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Le descendant d'un fantôme emprisonné pour lâcheté espère libérer cet esprit en faisant preuve de courage.Le descendant d'un fantôme emprisonné pour lâcheté espère libérer cet esprit en faisant preuve de courage.Le descendant d'un fantôme emprisonné pour lâcheté espère libérer cet esprit en faisant preuve de courage.
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- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Rags Ragland
- Big Harry
- (as 'Rags' Ragland)
Harry Allen
- Mr. Cawthorne at Party
- (non crédité)
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Charles Laughton who made a career of playing tortured and twisted men goes one better here as Sir Simon de Canterville who haunts stately Canterville Manor until another Canterville performs a heroic deed and frees him from being earthbound.
The first part of the film shows the incident where Sir Simon turns tail and runs from a duel he got involved in. Out of shame and embarrassment, his father bricked him up in a room in the manor and pronounced the aforementioned curse upon him.
Breaking that curse is easier said than done because the cowardice was passed down several generations from Stuart England to World War II.
Enter a platoon of American rangers quartered at the manor house where the current lady of the manor, Margaret O'Brien is like so many in Great Britain in those years, playing host to American GIs. One in that platoon is a distant cousin from America, Robert Young. Will he perform the deed that frees Charles Laughton? Watch the film and find out.
Robert Young and Margaret O'Brien are fine, but it is the multi-talented Mr. Laughton who carries this film. This is a difficult part and only an actor of real talent and skill could carry it off. The comic elements are nicely done, but Laughton also has to project an air of resigned sadness at the fate he's been cursed with. And Mr. Laughton bares the tortured soul of Simon de Canterville for all to see.
This is a story originally written by Oscar Wilde and nicely updated for World War II moviegoers. And it's still a fine piece of film making for today's audience.
The first part of the film shows the incident where Sir Simon turns tail and runs from a duel he got involved in. Out of shame and embarrassment, his father bricked him up in a room in the manor and pronounced the aforementioned curse upon him.
Breaking that curse is easier said than done because the cowardice was passed down several generations from Stuart England to World War II.
Enter a platoon of American rangers quartered at the manor house where the current lady of the manor, Margaret O'Brien is like so many in Great Britain in those years, playing host to American GIs. One in that platoon is a distant cousin from America, Robert Young. Will he perform the deed that frees Charles Laughton? Watch the film and find out.
Robert Young and Margaret O'Brien are fine, but it is the multi-talented Mr. Laughton who carries this film. This is a difficult part and only an actor of real talent and skill could carry it off. The comic elements are nicely done, but Laughton also has to project an air of resigned sadness at the fate he's been cursed with. And Mr. Laughton bares the tortured soul of Simon de Canterville for all to see.
This is a story originally written by Oscar Wilde and nicely updated for World War II moviegoers. And it's still a fine piece of film making for today's audience.
The veteran Charles Laughton and a very young Robert Young team up in this entertaining fantasy about the ghost of Simon de Canterville - condemned to haunt the halls of his family's castle until a descendant performs an act of bravery on his behalf. What's the catch? Simon was condemned by his own father for being a coward, and the Canterville line ever since has been a long line of cowards. (The greatest irony of the movie is that Simon has developed a reputation as the most fearsome ghost in all of England!) Finding a hero among this family won't be easy. Then along comes Cuffy Williams (Young), an American soldier whose platoon is billeted in the castle during the lead-up to D-Day. It turns out that Williams is a very distant descendant of the Cantervilles, and D-Day, of course, will provide the ultimate opportunity to show his bravery and to release Simon from his torment. The question is whether he'll be able to work up the courage to do it!
Laughton and Young offer excellent performances, and the very young Margaret O'Brien (who would have been about 7 when this was made) is convincing as Lady Jessica de Canterville. Some of the scenes as the American soldiers try to chase down the ghost to get a picture of him to prove that he exists to their commanding officer are also quite funny. 8/10
Laughton and Young offer excellent performances, and the very young Margaret O'Brien (who would have been about 7 when this was made) is convincing as Lady Jessica de Canterville. Some of the scenes as the American soldiers try to chase down the ghost to get a picture of him to prove that he exists to their commanding officer are also quite funny. 8/10
Peter Lawford's part in the beginning of the movie was unusual in that he first seems to be an effeminate young fellow picking flowers rather than joining in with the manly deer hunt and then we find he has a lady in there with him, and not his lady. Conveniently, he says his sword arm is sliced to the bone, although it doesn't look all that bad, and he passes the duel on to his unfortunate kinsman who is later walled up by his father. When we learn that the entire family line was made up of cowards it puts a different complexion on everyone's actions and makes for an adult sort of kids' movie. (It seems that cowardice was either common in that region or the other party in the duel was some sort of relative, too.)
What we and O'Brien and Young's characters learn in this movie is that courage is mind over matter not genetics and that anyone old or young can be terrified but not everyone folds like a cheap card table, whether confronted by a ghost or the enemy. Young teaches it to O'Brien and she later has to remind him of it. That is good to keep in mind in any era but especially in wartime when frightening rumors could send people into hysterics rendering them not only useless but dangerous. If the poor ghost had, when alive, stood up to his relatives he could have avoided the dire events. Instead, he ended up cowering in a corner in shame and allowing himself to be bricked in. This story and the Wizard of Oz have a common theme--the way you perceive yourself alters your actions.
What we and O'Brien and Young's characters learn in this movie is that courage is mind over matter not genetics and that anyone old or young can be terrified but not everyone folds like a cheap card table, whether confronted by a ghost or the enemy. Young teaches it to O'Brien and she later has to remind him of it. That is good to keep in mind in any era but especially in wartime when frightening rumors could send people into hysterics rendering them not only useless but dangerous. If the poor ghost had, when alive, stood up to his relatives he could have avoided the dire events. Instead, he ended up cowering in a corner in shame and allowing himself to be bricked in. This story and the Wizard of Oz have a common theme--the way you perceive yourself alters your actions.
Margaret O'Brien tries to help one of her long-dead ancestors in "The Canterville Ghost," a 1944 film also starring Charles Laughton, Robert Young, and Frank Faylen. Jessica de Canterville's (O'Brien) family owns a castle which is being used to house soldiers during their stay in the area. The castle has a very famous ghost named Sir Simon de Canterville (Charles Laughton) whose father had him imprisoned inside a wall for cowardice centuries earlier. Simon roams the castle, looking like the Cowardly Lion in royal costume. The only way he can rest for eternity is if a relative performs a courageous act in his name, i.e., by taking his signet ring and wearing it when he does the brave thing. Alas, the entire family for centuries has run the other way when danger appears, so Simon isn't having any luck. When six-year-old Lady Jessica de Canterville realizes that one of the soldiers is related to her, she begs him to help poor, tired Simon.
This is a wonderful movie, buoyed by the presence of Margaret O'Brien, surely one of the most adorable children to ever hit the screen. She's a fine actress, too - very sincere and natural. Although Mary Astor wrote in her diary that she was terrified of O'Brian during the filming of "Meet Me in St. Louis," it's kind of hard to believe. Charles Laughton turns in another masterful performance as Simon, who scares people because he thinks that as a ghost, it's what he should do. He's a riot. As Cuffy Williams, the soldier related to Jessica and Simon, Robert Young is very good as a man who begins to doubt his own courage.
"The Canterville Ghost" is loads of fun for the entire family, with plenty of comedy and some nice lessons, one of which is, when you really want something, you often need patience until you achieve it.
This is a wonderful movie, buoyed by the presence of Margaret O'Brien, surely one of the most adorable children to ever hit the screen. She's a fine actress, too - very sincere and natural. Although Mary Astor wrote in her diary that she was terrified of O'Brian during the filming of "Meet Me in St. Louis," it's kind of hard to believe. Charles Laughton turns in another masterful performance as Simon, who scares people because he thinks that as a ghost, it's what he should do. He's a riot. As Cuffy Williams, the soldier related to Jessica and Simon, Robert Young is very good as a man who begins to doubt his own courage.
"The Canterville Ghost" is loads of fun for the entire family, with plenty of comedy and some nice lessons, one of which is, when you really want something, you often need patience until you achieve it.
The ghost of cowardly Sir Simon de Canterville (Charles Laughton) is cursed to haunt an English castle until one of his descendants performs an act of bravery. It's World War II and his current descendant, six year-old Jessica (Margaret O'Brien) has opened the castle up to American soldiers. One of those soldiers (Robert Young) turns out to be a long-lost descendant of de Canterville. Now all he has to do is perform an act of bravery and the ghost will be freed.
Nice family-friendly movie with MGM gloss and quality production. Laughton has a great time and it shows. O'Brien is charming and precocious. Young is solid and likable. A fun movie that should please all but the most miserable among us.
Nice family-friendly movie with MGM gloss and quality production. Laughton has a great time and it shows. O'Brien is charming and precocious. Young is solid and likable. A fun movie that should please all but the most miserable among us.
Le saviez-vous
- AnecdotesThe bomb that Cuffy and the ghost want to dispose of was known as a "blockbuster", so-called because it was so powerful it could demolish more than a dozen buildings i.e. a city block.
- GaffesWhile many German parachute mines with time delay dropped on England during World War II; but they weren't called blockbusters. The blockbuster was a type of bomb devised by the British. At first a blockbuster was a four thousand pound bomb; but later became an 8000 and then a 12000 pound bomb. They achieved these sizes by simply bolting two or three of the 4000 pounders together. They were called Blockbusters because it was calculated that they could destroy a city block.
- Citations
Sir Simon de Canterville: Excuse me, I really must gibber at the oriole window.
- ConnexionsFeatured in Cineficción Radio: Lo fantástico (2020)
- Bandes originalesBless 'em All
(uncredited)
Written by Fred Godfrey (1917)
Revised lyrics by Jimmy Hughes and Frank Lake (1940)
Additional lyrics by Al Stillman (1941)
Sung a cappella by the soldiers
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El fantasma de Canterville
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Le fantôme de Canterville (1944) officially released in India in English?
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