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Ajouter une intrigue dans votre langueTwo producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.Two producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.Two producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 1 nomination au total
S.Z. Sakall
- Dr. Schlenna
- (as S.K. Sakall)
Avis à la une
Thank Your Lucky Stars (1943)
*** (out of 4)
Pretty much plot-less "musical" doesn't need a plot when you have guests stars that include Humphrey Bogart, Bette Davis, John Garfield, Errol Flynn, Olivia de Havilland, Jack Carson, Dinah Shore, Ann Sheridan, Dennis Morgan, Ida Lupino and many, many more. What plot the film does have centers around a benefit show where a couple new to Hollywood tries to get on to make a name for themselves. We also have Eddie Cantor playing not only himself but the role of another man trying to break into the business. If you want any type of story then you're going to be disappointed but if you come to a film like this wanting a story then I'm not sure what to tell you. One must remember that the country was at war when this was made and in the end the studio just wanted to deliver something fun and that's what they did. With so many great A-list stars you can't help but have fun even when they're either making fun of themselves or making a fool out of themselves by singing. Flynn and Davis are really bad to listen to but at least they both are having fun with it. Bogart has a funny bit as the "tough guy" who gets pushed around by a nobody. Bogart's reply to this is priceless. Garfield is also quite good as he's the first one to appear in the film and he gets it off to a great pace. Character actor Richard Lane also appears as a character and does fine work as does the rest of the supporting cast. Cantor really seems to be having a blast with some great songs as well as making fun of himself as a boob throughout. All in all, this is a very entertaining movie even if the 127-minute running time goes on a bit too long but there's no way to deny the charm of seeing all these stars in one film.
*** (out of 4)
Pretty much plot-less "musical" doesn't need a plot when you have guests stars that include Humphrey Bogart, Bette Davis, John Garfield, Errol Flynn, Olivia de Havilland, Jack Carson, Dinah Shore, Ann Sheridan, Dennis Morgan, Ida Lupino and many, many more. What plot the film does have centers around a benefit show where a couple new to Hollywood tries to get on to make a name for themselves. We also have Eddie Cantor playing not only himself but the role of another man trying to break into the business. If you want any type of story then you're going to be disappointed but if you come to a film like this wanting a story then I'm not sure what to tell you. One must remember that the country was at war when this was made and in the end the studio just wanted to deliver something fun and that's what they did. With so many great A-list stars you can't help but have fun even when they're either making fun of themselves or making a fool out of themselves by singing. Flynn and Davis are really bad to listen to but at least they both are having fun with it. Bogart has a funny bit as the "tough guy" who gets pushed around by a nobody. Bogart's reply to this is priceless. Garfield is also quite good as he's the first one to appear in the film and he gets it off to a great pace. Character actor Richard Lane also appears as a character and does fine work as does the rest of the supporting cast. Cantor really seems to be having a blast with some great songs as well as making fun of himself as a boob throughout. All in all, this is a very entertaining movie even if the 127-minute running time goes on a bit too long but there's no way to deny the charm of seeing all these stars in one film.
See all of your favorite 1940s Warner Bros. stars as you've never seen them before!
This star-studded WWII morale-booster is not unlike similar star-studded WWII morale-boosters put out by other studios, featuring the big names in brief cameos sprinkled throughout a thin "let's put on a benefit" plot. Here the WB stars perform little vaudeville sketches, singing and dancing, as part of a charity show. And we're talking some big names here: Bette Davis, Errol Flynn, Olivia de Havilland, John Garfield, Ida Lupino, Ann Sheridan, Jack Carson, etc.
The real star, however, is Eddie Cantor. Much of the movie is about how annoying and overbearing Cantor is, with Cantor in a dual role as both a parody of himself and his resentful look-alike. In an exhibit of good-humored self-deprecation, Cantor allows his name to be dragged through the mud by critics of his corny jokes and swollen ego (his alternate character among them). As one character or the other Cantor moves the screwy plot along.
This movie is simply a star-studded, feel-good musical. And it is a lot of fun. The stars who really shine in this are John Garfield, Bette Davis, and Cantor. Dinah Shore is featured prominently in her first screen appearance and we even get to see Spike Jones and His City Slickers in action. Errol Flynn has a nice number and Alexis Smith shows off her dancing background. S.Z. Sakall is hilarious as always and the young romantic couple (Joan Leslie and Dennis Morgan) make sure to plug recent WB successes. (Leslie lets go with impressions of Lupino and James Cagney.)
It's interesting, in the scene where Olivia de Havilland and Ida Lupino dance on either side of George Tobias (in a slightly awkward jive routine), to note the contrast in the actresses' performances. Both de Havilland and Lupino are in the frame, basically playing clones of each other. But it seems like de Havilland just put so much more into her performance, particularly with her facial expressions.
It's a treat to see all of these stars in one movie and it's a treat to see them do something fun and different. The songs won't always blow you away, but they're pleasant enough. The finale is a medley of all the songs we've heard, with the welcome return of the stars we've seen. It's a fitting cap to the viewer's journey, and should leave everyone in a good mood. I think I liked the music more after hearing it all reprised in the finale.
Top-billed Humphrey Bogart has about a minute of screen time and, though he leaves an impression, he doesn't do any singing or dancing.
This star-studded WWII morale-booster is not unlike similar star-studded WWII morale-boosters put out by other studios, featuring the big names in brief cameos sprinkled throughout a thin "let's put on a benefit" plot. Here the WB stars perform little vaudeville sketches, singing and dancing, as part of a charity show. And we're talking some big names here: Bette Davis, Errol Flynn, Olivia de Havilland, John Garfield, Ida Lupino, Ann Sheridan, Jack Carson, etc.
The real star, however, is Eddie Cantor. Much of the movie is about how annoying and overbearing Cantor is, with Cantor in a dual role as both a parody of himself and his resentful look-alike. In an exhibit of good-humored self-deprecation, Cantor allows his name to be dragged through the mud by critics of his corny jokes and swollen ego (his alternate character among them). As one character or the other Cantor moves the screwy plot along.
This movie is simply a star-studded, feel-good musical. And it is a lot of fun. The stars who really shine in this are John Garfield, Bette Davis, and Cantor. Dinah Shore is featured prominently in her first screen appearance and we even get to see Spike Jones and His City Slickers in action. Errol Flynn has a nice number and Alexis Smith shows off her dancing background. S.Z. Sakall is hilarious as always and the young romantic couple (Joan Leslie and Dennis Morgan) make sure to plug recent WB successes. (Leslie lets go with impressions of Lupino and James Cagney.)
It's interesting, in the scene where Olivia de Havilland and Ida Lupino dance on either side of George Tobias (in a slightly awkward jive routine), to note the contrast in the actresses' performances. Both de Havilland and Lupino are in the frame, basically playing clones of each other. But it seems like de Havilland just put so much more into her performance, particularly with her facial expressions.
It's a treat to see all of these stars in one movie and it's a treat to see them do something fun and different. The songs won't always blow you away, but they're pleasant enough. The finale is a medley of all the songs we've heard, with the welcome return of the stars we've seen. It's a fitting cap to the viewer's journey, and should leave everyone in a good mood. I think I liked the music more after hearing it all reprised in the finale.
Top-billed Humphrey Bogart has about a minute of screen time and, though he leaves an impression, he doesn't do any singing or dancing.
This is a great movie.Dinah Shore sings beautifully and Eddie Cantor is hilarious!Dennis Morgan and Joan Leslie are sweet together and sing "I'm riding for a fall" and "No You,No Me". Jack Carson and Alan Hale do a cute routine and Alexis Smith dances wonderfully.Bette Davis and Errol Flynn sing!Any person who likes star-filled movies with lots of songs and comedy should see this film!I recommend it!!
Thin plot but nice songs and an assortment of WB stars make for an imperfect but enjoyable musical comedy. Acquired taste Eddie Cantor plays two roles so grit your teeth for that. He's very corny and vaudevillian. I'm not typically a fan of his but this is one of his more tolerable movies. In addition to regular singers Dinah Shore, Dennis Morgan, and Ann Sheridan, there are rare musical numbers by Bette Davis, Errol Flynn, John Garfield, and Ida Lupino. Garfield can't sing to save his life but the others are good. Aside from these, my favorite number in the movie is probably the all-black "Ice Cold Katie" number with Hattie McDaniel. Also an amusing non-musical cameo from Humphrey Bogart. Despite its flaws and overlength, it's hard to dislike. An enjoyable bit of fluff that will especially please fans of classic movie stars.
The unforgettable Eddie Cantor is the glue which holds this wartime extravaganza together. He was one of the few great singers who could double as a first rate comedian.
Other reviewers have pretty much covered all angles but for me the high point is the appearance of Spike Jones and his City Slickers, performing one of their hilarious numbers. Once you've experienced Spike, you just can't get enough of his unique style, if that's the right word.
Bogart's appearance is amusing while Miss Davis provides a memorable performance. None of the other Warners stars really stand out. For me, 'Starlift' is a better star vehicle, though it would come almost a decade later.
Other reviewers have pretty much covered all angles but for me the high point is the appearance of Spike Jones and his City Slickers, performing one of their hilarious numbers. Once you've experienced Spike, you just can't get enough of his unique style, if that's the right word.
Bogart's appearance is amusing while Miss Davis provides a memorable performance. None of the other Warners stars really stand out. For me, 'Starlift' is a better star vehicle, though it would come almost a decade later.
Le saviez-vous
- AnecdotesWhen Conrad Wiedell takes Bette Davis and does the jitterbug, she felt he was holding back in rehearsals and told him to treat her like an experienced dance partner. When the cameras rolled, Wiedell--a national jitterbug champion hired specifically for this dance--pulled out all the stops and swung her around and she fell on her knee. As she finishes her song, she is seen limping out of the nightclub set and leaning against a post, rubbing her knee. This was a real injury, but she finished the song despite the pain. When director David Butler asked Davis to "try it once more," she replied, "No! No! I said one take, and that was it." She then turned to the press who had shown up to watch her number, telling them "Show's over, gentlemen. Now get the hell out."
- GaffesIn one of the scenes, Eddie Cantor dressed as an American Indian, is being chased by other men dressed as American Indians, the film negative has been flipped; the signs on store windows are backward/mirror images.
- Citations
Humphrey Bogart: [after an effort at being tough has no effect whatsoever on S.K. Sakall] Hey, I must be losing my touch! I hope my movie fans don't hear about this!
- Crédits fousAt the end, the words "THE END" are sewn into the curtains.
- ConnexionsFeatured in Arena: Bette Davis: A Basically Benevolent Volcano (1983)
- Bandes originalesThank Your Lucky Stars
(1943) (uncredited)
Music by Arthur Schwartz
Lyrics by Frank Loesser
Performed by Dinah Shore on a radio show
Reprised by a chorus at the end
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- How long is Thank Your Lucky Stars?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Thank Your Lucky Stars
- Lieux de tournage
- Beverly Hills, Californie, États-Unis(tour of stars' homes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 568 000 $US (estimé)
- Durée
- 2h 7min(127 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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