crédité)
Enrique Acosta
- Bit
- (non crédité)
Julius Aicardi
- Bit
- (non crédité)
Nina Bara
- Young Cajun Woman in Cafe
- (non crédité)
Alfredo Berumen
- Workman
- (non crédité)
Avis à la une
Even in America we're not safe as bulldozers unearth the ancient Egyptian mummy and his favorite obsession, Princess Ananka
Kharis is on the loose again. Of course, being on the loose for this mummified foot-dragger means he's a danger only to those too dumb to run. Fortunately, these movies are loaded with slow-learners. Actually, this is one of the better of the series, with lots of shadowy atmosphere and a really nubile Mrs. Folger otherwise known as Princess Ananka (Virginia Christine). No wonder Kharis is so anxious to carry her off, especially in that flowing white gown. I'd trade for his bandages and gimpy foot any day. And catch her rising jerkily from the swamp. These moves are enough to make you doubt whether she's human or not.
Too bad the rest of the cast seems at times to be sleep walking, except for Addison Richards (Maj. Walsh) and Kay Harding (Betty) who manage some lively personality. Peter Coe is a particularly unfortunate choice as the high priest. He sounds about as scary and exotic as my next-door neighbor. But who cares. It's old tangle foot and the moody gloom that keeps fans like me tuned in.
Kharis is on the loose again. Of course, being on the loose for this mummified foot-dragger means he's a danger only to those too dumb to run. Fortunately, these movies are loaded with slow-learners. Actually, this is one of the better of the series, with lots of shadowy atmosphere and a really nubile Mrs. Folger otherwise known as Princess Ananka (Virginia Christine). No wonder Kharis is so anxious to carry her off, especially in that flowing white gown. I'd trade for his bandages and gimpy foot any day. And catch her rising jerkily from the swamp. These moves are enough to make you doubt whether she's human or not.
Too bad the rest of the cast seems at times to be sleep walking, except for Addison Richards (Maj. Walsh) and Kay Harding (Betty) who manage some lively personality. Peter Coe is a particularly unfortunate choice as the high priest. He sounds about as scary and exotic as my next-door neighbor. But who cares. It's old tangle foot and the moody gloom that keeps fans like me tuned in.
The Mummy's Curse (1944)
** 1/2 (out of 4)
Twenty-plus years after the events in the previous film, another high priest enters the Louisiana swamps to bring Kharis (Lon Chaney, Jr.) back from the dead. This time out Princess Ananka (Virginia Christine) comes back to life but can't fully remember why she knows so much about Kharis. Soon the mummy is trying to track her down and is willing to kill anyone who stands in his way.
THE MUMMY'S CURSE would be the last of the Universal mummy movies until Abbott and Costello would bring him back towards the end of their careers. I think the film is an improvement over the previous entry and thankfully the movie runs at an extremely fast-pace and manages to provide several good moments. There are several fun moments throughout but one of the highlights has to be the Louisiana setting. I thought the swamp setting added a lot of atmosphere to the picture and there's no question that it help the entertainment value. Another great scene happens early on when the priest and his servant brings the mummy back to life.
Chaney probably gives his best performance of his three mummy roles here, although that might not be saying too much since he's pretty limited as to what he can actually do. Instead of just stumbling around, at least this time out he appears to be into what he's doing. Peter Coe makes for a good lead and Chrstine certainly fits her role nicely. Another plus is the make-up from Jack Pearce who manages to make the mummy look a lot better than the previous two films.
THE MUMMY'S CURSE certainly doesn't have a great story or anything but there are still many good moments that make it worth seeking out. The most famous scene happens to be the one where Princess Ananka rises from her grave and it's still quite chilling to watch after all these years.
** 1/2 (out of 4)
Twenty-plus years after the events in the previous film, another high priest enters the Louisiana swamps to bring Kharis (Lon Chaney, Jr.) back from the dead. This time out Princess Ananka (Virginia Christine) comes back to life but can't fully remember why she knows so much about Kharis. Soon the mummy is trying to track her down and is willing to kill anyone who stands in his way.
THE MUMMY'S CURSE would be the last of the Universal mummy movies until Abbott and Costello would bring him back towards the end of their careers. I think the film is an improvement over the previous entry and thankfully the movie runs at an extremely fast-pace and manages to provide several good moments. There are several fun moments throughout but one of the highlights has to be the Louisiana setting. I thought the swamp setting added a lot of atmosphere to the picture and there's no question that it help the entertainment value. Another great scene happens early on when the priest and his servant brings the mummy back to life.
Chaney probably gives his best performance of his three mummy roles here, although that might not be saying too much since he's pretty limited as to what he can actually do. Instead of just stumbling around, at least this time out he appears to be into what he's doing. Peter Coe makes for a good lead and Chrstine certainly fits her role nicely. Another plus is the make-up from Jack Pearce who manages to make the mummy look a lot better than the previous two films.
THE MUMMY'S CURSE certainly doesn't have a great story or anything but there are still many good moments that make it worth seeking out. The most famous scene happens to be the one where Princess Ananka rises from her grave and it's still quite chilling to watch after all these years.
This was the fifth and last of the original series. We find the undead Mummy, Kharis (Lon Chaney Jr.) in the Louisiana swampland, how he got there from Egypt is weakly explained away as American archeologists accidently looking for Princess Ananka, instead finding the Mummy. Since this is horror, it's no big deal.
The problem is the whole thing looks like something Universal wanted to put out fast and cheap and be done with. The acting is wooden, with bad Cajun accents. Nothing really stands out. The only wrinkle is Ananka's anthropomorphism. The poor girl is being stalked by jealous boyfriend Kharis, so she hides out with the mortals, amazing everyone with her knowledge of Egyptology! In fact, Kharis isn't the worst villain; that honor belongs to the High Priest's acolyte, who becomes drunk with power upon learning the history of the Mummy and the elixir that are tana leaves. There is a positive though: the 63 minute running time.
The problem is the whole thing looks like something Universal wanted to put out fast and cheap and be done with. The acting is wooden, with bad Cajun accents. Nothing really stands out. The only wrinkle is Ananka's anthropomorphism. The poor girl is being stalked by jealous boyfriend Kharis, so she hides out with the mortals, amazing everyone with her knowledge of Egyptology! In fact, Kharis isn't the worst villain; that honor belongs to the High Priest's acolyte, who becomes drunk with power upon learning the history of the Mummy and the elixir that are tana leaves. There is a positive though: the 63 minute running time.
There is still life in this curse, barely. The premise has ran its course. Too many familiar scenes and the thrill is just hanging on. This although is still creepy to watch and fun for a rainy night. The living mummy Kharis(Lon Chaney Jr)now seeks his lost love(Virginia Christine) in the bayous of Louisiana. Also notable are Kurt Katch and Jackie Lou Harding. A "mummy" fan's must.
This entry in the "Mummy series" is unlike all the others, but that's what makes it interesting!
One of THE most interesting sequences in this film is when the Princess awakens in the bog (due to the sunlight), and slowly rises to her feet, totally covered with mud, and staggers to town. A very dramatic scene!
One of THE most interesting sequences in this film is when the Princess awakens in the bog (due to the sunlight), and slowly rises to her feet, totally covered with mud, and staggers to town. A very dramatic scene!
Le saviez-vous
- AnecdotesAccording to actress Virginia Christine, when Lon Chaney Jr. carried her, she was attached to a harness that went around his neck and her waist. The actress has stated that Chaney was drunk through most of the picture. In the scenes where he carries her up the steep, crooked, worn steps of the shrine, "he is absolutely stoned" and was "weaving , going side-to-side on these uneven steps." Because they were attached, Christine was concerned what would happen if the inebriated, husky Chaney fell. She was very relieved when the director stopped the shoot and replaced Chaney with a stand-in.
- GaffesThe previous installment, Le fantôme de la momie (1944), ended with Kharis and Ananka sinking into a marshy swamp in Massachusetts. Approximately 25 years later, while draining a swampy Louisiana bayou, Kharis and Ananka are freed from their muddy tomb, allowing Kharis to resume his reign of terror among the bayou dwelling Cajuns. It is never explained how the swamp, containing the Mummies, was moved from Massachusetts to Louisiana over the passing years.
- ConnexionsEdited from La Momie (1932)
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Détails
- Durée1 heure
- Couleur
- Rapport de forme
- 1.37 : 1
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