NOTE IMDb
6,7/10
7,5 k
MA NOTE
Ajouter une intrigue dans votre langueThe young, friendless daughter of Oliver and Alice Reed befriends her father's dead first wife and an aging, reclusive actress.The young, friendless daughter of Oliver and Alice Reed befriends her father's dead first wife and an aging, reclusive actress.The young, friendless daughter of Oliver and Alice Reed befriends her father's dead first wife and an aging, reclusive actress.
- Récompenses
- 1 victoire et 2 nominations au total
Charles Bates
- Jack
- (non crédité)
Linda Bieber
- Little Girl
- (non crédité)
Joel Davis
- Donald Miller
- (non crédité)
Joan Delmer
- Little Girl
- (non crédité)
Gloria Donovan
- Little Girl
- (non crédité)
Edmund Glover
- Card Playing Guest
- (non crédité)
Nita Hunter
- Lois Huggins
- (non crédité)
Delos Jewkes
- Caroler
- (non crédité)
Sarah Selby
- Miss Plumett - Caroler
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe theme within the film, a child believed to be on the verge of insanity because she lives in a fantasy world, was personal to producer Val Lewton who behaved in a similar way as a child. His wife has said that she felt he never truly entered the real world as an adult.
- GaffesThe photograph Amy finds in the drawer is seen in closeup to be a portrait of Irena. In long shots, however, it looks more like a wedding picture with one person in white and another in black standing side-by-side.
- Citations
Ghost of Irena: I come from great darkness and deep peace.
- Versions alternativesAlso available in a computer colorized version.
- ConnexionsFeatured in Film Review: Robert Wise (1967)
Commentaire à la une
Lewton's sequel to the almighty "Cat People" is a mesmerizing and elegant fantasy, but it is by no means a horror film. It's a touching drama and a perceptive social portrait that makes a great study on loneliness and creating an alternate dreamworld. In this case: a young girl that hasn't got much contact with her classmates because of her constant daydreaming and often alarms her parents due to her isolated position. Amy eventually finds true friendship in the supernatural form of Irena, the deceased first wife of her father. Although entirely different in purpose and message, "Curse of the Cat People" actually has a lot more in common with its predecessor than it looks. Three essential characters return and their personalities haven't changed. Irena (played by the goddess Simone Simon) is still a warm-hearted but frigid woman and Ollie is still a loving man incapable of handling the supernatural events around him. Basically, this sequel is quite a unique achievement in cinema as it forms a solid wholesome with the first, despite implementing an entirely different tone. There are some genuine moments of fear, but these are the result of a terrific sub-plot in which an elderly Mrs. Farren (Amy's neighbor) accuses her daughter Barbara of being an impostor and a replacement for her real daughter who died in an accident. The film is beautiful to look at, with a stunning photography and excellent sets. The end-sequence (involving an imaginary metamorphosis) is breath-taking and one of the most enchanting moments in cinema history. The acting performances are flawless and the crush I had on Simone Simon only got intenser! Robert Wise does a terrific directing job (his debut) along with the unknown Gunther Von Fritsch. Wise continued working for Val Lewton one year later with the effectively creepy "The Body Snatcher". I will probably always prefer the original "Cat People" simply because that is one of the most impressive and intelligent stories ever but this imaginative sequel is almost as brilliant. Highly recommended.
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Détails
Box-office
- Budget
- 150 000 $US (estimé)
- Montant brut mondial
- 300 $US
- Durée1 heure 10 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was La Malédiction des hommes-chats (1944) officially released in India in English?
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