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Vivre libre

Titre original : This Land Is Mine
  • 1943
  • Tous publics
  • 1h 43min
NOTE IMDb
7,5/10
4,1 k
MA NOTE
Charles Laughton in Vivre libre (1943)
DramaWar

Ajouter une intrigue dans votre langueA mild-mannered school teacher in a German-occupied town during World War II finds himself torn between collaboration and resistance.A mild-mannered school teacher in a German-occupied town during World War II finds himself torn between collaboration and resistance.A mild-mannered school teacher in a German-occupied town during World War II finds himself torn between collaboration and resistance.

  • Réalisation
    • Jean Renoir
  • Scénario
    • Dudley Nichols
    • Jean Renoir
  • Casting principal
    • Charles Laughton
    • Maureen O'Hara
    • George Sanders
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    4,1 k
    MA NOTE
    • Réalisation
      • Jean Renoir
    • Scénario
      • Dudley Nichols
      • Jean Renoir
    • Casting principal
      • Charles Laughton
      • Maureen O'Hara
      • George Sanders
    • 58avis d'utilisateurs
    • 23avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 4 victoires au total

    Photos44

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    Rôles principaux83

    Modifier
    Charles Laughton
    Charles Laughton
    • Albert Lory
    Maureen O'Hara
    Maureen O'Hara
    • Louise Martin
    George Sanders
    George Sanders
    • George Lambert
    Walter Slezak
    Walter Slezak
    • Major Erich von Keller
    Kent Smith
    Kent Smith
    • Paul Martin
    Una O'Connor
    Una O'Connor
    • Emma Lory
    Philip Merivale
    Philip Merivale
    • Professor Sorel
    Thurston Hall
    Thurston Hall
    • Mayor Henry Manville
    George Coulouris
    George Coulouris
    • Prosecutor
    Nancy Gates
    Nancy Gates
    • Julie Grant
    Ivan F. Simpson
    Ivan F. Simpson
    • Judge
    • (as Ivan Simpson)
    John Donat
    • Edmund Lorraine
    Philip Ahlm
    • German Second Lieutenant
    • (non crédité)
    Frank Alten
    • Captain Schwartz
    • (non crédité)
    Louis V. Arco
    • German Sergeant
    • (non crédité)
    John Banner
    John Banner
    • German Sergeant
    • (non crédité)
    Joan Barclay
    Joan Barclay
    • Young Woman
    • (non crédité)
    Trevor Bardette
    Trevor Bardette
    • Courtroom Guard Who Brings Albert's Notes
    • (non crédité)
    • Réalisation
      • Jean Renoir
    • Scénario
      • Dudley Nichols
      • Jean Renoir
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs58

    7,54K
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    Avis à la une

    SamHardy

    Great American Film, Outstanding performances.

    About half way through this film I became aware that I was in the presence of greatness. It may not be perfect but it is about as good films got during the war. Many films at the time were made that painted the Nazi occupation as a black and white issue. You will know after seeing this that that is wrong. All the characters here are in shades of gray. That is the films power. This should be a classic. Why it is not available on DVD in region 1 is a mystery to me.

    The lead actors are all extremely good here, and of course a stand out performance by Charles Laughton. I have seen quite a few of Laughton's films and I am always amazed by his range of roles. He goes from heavy to hero and everything in between. He was, in my opinion, one of the very few really great actors of his time. I have seen him in some bad films but I have never seen him give a bad performance!

    Speaking of heavies, did you notice that all the male leads have successfully played heavies? They all give very nuanced interpretations here that go way beyond black and white. Go see it.
    9son_of_cheese_messiah

    Remarkable film, still relevant

    Although I consider myself a film buff, I confess I had never of this film until I saw being broadcast last night at 1.30 in the morning. I was expecting some pedestrian war time propaganda but the presence of Charles Laughton convinced me to watch it. I am astonished that such a powerful film is so little known and broadcasting only rarely.

    One could argue (as had been done in the comments here) that Laughton's transformation from mouse to man is rather too swift. I myself found it totally convincing but it is in the nature of Hollywood to exaggerate these things to make a good movie.

    The comparison to "inherit the wind" and "To Kill a mockingbird" is well made here, but the question remains, why is this film so little known? The answer, I think, is that those films make the middle classes feel good about themselves. Everyone fancies themselves to be an Atticus Finch who can recognise the ignorance of 'common people'. But TLIM points the accusing finger at the Atticus Finch's of the world, the men of learning and intelligence who are quite prepared to justify working with evil and persuading themselves that it is not so bad. As such it is as relevant (sadly) as it ever was.
    7ma-cortes

    Anti-Nazi film about a timid teacher becomes involved into the actions of the resistance and charged with murder

    One of greatest anti-war films with memorable acting from Charles Laughton , Maureen O'Hara and George Sanders . It's a moving reflexion about war , sacrifice and death . A mild-mannered schoolteacher (Charles Laughton) in a Nazi occupied town during WWII finds himself being torn between collaboration and resistance . He is quite friendly with his fellow teacher , Louise Martin (Maureen O'Hara) and her brother Paul (Kent Smith ) . Meanwhile , at school and street many prohibited books, considered "un-German," were broken or burned in the book-burning pile . Albert is charged with murder but the local Nazi commander, Major Erich Von Keller (Walter Slezak) , offers him a deal . At the end the teacher begins reading to his students "The Declaration of the Rights of Man and of the Citizen" (French: Déclaration Des Droits l'Homme Et Du Citoyen), a fundamental document of the French Revolution.

    This is an excellent classic anti-war movie and deals about sacrifice , collaboration , comradeship , human relations and in which a shy man is drawn into the actions of the resistance . A heart-breaker and elegiac movie in the way it shows war undercutting and qualities of a timid but good teacher . This is a well-paced , deliberate and magnetic drama set in WWII . It is a riveting film dealing with thought-provoking issues , wonderful acting and anti-Nazi denounce . Anyway, the film is very interesting , thematically intriguing and brooding . Time has not diminished its qualities nor its charming to the emotions . Interesting performances enhance an eloquent screenplay by Dudley Nichols . Impressive defense final speech , though propaganda , which is arousing the citizens in court . The film opened simultaneously at 72 theaters in 50 key cities on 7 May 1943, setting a box office record for gross receipts on an opening day. Excellent acting by the great Charles Laughton , giving a remarkable , self-effecting performance as a coward , mild-mannered teacher who is drawn into the actions of the resistance . Very good support cast includes extraordinary actors as George Sanders as George Lambert , Walter Slezak as Major Erich Von Keller , Kent Smith as Paul Martin and special mention to Una O'Connor as mother at a sympathetic though exaggerated interpretation .

    The film is excellently screen-written and directed by Jean Renoir who approach the intensity and feel of his best works. Son of painter impressionist Auguste Renoir , was perhaps the best of French directors . At its initial French period he directed classics as ¨Boudu saved drowning, Rules of the game, Marseillaise, Day in the country¨ and of course ¨Grand Illusion¨ in which his optimism remains relentless . Renoir was in Hollywood for seven years, where he made ¨Swamp water, Southerner, Diary of chambermaid, This land is mine,and Woman on the beach¨. He returned France where directed other classic films as ¨Carrozza dóro, Testament Dr Cordelier, Picnic on the grass, Vanishing corporal¨ and several others. His films have influenced on Francois Truffaut, Luchino Visconti, Satyajit Ray , among them. Rating : above average, an extraordinary and sensational film.
    canard111178

    A wonderful piece of propaganda

    In an interview with Cahiers du Cinema in the 1950s, Renoir reluctantly referred to this film as "my own propaganda." Early Hollywood depictions of the french had portrayed them as unscrupulous collaborators. (That includes Casablanca). Renoir, who was in France when it fell, was justified to feel this was an unfair portrayal. This Land is Mine was his way of showing America what it was like to be a conquered country. Each character becomes an icon of every section of French society. It's not trademark 'Renoir' and he admits it. Because it was so important to make sure the film found its audience, he says he "took less risks"

    The mission worked. The film was a success and attitudes towards the French changed... two other Warner Bros films, also starring Bogart, made after Casablanca (and more importantly This Land is Mine), portray the French as heros and patriots with a just cause.

    Brilliant acting, brilliant script, brilliant propaganda!
    8rupie

    Excellent, and pointed

    I can vaguely remember seeing this movie on television years ago, and recalled it as a movie with an anti-Nazi message. Seeing it again recently, and with a lifetime of reading behind me, I realize it has further depths of meaning.

    Despite the pretense of being set "somewhere in Europe," it is beyond doubt that Renoir had France very specifically in mind. He was a French émigré, and it's clear that he has a message for his countrymen about the great number of them that chose to collaborate with the Germans. But the film is not a sledgehammer, in that the Germans are not portrayed as the stereotypical jackbooted thugs. Their official voice in the film, the officer played by Walter Slezak, has a silky sort of charm and shows how easy it can be to cooperate in the name of so many things - peace, order, stability, etc. etc. Laughton's final courtroom speech has so many specific references to the situation in France that it cannot be interpreted as other than such. And the final finishing touch is Laughton's last lesson to his students before being taken away - he reads from the "Declaration of the Rights of Man" from the French Revolution.

    Aside from that it is an excellent story very well told, and the production values are extremely high - the print I saw looked excellent even after 60-some years. The cast, of course, is superb, with Laughton, Slezak, and Maureen O'Hara. Particularly good is George Sanders, in a role very different from his stereotype as the suave and debonair cynic. The whole "mama's boy" aspect of Laughton's character is a bit heavy-handed, but it's still to watch Una O'Connor as his mother (you just can't help recalling her tavern woman's part in "The Invisible Man").

    Thsi is not just an excellent movie, but an interesting historical artifact as well.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The singing of "Die Lorelei" by the German soldiers was a subtle dig at the anti-Semitic regime of the Nazis, since the words were written by banned Jewish poet Heinrich Heine. Many of his books, considered un-German, were burned in the book-burning episode at Opernplatz, Berlin, Germany, on 10 May 1933. However, his works were so popular that they were still published, but "author unknown" was the listed writer. In his 1821 play "Almansor," Heine also prophetically wrote "Dort, wo man Bücher verbrennt, verbrennt man am Ende auch Menschen" ("Where they burned books, they will in the end burn people").
    • Gaffes
      When Paul Martin is trying to escape by jumping from car to car in the rail-yard, one of the parked box cars to the side clearly has the Great Northern logo. Whilst Great Northern was a large operation, its rails didn't reach to Nazi-occupied Europe. Another car is clearly marked "SP" for the Southern Pacific railroad.
    • Citations

      [At Albert Lory's murder trial, the Prosecutor produces a "suicide note," proving that George Lambert killed himself. But Lory will not have it]

      Albert Lory: The letter's forged, Your Honor. Major Von Keller told me last night... The prosecutor wrote that letter himself. I think he's trying to save my life.

      [laughter ripples through the courtroom]

      Prosecutor: This is no laughing matter! Your Honor, for the sake of the dignity of this court, I respectfully ask that the man who started that unseemly outburst be forcibly removed from the room!

      Judge: The court agrees with you, Mr. Prosecutor! Which of you started that laughter? Please stand up.

      [Silence. No one in the courtroom stands up]

      Judge: I ask you again, who started that laughter?

      Albert Lory: Excuse me, Your Honor. I don't know, but I think I can guess. Perhaps it was the Unknown Soldier.

    • Crédits fous
      Opening credits prologue: "Somewhere in Europe--"
    • Connexions
      Featured in The Hollywood Greats: Charles Laughton (1978)
    • Bandes originales
      Die Lorelei
      (1838) (uncredited)

      Music by Friedrich Silcher (1838)

      Poem by Heinrich Heine (1823)

      Played on accordion by Kent Smith and sung by the German soldiers

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    FAQ

    • How long is This Land Is Mine?
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    Détails

    Modifier
    • Date de sortie
      • 20 novembre 1946 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Allemand
      • Latin
    • Aussi connu sous le nom de
      • This Land Is Mine
    • Lieux de tournage
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Sociétés de production
      • RKO Radio Pictures
      • Jean-Renoir- Dudley Nichols Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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