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La madone aux deux visages

Titre original : Madonna of the Seven Moons
  • 1945
  • Tous publics
  • 1h 50min
NOTE IMDb
6,2/10
672
MA NOTE
Stewart Granger, Phyllis Calvert, and Patricia Roc in La madone aux deux visages (1945)
DramaMystery

Ajouter une intrigue dans votre langueA respectable, convent-raised woman is haunted by the memory of being raped as a teenager. But when her grown daughter returns from school, her life begins to unravel in monumentally surpris... Tout lireA respectable, convent-raised woman is haunted by the memory of being raped as a teenager. But when her grown daughter returns from school, her life begins to unravel in monumentally surprising ways.A respectable, convent-raised woman is haunted by the memory of being raped as a teenager. But when her grown daughter returns from school, her life begins to unravel in monumentally surprising ways.

  • Réalisation
    • Arthur Crabtree
  • Scénario
    • Roland Pertwee
    • Margery Lawrence
  • Casting principal
    • Phyllis Calvert
    • Stewart Granger
    • Patricia Roc
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    672
    MA NOTE
    • Réalisation
      • Arthur Crabtree
    • Scénario
      • Roland Pertwee
      • Margery Lawrence
    • Casting principal
      • Phyllis Calvert
      • Stewart Granger
      • Patricia Roc
    • 18avis d'utilisateurs
    • 15avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos28

    Voir l'affiche
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    + 24
    Voir l'affiche

    Rôles principaux21

    Modifier
    Phyllis Calvert
    Phyllis Calvert
    • Maddalena Labardi
    Stewart Granger
    Stewart Granger
    • Nino Barucci
    Patricia Roc
    Patricia Roc
    • Angela Labardi
    Peter Glenville
    Peter Glenville
    • Sandro Barucci
    John Stuart
    John Stuart
    • Guiseppe Labardi
    Reginald Tate
    Reginald Tate
    • Dr. Charles Ackroyd
    Peter Murray-Hill
    Peter Murray-Hill
    • Jimmy Logan
    • (as Peter Murray Hill)
    Dulcie Gray
    Dulcie Gray
    • Nesta Logan
    Alan Haines
    • Evelyn
    Hilda Bayley
    • Mrs. Fiske
    Evelyn Darvell
    • Millie
    Nancy Price
    Nancy Price
    • Mama Barucci
    Jean Kent
    Jean Kent
    • Vittoria
    Amy Veness
    Amy Veness
    • Tessa
    Robert Speaight
    • Priest
    Eliot Makeham
    Eliot Makeham
    • Bossi
    Danny Green
    Danny Green
    • Scorpi
    Helen Haye
    Helen Haye
    • Mother Superior
    • Réalisation
      • Arthur Crabtree
    • Scénario
      • Roland Pertwee
      • Margery Lawrence
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    6,2672
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    10

    Avis à la une

    9BrentCarleton

    Gainsborough at its best.

    This is arguably one of Gainsborough's best films ever, and as important in its own way, as "Brief Encounter." Gainsborough is sometimes criticized as a purveyor of "high toned" tosh for shop girls, yet no one did what they excelled in as well.

    And "Madonna of the Seven Moons" excels in all departments. If some of its scenes and dialogue seem to beg a Carol Burnett parody, the film nonetheless grabs you from the first moment and doesn't let go till "The End."

    Just try looking away!

    The story: A convent bred schoolgirl is molested by a peasant, leading to dramatic repercussions in her later married life that impact both her husband and daughter.

    And what a slick, juicy cinematic feast it is--with all the trimmings: psychiatry, nervous breakdowns, rebellious teen-age daughters, rhumba bands, dens of iniquity, fashion shows, Stewart Granger in gypsy pancake, male suiters and gigolos seemingly recruited from a "Brideshead Revisited" casting call, and all set against lavish settings from England to Italy (the art direction is A-1).

    With such breadth of scope, mood, and tone, one would not be remotely surprised to see both Todd Slaughter and Olivier show up in the same scene, even though they don't.

    The religious beginning and closing, with a genuinely touching depiction of Extreme Unction are deeply affecting.

    It's also nice to see British stage great Reginald Tate in a rare screen performance.

    Sin, redeem and save never had it so good! Highly recommended.
    csatorsky

    unintentionally hilarious

    I saw this movie when it first came out and have yet to figure out why it was such a popular success. Its surely one of the silliest movies ever made with a a cast of English actors in operatic style Gypsy get-up -

    seems everyone wore jangly earing's and swaggered around while Phyllis Calvert (God rest her) one of the most English of actresses portrayed an Italian girl possessed by wayward uncontrollable passions (usually portrayed in those days by the luscious Gina Lollobrigida) Its really a trip through the costume wardrobe of an Italian opera. See it strictly for laughs. It would have only needed the Ritz brothers to appear half way though to get the whole thing together
    7richardchatten

    Guilty Gainsborough Pleasure

    The ego to the id of 'Brief Encounter', this rollicking nonsense described by the Robsons as "typical Italian schizophrenic rubbish" made the hearts of British women race when it originally hit cinemas eighty years today during the final winter of the war.

    They thrilled to the exploits of respectable middle class housewife Phyllis Calvert and her wanton alter ego as a curly haired hussy regularly bursting into song and flashing her heels in a succession of low dives to the accompaniment of a gypsy guitar; although it later prompted Stewart Granger to lament "Oh dear, I should never have signed that contract" as in the words of the late David Shipman the film "gets dafter and dafter".

    Wonderful!!
    4bkoganbing

    Gypsies, thieves and diplomats

    In Madonna Of The Seven Moons, young Phyllis Calvert fresh out of the convent is going through the woods and is raped. She got no traditional counseling as we would today so it's messed her head up good.

    She's now some 25 years later married to Reginald Tate and has a daughter Patricia Roc. But during the period of the marriage she's taken her own sabbaticals from the marriage and gone and shacked up with gypsy Stewart Granger who heads a gang of thieves. Each time she's welcomed back to the family no questions asked.

    Now she's gone and done it again and this time her British diplomat hubby and daughter are searching for her. She's back at her old haunts.

    This is one weird and strange film and me just going this far with the plot should tell you as much. The cast can't make much out of this hash of a story though they do their best.
    10manager-5

    An old feel good kind of movie that I enjoyed a lot.

    I enjoyed this movies more than some of the stuff turning up on our screens today. While some of the acting wasn't brilliant the story line was excellent and the characters were interesting, if not over the top sometimes.

    Phyllis Calvert played the the lead very well. Extremely well spoken, something you don't find in movies of late.

    Worth a look...

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Despite playing mother and daughter, Phyllis Calvert and Patricia Roc were the same age in real life.
    • Gaffes
      When Tessa (Amy Veness) answers the door to Doctor Ackroyd (Reginald Tate), she takes his hat and gloves. She drops the gloves and spots that she's done so, but carries on with the scene.
    • Citations

      Maddalena: Love like ours can't be measured by time...

    • Connexions
      Referenced in The Golden Gong (1985)
    • Bandes originales
      Rosanna
      (uncredited)

      Music by Hans May

      Lyrics by Sonny Miller

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    FAQ

    • How long is Madonna of the Seven Moons?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 janvier 1947 (France)
    • Pays d’origine
      • Royaume-Uni
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Madonna of the Seven Moons
    • Lieux de tournage
      • Gainsborough Studios, Islington, Londres, Angleterre, Royaume-Uni(studio: made at The Gainsborough Studios, London)
    • Société de production
      • Gainsborough Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 50 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    Stewart Granger, Phyllis Calvert, and Patricia Roc in La madone aux deux visages (1945)
    Lacune principale
    By what name was La madone aux deux visages (1945) officially released in India in English?
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