In Our Time

Ida Lupino and Paul Henreid both were very good actors, but very often they were either cast as either supporting actors or starred in smaller and less prestigious films. Here, however, Warner Brothers put both of them in a top film and gave them both a chance to shine--and they were more than up to the task. In particular, Lupino was lovely. Her performance was strong but also with a lot of style--she really was in her element here.

The film begins in the mid-late 1930s in Poland. Ida and her boss (Mary Boland) are visiting the country to buy antiques to take back to Boland's business in England. Shortly after the story begins, a local nobleman (Henreid) meets Lupino and is obviously smitten with her. When he asks her to marry him, there is a bit of a scandal within the family--after all, she is just a commoner. This romance and its repercussions make up the first 2/3 of the film.

At the same time, there are small hints here and there about the upcoming invasion of Poland by the Nazis--something with which audiences of 1944 would have been well acquainted. Eventually, the Nazi hoards invade and Henreid is called to active duty and the inevitable conquest begins.

Overall, there is a lot to like about this film. As I said above, the acting is very, very good. Plus, Henreid and Lupino are ably assisted by various supporting actors that also rise to the occasion. The direction and cinematography are also first-rate. These factors, combined with a good story, make for a very good film--a propaganda film with greater depth than usual and which is still very watchable today.

Vincent Sherman's "In Our Time" tries to do for Poland what "Mrs. Miniver" did for England: raise American awareness to the plight of a European nation besieged by the Nazis. Unfortunately, the film wanders all over the hack-writing map from romance to propaganda to social issues and loses its focus early on. Even the style of the film shifts from intimate drama to semi-documentary with voice-over narration to stirring morale booster complete with back-lit clouds and beams of inspirational light. Despite the varied styles, the movie seems to linger on far too long despite a running time of less than two hours. By the time that the requisite patriotic speech has been made, the music has risen to stirring proportions, and the march towards the sunset has begun, many viewers may already have tuned out.

The unconvincing story begins in an antique shop where Ida Lupino, the young companion of Mary Boland, an English antiques buyer, meets Paul Henreid, a Polish nobleman. Only those who have never seen a Hollywood film from the Golden Age will be surprised by the Romeo-and-Juliet romance that develops or by the obstacles that stand between the couple and eternal bliss. Class-conscious family, impending war, and stubborn peasants are only some of the roadblocks to those inspirational beams that beckon on the horizon.

Unfortunately, some first-class talent has been lavished on this less-than-classic film. Ida Lupino is the shy companion to an overbearing employer. Within two hours, she blossoms into an assertive woman who fully supports and inspires her husband in his idealistic pursuits. Paul Henreid, whose seductive eyes and voice won Bette Davis and Ingrid Bergman, works his magic on Lupino. Like his role in "Casablanca," Henreid's character is caught up in patriotic fervor and self-sacrifice. Both leads are excellent although they cannot overcome the messy script. Silent film star Alla Nazimova offers especially fine support as Henreid's aristocratic mother. However, while the cast often rises above the writing, "In Our Time" remains dated in its message. Considering what Poland endured under Communism after World War II, many of the film's inspirational lines about fighting for the future ring with irony. Despite the length, lapses, and inconsistencies, Lupino, Henreid, and Nazimova make "In Our Time" worth a viewing, but the film is hardly a repeatable experience.

In Our Time English girl Ida Lupino goes traveling with a somewhat subdued Mary Boland and meets up with a real honest to goodness count played by Paul Henreid. It's a romance that develops between them and she becomes a countess.

Henreid is the kind of guy rich girls married back in the day for the title. He has an estate that's tied up in debt. They have to modernize or go broke. But with war clouds on the horizon will they have a chance?

This film is a tribute to the resistance of the Polish people in much the same way Edge Of Darkness is to the Norwegians. It came to the attention of the House Un-American Activities Committee and its writer Hpward Koch made the blacklist.

When Ida Lupino talks about having the estate peasants share in the harvest and maybe bringing in tractors she runs into some bad reaction from Victor Francen the old mastodon head of the family. God made him an aristocrat and them peasants and as an aristorat he's entitled to the perks therein. All this talk about sharing and brotherhood got the HUAC investigators attention.

In the end there's a note of optimism as this film came out in 1944 and the tide of war had turned and the audience who saw In Our Time knew it. The collective cast members fates are left to your imagination.

This wartime film still holds up well even today as recent events show fasciam is very much alive in this world and in places Americans did not contemplate in 1944.

Ida Lupino gave an outstanding performance as Jennifer Whittredge who is a young British lady who is a companion for a rich lady who loves to eat candy all day long and looks like it. Jennifer visits Poland in 1939 with her employer and go to visit various antique shops in order to bring back items to sell in London. Jennifer meets Paul Henreid, (Count Stephen Orvid) who is from a Royal Family in Poland and immediately is charmed by Jennifer's sweet looks and innocence. Count Stephen is a ladies man and enjoys dating many women, but Jeffinfer catches his eye and then his heart strings and they both fall deeply in love. This royal family become very upset when Stephen and Jennifer tell them they are going to get married, however these two love birds stand firm against the family and start to change their old ways and customs. Hitler is starting his war campaign in 1939 and double talks the Polish Government to believe he will sign a pack of peace with the Polish nation and then attacks their country and burns Warsaw to the ground. This is when the story gets interesting and it shows how the Polish nation fights back against the Nazi Dictator. Great film, great acting and Lupino and Henreid gave outstanding performances and a very good story.

"In Our Time" from 1944 is a propaganda movie set in Poland starring Paul Henried, Ida Lupino, Nazimova, Nancy Coleman, Victor Francen, and Michael Chekhov, and directed by Vincent Sherman.

The script, by Ellis St. Joseph and Howard Koch, is reminiscent in some ways to Rebecca and to Gone with the Wind. Jennifer Whittridge (Lupino) is traveling as a secretary to an antique dealer (Mary Boland) in Poland in 1939 when she meets Count Stephen Orvid (Henried). Henried mistakenly believes Jennifer is good for a quick fling, but he realizes soon enough that's not the case. As Jennifer's trip draws to an end, he proposes, and she accepts though his aristocratic family objects. In order to live independently of his uncle (Victor Franzen), Stephen and Jenny employ modern techniques on the farm and incentivize the peasants by giving them a share of the harvest. Then the war comes to Poland.

There are good performances by everyone involved. The film moves slowly but one feels the tension of the approaching war. Some of that tension may be due to the viewer knowing that Poland was in for one miserable time not only during the war, but after under Communism.

Paul Henried had his real heyday during WWII since the usual leading men were off fighting the war; Ida Lupino, since she was at Warners, always wound up with Bette Davis' handoffs and later distinguished herself on television and as a director. She and Henried make you care about the characters.

It's odd to have a film set in Poland, odder still that Poland's radio announcements were in English. Eastern Europe's WWII story is a tragic one, and it wasn't shown in film all that often.