Ajouter une intrigue dans votre langueCreated under the guidance of jazz impresario and Verve Records founder Norman Granz, this short captures the spontaneity of a jam session and is one of few film records of black jazzers of ... Tout lireCreated under the guidance of jazz impresario and Verve Records founder Norman Granz, this short captures the spontaneity of a jam session and is one of few film records of black jazzers of the day including tenor sax legend Lester Young.Created under the guidance of jazz impresario and Verve Records founder Norman Granz, this short captures the spontaneity of a jam session and is one of few film records of black jazzers of the day including tenor sax legend Lester Young.
- Nommé pour 1 Oscar
- 1 victoire et 1 nomination au total
George 'Red' Callender
- Self - on Bass
- (as Red Callender)
Jo Jones
- Self - on Drums
- (as Joe Jones)
Garland Finney
- Self
- (non crédité)
Knox Manning
- Narrator
- (non crédité)
Avis à la une
10wglenn
Maybe the greatest film ever about jazz.
It IS jazz.
The opening shot continues to haunt my reverie.
Lester, of course, is wonderful and out of this world.
Jo Jones is always a delight (see The Sound of Jazz as well).
If you can, find the music; it's available on CD.
All lovers of jazz and film noir should study this tremendous jewel.
What shadows and light - what music - what a hat!
It IS jazz.
The opening shot continues to haunt my reverie.
Lester, of course, is wonderful and out of this world.
Jo Jones is always a delight (see The Sound of Jazz as well).
If you can, find the music; it's available on CD.
All lovers of jazz and film noir should study this tremendous jewel.
What shadows and light - what music - what a hat!
Wow, it is hard to believe this film was made in 1944. If it were released today, sixty years later, it would still be regarded as stylish and avant-garde. I caught this on a cable channel in the US called Turner Classic Movies (TCM). It was the lead off short in a series of musical shorts compiled to form a two or three hour special. I cannot stress how ahead of it's time this film was. The photography was very clever, such as using Lester Young's hat as a indefinable symbol in the opening shot, pulling back as Lester raises his head revealing his face. A "jam" session opens the short, Marie Bryant sings "On the Sunny Side of the Street" with velvety perfection, then another number which features jitterbug dancers. A good film to show today's artists that clever ideas didn't begin with their generation.
Good news for Jazz fans, I understand Rhino has released a compilation titled Hollywood Swing & Jazz' comprised of numbers from these old musical shorts, which features, among others, the Marie Bryant number from this film.
Good news for Jazz fans, I understand Rhino has released a compilation titled Hollywood Swing & Jazz' comprised of numbers from these old musical shorts, which features, among others, the Marie Bryant number from this film.
10llltdesq
This short was nominated for an Academy Award and I wish it had won! Basically a filmed jam session between some very talented musicians, including Lester Young and Joe Jones, the music is incredible! Hollywood quite often embraced Jazz (particularly animation, believe it or not) but this is a rare look on film at an improvisational jam. This has been added to the Film Preservation list and deservedly so. TCM runs this as filler periodically and runs it every March sometime for its' "31 Days of Oscar" tribute. From downtown at the buzzer, swish, nothing but net and the shot's so smooth, the net barely moved. Most solidly and highly recommended!!!
Simply but imaginatively filmed studio-set performance short, a perfect match of music and images that defines the very coolness of cool and the hipness of hip. The precise visual and musical arrangements give the lie to its claim to be a record of a jam session: what it is, is a pop video - every bit as stylised and knowing as that implies, and all the better for it. Among the very best music films ever made, and almost certainly the most cinematic. These cats are solid gone, daddy-o ...
Jammin' the Blues (1944)
*** (out of 4)
Jam session with some of the top Jazz musicians of the time including Barney Kessel, Lester Young, George Callender and Harry Edison. If you're a fan of Jazz then you'll really enjoy this short, which features some really funky sounds as well as a great song by Marie Bryant. It's a shame this only ran 11-minutes because it could have easily been expanded. A funny sidenote and a bit of reverse is that Barney Kessel is the only white person playing in the band. The director kept him in the shadows to hide the fact that he was white and also put berry juice on his hands.
*** (out of 4)
Jam session with some of the top Jazz musicians of the time including Barney Kessel, Lester Young, George Callender and Harry Edison. If you're a fan of Jazz then you'll really enjoy this short, which features some really funky sounds as well as a great song by Marie Bryant. It's a shame this only ran 11-minutes because it could have easily been expanded. A funny sidenote and a bit of reverse is that Barney Kessel is the only white person playing in the band. The director kept him in the shadows to hide the fact that he was white and also put berry juice on his hands.
Le saviez-vous
- AnecdotesReportedly, during the filming of this short, Bette Davis and Humphrey Bogart paid a visit to the set and observed filming (hearing that something great was happening). According to one musician, Bogart came up to him and said, "Are you getting paid good money for this? If you aren't, you should strike!"
- ConnexionsFeatured in Added Attractions: The Hollywood Shorts Story (2002)
- Bandes originalesMidnight Symphony
(uncredited)
Written by Lester Young
Performed by Lester Young, George 'Red' Callender, Harry Edison, Marlowe Morris, and Sidney Catlett
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Détails
- Durée10 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Jammin' the Blues (1944) officially released in Canada in English?
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