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5,2/10
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Ajouter une intrigue dans votre langueSuperhero Captain America battles the evil forces of the archvillain called The Scarab, who poisons his enemies and steals a secret device capable of destroying buildings by sound vibrations... Tout lireSuperhero Captain America battles the evil forces of the archvillain called The Scarab, who poisons his enemies and steals a secret device capable of destroying buildings by sound vibrations.Superhero Captain America battles the evil forces of the archvillain called The Scarab, who poisons his enemies and steals a secret device capable of destroying buildings by sound vibrations.
- Réalisation
- Scénario
- Casting principal
Sam Ash
- Florist #2 [Ch. 1]
- (non crédité)
Avis à la une
This serial has nothing to do with the original comic book Captain America but is still entertaining. Some people considered the star, Dick Purcell, to be pudgy but this is simply not so. He just had a more realistic body type than a male growth hormone guzzling freak like Sylvester Stallone. The men of Dick Purcell's era had survived the Great Depression and when they were hungry they ate meat and potatoes. Go take a look at your own gut sometime! Overall, Purcell made a pretty good serial hero, tough enough to do the job convincingly, a reasonably good actor, not wearing his angst and self doubt on his shirt sleeve like some modern sissy boy hero. While not as great as Buster Crabbe or Tom Tyler, he was better than Kirk Alyn (sorry, Kirk).
This serial has lots of excellent fight scenes and great cliff hangers. Also, there is a sequence where Captain America rides the Republic motorcycle, which was also seen in 'Spy Smasher.' The villain, Lionel Atwill, is probably one of the best serial villains, perhaps even better than Charles Middleton as Emperor Ming. Perhaps it would have been wiser to do this in the usual 12 chapters, as opposed to 15, but then again, if I minded wasting my time, why would I watch these old serials? Overall, this is a pretty good serial, and as such it has a higher value for escapist fun than most modern super-heroic cinema. One significant criticism I will make, however, is the inexplicable exclusion of all references to WWII. When it's WWII out there, and you have Captain America, a character created to fight WWII, yet the story has nothing to do with WWII, well, that is an awfully big elephant in the room. It would be akin, say, to a nation that spends $200 million a day for 10 years on a war, with the public having no reliable knowledge of the causes, progress, or effects of the war.
This serial has lots of excellent fight scenes and great cliff hangers. Also, there is a sequence where Captain America rides the Republic motorcycle, which was also seen in 'Spy Smasher.' The villain, Lionel Atwill, is probably one of the best serial villains, perhaps even better than Charles Middleton as Emperor Ming. Perhaps it would have been wiser to do this in the usual 12 chapters, as opposed to 15, but then again, if I minded wasting my time, why would I watch these old serials? Overall, this is a pretty good serial, and as such it has a higher value for escapist fun than most modern super-heroic cinema. One significant criticism I will make, however, is the inexplicable exclusion of all references to WWII. When it's WWII out there, and you have Captain America, a character created to fight WWII, yet the story has nothing to do with WWII, well, that is an awfully big elephant in the room. It would be akin, say, to a nation that spends $200 million a day for 10 years on a war, with the public having no reliable knowledge of the causes, progress, or effects of the war.
In the words of the Oldsmobile commercials, "This is not your father's Captain America!" (well, at least my father). Shield-slinging, two-fisted Super Soldier battling Nazis? Nope, this is a pudgy DA battling ordinary criminals, with a revolver!
First off, let me preface this by saying there is a big difference between watching a serial in weekly installments and watching the whole thing on video. The repetition was necessary to recap the previous week's chapter. On video, it gets tiresome by the third chapter. Still, that's what the fast-forward button is for.
Poor Cap! He never got a break in 50 years. He's an orphan, 4F, Bucky is killed by Baron Zemo, the Red Skull just wont die, Nixon, Rob Liefeld, and September 11! On top of it all, he has never been done justice on the silver screen or the tv screen. Captain America should have been great; you have two-fisted action, that cool shield, Nazis, the Red Skull, and a great costume. So where is all of that in the film? The fights are there, but the rest of the package is missing. And these fights don't measure up to those in Spy Smasher, Masked Marvel, or the Adventures of Captain Marvel.
Republic's adaptation of comic book heroes were vastly superior to Columbia's, but this one just doesn't quite work. There's no hook to pull you into it. Still, it's better than "theatrical" effort, nearly 50 years later.
First off, let me preface this by saying there is a big difference between watching a serial in weekly installments and watching the whole thing on video. The repetition was necessary to recap the previous week's chapter. On video, it gets tiresome by the third chapter. Still, that's what the fast-forward button is for.
Poor Cap! He never got a break in 50 years. He's an orphan, 4F, Bucky is killed by Baron Zemo, the Red Skull just wont die, Nixon, Rob Liefeld, and September 11! On top of it all, he has never been done justice on the silver screen or the tv screen. Captain America should have been great; you have two-fisted action, that cool shield, Nazis, the Red Skull, and a great costume. So where is all of that in the film? The fights are there, but the rest of the package is missing. And these fights don't measure up to those in Spy Smasher, Masked Marvel, or the Adventures of Captain Marvel.
Republic's adaptation of comic book heroes were vastly superior to Columbia's, but this one just doesn't quite work. There's no hook to pull you into it. Still, it's better than "theatrical" effort, nearly 50 years later.
This serial isn't exactly what fans of the Captain America comic book character might expect. Here's the "bad" news: The hero in this serial isn't the same Captain America as in the comic books. This hero is called Captain America and wears a costume close to the one in the comics, but that's where the similarities end. This guy isn't Steve Rogers. He doesn't have a special shield and instead he just uses a gun!
Now here's the good news: This isn't bad! There's plenty of fun stuff in this one for serial fans. Some have commented on Dick Purcell's "pudgy" physique, but he still makes a fine 1940's serial hero whose quick on the trigger. I wouldn't mess with the guy. Purcell's Captain America is far more lethal than his comic book counterpart and he has no problem pulling a gun and sending his enemies to their graves. Purcell's Captain is one deadly superhero. His Captain America kills four different guys in just the first 15 minutes of the serial! The Captain's gal pal Gail Richards (who is very cute) also packs a pistol and knows how to use it!
The silly: There are always silly elements of comic book movies and my favorite bit of silliness in this serial is "the vibrator". The bad guys really want to get their hands on a brilliant scientist's "vibrator". At one point the scientists actually asks the chief villain "What do you know about my vibrator?"!LOL!
The verdict: Captain America is an extremely entertaining serial with plenty of enjoyable moments. This Captain America is a different guy from the comic version, but he's more of a straight shooting vigilante and I liked Purcell's Captain's style. This is fun stuff! It's a blast of entertaining escapism and I enjoyed every second of it. Captain America isn't the best serial you'll ever see, but that's part of it's charm. I give Captain America an A+ for being topnotch fun.
Now here's the good news: This isn't bad! There's plenty of fun stuff in this one for serial fans. Some have commented on Dick Purcell's "pudgy" physique, but he still makes a fine 1940's serial hero whose quick on the trigger. I wouldn't mess with the guy. Purcell's Captain America is far more lethal than his comic book counterpart and he has no problem pulling a gun and sending his enemies to their graves. Purcell's Captain is one deadly superhero. His Captain America kills four different guys in just the first 15 minutes of the serial! The Captain's gal pal Gail Richards (who is very cute) also packs a pistol and knows how to use it!
The silly: There are always silly elements of comic book movies and my favorite bit of silliness in this serial is "the vibrator". The bad guys really want to get their hands on a brilliant scientist's "vibrator". At one point the scientists actually asks the chief villain "What do you know about my vibrator?"!LOL!
The verdict: Captain America is an extremely entertaining serial with plenty of enjoyable moments. This Captain America is a different guy from the comic version, but he's more of a straight shooting vigilante and I liked Purcell's Captain's style. This is fun stuff! It's a blast of entertaining escapism and I enjoyed every second of it. Captain America isn't the best serial you'll ever see, but that's part of it's charm. I give Captain America an A+ for being topnotch fun.
A crime wave is underway in the city, all masterminded by the Scarab, a sinister genius who is actually respected citizen Dr. Cyrus Maldor (Lionel Atwill). District attorney Grant Gardner (Dick Purcell) is determined to stop this rash of murders and robberies, and if he can't do it in the courtroom, he'll do it in costume as Captain America, a two-fisted crime fighter. He's helped by reporter girlfriend Gail Richards (Lorna Gray), and he'll need all the help he can get to stop the Scarab and his array of fantastic weapons.
I have to wonder why Republic licensed the Captain America comic book character if they had no intention of having the character resemble the print version, except in costume. The comic character was a puny young man named Steve Rogers who was eager to join the army to fight in WW2, but he was deemed physically unfit for duty. He volunteers for an experiment which turns him into the perfect human specimen, with strength, speed, agility and endurance at near superhuman levels. He's also outfitted with a shield made from an indestructible alloy, and he takes off for the war front, where he battles the Axis powers. Unfortunately, Republic changes the character into a lawyer with a different name and a bit of a paunch, no shield, no experimental super-fitness, only a revolver that he has no compunction about frequently using. Oh, and bizarrely enough, no Nazis or other Axis enemies to fight, only homegrown crooks.
Purcell is the central weakness of this serial. As I mentioned, he's not in good shape, and he has no screen charisma either in or out of his costume. He actually died the week after filming was complete, with the cause attributed to overexertion while filming this. There is a lot of action, even for a serial, with several car chases, jumping and falling stunts, and dozens of fistfights and shoot-outs. I think they throw about 7 dummies off of high places, and use a crate of explosives to simulate grenade attacks or gunpowder explosions. Our hero Captain America is not above killing his foes, either, shooting several, throwing a few out of skyscraper windows, or forcing them off the side of a cliff during a high-speed chase.
Lionel Atwill is fun as the villain, whose secret identity is never secret from the audience, only from the film's good guys. He utilizes various high-tech devices, including a resurrection machine and a lightning generator. My favorite though, and a source of much unintentional hilarity early on, is an earthquake machine that its inventor refers to as his "giant vibra-tor". When Atwill demands the plans, the inventor swears that "you'll never get your hands on my vibra-tor!". Later, when a test of the device is planned, Gray's reporter character arrives with big eyes and a smile, declaring, "I can't wait to see a demonstration of your vibra-tor!" Indeed.
I have to wonder why Republic licensed the Captain America comic book character if they had no intention of having the character resemble the print version, except in costume. The comic character was a puny young man named Steve Rogers who was eager to join the army to fight in WW2, but he was deemed physically unfit for duty. He volunteers for an experiment which turns him into the perfect human specimen, with strength, speed, agility and endurance at near superhuman levels. He's also outfitted with a shield made from an indestructible alloy, and he takes off for the war front, where he battles the Axis powers. Unfortunately, Republic changes the character into a lawyer with a different name and a bit of a paunch, no shield, no experimental super-fitness, only a revolver that he has no compunction about frequently using. Oh, and bizarrely enough, no Nazis or other Axis enemies to fight, only homegrown crooks.
Purcell is the central weakness of this serial. As I mentioned, he's not in good shape, and he has no screen charisma either in or out of his costume. He actually died the week after filming was complete, with the cause attributed to overexertion while filming this. There is a lot of action, even for a serial, with several car chases, jumping and falling stunts, and dozens of fistfights and shoot-outs. I think they throw about 7 dummies off of high places, and use a crate of explosives to simulate grenade attacks or gunpowder explosions. Our hero Captain America is not above killing his foes, either, shooting several, throwing a few out of skyscraper windows, or forcing them off the side of a cliff during a high-speed chase.
Lionel Atwill is fun as the villain, whose secret identity is never secret from the audience, only from the film's good guys. He utilizes various high-tech devices, including a resurrection machine and a lightning generator. My favorite though, and a source of much unintentional hilarity early on, is an earthquake machine that its inventor refers to as his "giant vibra-tor". When Atwill demands the plans, the inventor swears that "you'll never get your hands on my vibra-tor!". Later, when a test of the device is planned, Gray's reporter character arrives with big eyes and a smile, declaring, "I can't wait to see a demonstration of your vibra-tor!" Indeed.
There have been countless film adaptations of comic strip, comic book and pulp magazine adventures. This has been true for the last 60 years or so. Hence, we have seen FLASH GORDON,BUCK ROGERS,TIM TYLER'S LUCK, JUNGLE JIM,THE SHADOW,THE SPIDER,SUPERMAN,CAPTAIN MARVEL,BATMAN and even such minor leaguers as CONGO BILL,TEX GRANGER and THE VIGILANTE (among many others)were seen on the silver screen matinée bill.
In the 30's,40's and 50's most of these were not produced as feature films, but rather in the form of the serial, AKA the chapter-play or cliffhanger. This was before the arrival of Television as the dominant media. All of the studios involved in sound serials at the time (Republic, Universal and Columbia)acquired rights to do some of these features as part of their serial output.
In 1944 Republic brought us the adventures of CAPTAIN America. One can only imagine that the juvenile audience of that time were highly excited in the expectation of CAPTAIN America being on the screen, as well in comic books published by Timley Publications (later known as Atlas and still later Marvel Comics).
Indeed, CAPTAIN America was the first Timley/Atlas/Marvel feature to be so adapted, but what happened? We all knew that C.A. was in reality Army Private Steve Rogers, a former 4F recruit who was transformed into a man of great physical power and physique (tho not super powered).Steve Rogers was to be the proto type, the first of an army of former 4F's. He had been a sort of human guinea pig for a kind of super vitamin injected into him (later accounts said a pill was used), in order to make him into the type of red-blooded fighting man we needed for World War II. (Did this foreshadow the emergence of anabolic steroids two decades later?) He wore a colorful costume, based on the American Flag. He had a juvenile assistant,"Bucky" (Bucky Barnes),who was much like Batman's Robin. He sported a shield, which functioned as a sort of giant boomerang-like weapon, as well as affording protection against enemy fire power.
He fought the Axis agents, 5th Column Sabateurs and soldiers from Nazi Germany,Fascist Italy and Imperial Japan. He actually existed because of WWII, and other than the familiar figure of Uncle Sam on the recruiting posters or maybe Lady Columbia, no symbol was more representative of the USA than Captain America.
So, what of the serial from Republic? Other than the title, there is very little in common with the comic page version. His identity in the film is District Attorney Grant Gardner. He has no connection to the military.He had no Bucky, no wings on cowl and a plain .38 caliber pistol instead of the multi-purpose shield. For that matter, you'd think that there was no war going on in this story line.
This might have been okay as a serial if it was made in the pre-war years. It really should have been given a different title.
In the 30's,40's and 50's most of these were not produced as feature films, but rather in the form of the serial, AKA the chapter-play or cliffhanger. This was before the arrival of Television as the dominant media. All of the studios involved in sound serials at the time (Republic, Universal and Columbia)acquired rights to do some of these features as part of their serial output.
In 1944 Republic brought us the adventures of CAPTAIN America. One can only imagine that the juvenile audience of that time were highly excited in the expectation of CAPTAIN America being on the screen, as well in comic books published by Timley Publications (later known as Atlas and still later Marvel Comics).
Indeed, CAPTAIN America was the first Timley/Atlas/Marvel feature to be so adapted, but what happened? We all knew that C.A. was in reality Army Private Steve Rogers, a former 4F recruit who was transformed into a man of great physical power and physique (tho not super powered).Steve Rogers was to be the proto type, the first of an army of former 4F's. He had been a sort of human guinea pig for a kind of super vitamin injected into him (later accounts said a pill was used), in order to make him into the type of red-blooded fighting man we needed for World War II. (Did this foreshadow the emergence of anabolic steroids two decades later?) He wore a colorful costume, based on the American Flag. He had a juvenile assistant,"Bucky" (Bucky Barnes),who was much like Batman's Robin. He sported a shield, which functioned as a sort of giant boomerang-like weapon, as well as affording protection against enemy fire power.
He fought the Axis agents, 5th Column Sabateurs and soldiers from Nazi Germany,Fascist Italy and Imperial Japan. He actually existed because of WWII, and other than the familiar figure of Uncle Sam on the recruiting posters or maybe Lady Columbia, no symbol was more representative of the USA than Captain America.
So, what of the serial from Republic? Other than the title, there is very little in common with the comic page version. His identity in the film is District Attorney Grant Gardner. He has no connection to the military.He had no Bucky, no wings on cowl and a plain .38 caliber pistol instead of the multi-purpose shield. For that matter, you'd think that there was no war going on in this story line.
This might have been okay as a serial if it was made in the pre-war years. It really should have been given a different title.
Le saviez-vous
- AnecdotesIn Captain America's origin story, a man named Steve Rogers--who is too weak and puny to fight in World War II-is injected with a Super-Soldier Serum and develops an enhanced physique, after which he becomes Captain America and does battle with the agents of Nazi Germany. This back story was rejected by Republic during the making of this serial, as it would have required costly retakes at the time. In the serial, Captain America's real name is Grant Gardner, he is the city's district attorney and his foe is the Scarab, aka Karl Maaldor, played by Lionel Atwill.
- GaffesChapter one: You do not smell an unknown substance with your nose. You gently waft with your hand over the container, then sniff your cupped hand.
- Citations
Prof. Lyman: How did you find out about my vibrator?
- Versions alternativesThe film was originally released in fifteen 15 to 16-minute chapters (Chapter 1 ran 25 minutes), however, it has since been released in an omnibus fashion, running 4 hours and 4 minutes total.
- ConnexionsEdited into J-Men Forever (1979)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Return of Captain America
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 222 906 $US (estimé)
- Durée4 heures 4 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Captain America (1944) officially released in India in English?
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